[Audio] Jensen Sportag’s ‘Stealth Of Days’

 

Last week, Nashville chili-peppers Jensen Sportag released their long awaited second album, Stealth Of Days. It seems to be being referred to as their début, we’re not quite sure where that leaves their 2006 untitled full lengther on Midisport, maybe that was just a ‘collection of works’ or something? Anyhoo, despite having been listening to our promo copy of Stealth Of Days a hell of a lot over the past couple of months we dropped the ball and neglected to post a review in timely fashion. Real life stuff weighed heavy on our shoulders last week. Stupid real life stuff, always getting in the way of writing words on the internet. So without further ado, better late than never, let’s stick our heads in the chiller-cabinet and see what’s occurring.

At the time of writings, it’s a Sunday, and it’s Autumn. We could sum up Stealth Of Days by saying it’s a very Autumn Sunday album. It warms you when it’s cold outside, it’s relaxing without being dull, it’s intelligent and meticulously crafted and loaded with grooves to carry you away and spark your imagination, like so much of Jensen Sportags material. From that first CD, through the Sergio and Jackie EPs, to their début for Cascine, the Pure Wet EP, Austin and Elvis have always delivered something to get excited about. Drawing from R&B, Chillwave, Indie, SynthPop, Avant-Garde and a healthy dose of Yacht Rock, these guys have consistently unleashed music that is both funky and chilled, like a disco under the duvet. Very few artists can make music so complex so damn smooth.

The record kicks off with Rain Code, a hazy, ethereal, R&B tune that is a brave choice for album opener, but once you slip into it’s experimental waters it makes perfect sense, setting up stealth Of Day’s mood. Were this a soundtrack to a movie, this initial piece would convey in detail the world you were entering. The shuffling beats make their first appearance of Six Senses, alongside rounded LA Funk bass and light Disco licks that weaves though their haunting and abstract Soul. Stealth Of Days seems to get increasingly more coherent as it plays, the laid back  beach groove of Light Through Lace leading to the the cavernous alt R&B of Falling Doves still keep the ghostly ambience going but upon hitting After Gardens the album starts to focus more. After Gardens is a silky slice of soulful Pop that precedes one of the albums highlights, Hidden, Hunted, a rolling and infectious slow jam were dreamlike vocals, ticking rhythms and reverb washed synths all hit just the right spot. Bellz and Under The Rose are up next, both good choices for advance preview tracks, both thick with supernatural grooves, resurrected 80s hooks and an otherworldly dancefloor appeal. Blue Shade works a smokey, night time, urban feel while Blood Hourglass closes the album in epic style with five minutes of piano led power jamz fed though a vintage radio. Awash with nostalgia, you get a sense of the genuine passion for what they are doing from Jensen Sportag on Stealth Of Days. Everything is so delicate and intricate and hones to perfection, the album really feels like a labour of love.

♫ Jensen Sportag – Hidden, Hunted

♫ Jensen Sportag – Falling Doves

♫ Jensen Sportag – Blue Shade

♫ Jensen Sportag – Bellz

Jensen Sportag’s Stealth Of Days is out now.

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[Download] Computer Magic’s ‘Extra Stuff’ EP

 

Computer Magic

Extra Stuff. That’s what you want. Who doesn’t want extra stuff? And That’s just what Brooklyn’s finest synthstronaut, Danielle ‘Danz’ Johnson, better know as Computer Magic, is giving us. Including her recently released tune, All I Ever Wanted,  and six other amazing tracks, Dani is giving away the whole Extra Stuff EP away for free right up until it goes on sale officially this week. But go and buy it anyway, it very much deserves some of your hard earned. The EP is made up of Computer Magic tunes that have found themselves online, some tracks released only in Japan and three brand new songs, that’s the kind of Extra Stuff we’re into.

The EPs opener, Time And Reason, is short but worth the admission price alone. A soaring introduction to the EP which sees Dani’s vocals sounding larger than ever set amongst rolling arpeggios. It Makes No Difference is a bong fuelled Cosmic jam, wailing vocals and buzzing synths trying to contain the chaos of the song. There’s a slight Post-Punk vibe to I’m The Pro, a strong New York feel too, all pulsating vintage synths and hollered voice giving off an intense DIY energy. Returning to the retro SynthPop arena for Time To Decide, showing off her 80s British Pop influences and Summer Vacation’s Parisian ElectroPop vibe Computer Magic settles into a sweet alt Pop groove for the EP’s middle section. Dani’s curiously heartfelt vocals are quite inviting, bobbing along with the warm classic electronic sounds. The EP closes on the stripped back and cute Living For A Second Day and the Synth ‘N’ Roll of the previously featured All I Ever Wanted. If you’re into the DIY synth thing, or New York SynthPop, or just some really enjoyable ElectroPop tunes, then check out this EP.

Computer Magic – Time To Decide

Computer Magic – Time And Reason

Computer Magic – Summer Vacation

Computer Magic – I’m The Pro

Computer Magic’s Extra Stuff EP is available to download not before it goes on sale this week.

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[Audio] The Swiss’ ‘Kiss To Kiss’ (+ Amtrac, Pyramid and Breakbot reMixes)

 

The-Swiss

Australian Disco duo The Swiss released their latest EP last week. The follow up to their Eloisa EP, and again unleashed via Kitsuné Music, Kiss To Kiss is a classy DiscoPop epic backed with four storming reMixes featuring works from names such as of Breakbot, Pyramid and Amtrac. It’s a pretty impressive package, with each version taking on a life of it’s own. You won’t find four cookie cutter Disco mixes here, each one has a very separate identity.

The original version of Kiss To Kiss is a lush and opulent affair. Rich in Cosmic Disco synths applied to a 70s Mirrorballed arrangement. Canadian singer Roxane Ashley Aiston (from Cordova’s amazing Paradigm) lends her sweet voice to the track, her vocals gliding across the track like silk, rising and falling with the track, melding with the think synths to create something both Funky and pretty cinematic. This is epic DiscoPop right here. Amtrac does an excellent job of taking that vocal line and going all Deep House with it. Growling sine basses and 909 hats are the order of the day here as Amtrac weaves the surprise standout on the EP, a sure-fire club hit. Sci-Fi SynthWaver Pyramid plays up the bombastic nature of the track as he delivers one of his soaring Terminator version of the song. Gruff bass and cascading synths from a dystopian soundtrack dominate the track only to be tempered with some unexpected sweet Disco licks. We we’re half prepared to be a bored with the Breakbot reMix, he’s gotten a little samey of late, but subverting out expectation he turns is a massive vintage Cosmic Disco oddessy, loaded with electronic zaps and pows and a tough, but funky, analog bassline. Alongside an extended version and B-side Golden Century, this really is an awesome collection of tracks. Pity the cover artwork is truly awful though.

♫ The Swiss – Kiss To Kiss (Original)

♫ The Swiss –  Kiss To Kiss (Amtrac reMix)

♫ The Swiss – Kiss To Kiss (Pyramid reMix)

♫ The Swiss – Kiss To Kiss (Breakbot reMix)

The Swiss’ Kiss To Kiss is out now.

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[Audio] Sam Smith X Nile Rodgers X Disclosure X Jimmy Napes’ ‘Together’

 

Sam Smith X Nile Rodgers X Disclosure X Jimmy Napes

So, we weren’t going to write about this song. Obviously as soon as a track with a line up like Sam Smith X Nile Rodgers X Disclosure X Jimmy Napes hit the internet every blog and their dog featured it (sometimes whether they liked it or not, it’s all about the traffic y’all!), so there was no point and honestly, could any track, let alone one written in a day, deliver in the promises that line up makes? But here’s the thing, it’s actually a really good tune. It’s definitely a grower, but having had the weekend to let it sink in we are digging it more and more with each listen.

From it’s infectious rubbery bass wobbles to the smooth vocals, there’s just something about this track that gets under your skin. Nile’s Tropical infused guitar playing against the decidedly British take on Funk is a lot more exciting on repeated listens, and the vocal harmonies are pitch perfect. It’s a short tune, and one that doesn’t feel like and of the contributors individually. That must have been one good day in the studio.

♫ Sam Smith X Nile Rodgers X Disclosure X Jimmy Napes – Together

Sam Smith X Nile Rodgers X Disclosure X Jimmy Napes’ Together is out soon.

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[Audio] DiscoSocks reMixes Reset!’s ‘I Need You’

 

Reset!

Reset!’s I Need You was one of the big songs of the summer, big grinding Electro-House with a Disco soul. It occasionally veered a little too far of the Turbofunk path into American ‘EDM’ territory, but on the whole was a slamming tune. So, a few months later here’s London bass jockey DiscoSocks to smooth over the tracks rough edges and reel it back into a dancefloor fun arena. It’s part of the official reMix package that was released this weekend. Get on-board.

DiscoSocks morphs the aggressive growl of the original into a Chromeo-esque slice of slick Disco. Leaning heavily, of course, of the Sock’s awesome bass playing, the track revels in the irresistible bassline running throughout. Layering that with slick Disco licks and heavyweight vintage synths DiscoSocks makes everything, from the hook to the vocals, just that little bit groovier. We just can’t imagine a situation that would prevent you for moving to this one, not even if your dead. If you can’t dance to this one then it may be time to reassess what you’re doing with your life. DiscoSocks really is rising to the top of the London Disco scene.

♫ Reset! – I Need You (DiscoSocks reMix)

Reset!’s I Need You is out now.

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[Audio] Dimitri From Paris reMixes Skream’s ‘Rollercoaster’

 

Skream

Dubstep and Bass producer tuned Disco funkster Skream’s recent, and slightly controversial we guess, single, the Sam Frank featuring Rollercoaster stirred the pot a little. Disco dudes made frown faces at this one time bass head encroaching on their mirrorballed dancefloor and Dubstep bros bemoaned the mans abandonment of ‘serious’ music for something with a little more soul. At the end of the day Rollercoaster was actually a really good Disco tune, one that just highlighted what a talented producer Skream is, whatever he turns his attention to. Anyhoo, the track’s been given a reMix workout by one of our favourite producers from he last few years, Dimitri From Paris. Check it out.

With a little help on live instrumentation from Alex Finkin, Dimitri delivers a top notch seven (nearly eight) minute dancefloor epic. Loaded with sweet vocoding, heavyweight bass and an utterly irresistible groove. Big, squelchy, vintage synths dominate the track, warbling here and there against the talk box refrain, breaking momentarily for a soaring solo, before launching back into the sparkly funk. Pure Disco bliss.

♫ Skream (Feat. Sam Frank) – Rollercoaster (Dimitri From Paris reMix)

Skream’s Rollercoaster is out now.

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[Audio] Fred Falke reMixes Pompeya’s ’90’

 

Pompeya

Remember 2008/2009 when it felt like French Touch Pop legend Fred Falke had a hand in everything you listened to? Seems like he;s been pretty quiet of late, but when he does drop a new track it just reminds us how how much we miss his tunes. Case in point; this new reMix of Russian Pop Funk outfit Pompeya’s new song 90.

This reMix of 90 is a spacious affair, but we’d expect no less from a producer of Falke’s experience. There’s tons going on, but it all sits nicely together without sounding cramped. The bright , ringing, synths don;t clash with the infectious Disco licks. The drums don;t jostle for room with the driving bassline. Peppered with vocoding and a majestic piano hook, this reMix is like a Disco wonderland, slightly mysterious but totally compelling.

♫ Pompeya – 90 (Fred Falke reMix)

Pompeya’s 90 is out now.

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[Download] Edwin Van Cleef’s ‘Two As One’

 

edwin-van-cleef

New tunes from Leeds based producer Edwin Van Cleef are becoming more few and far between recently. We’d like to take this opportunity to lodge a formal complaint at this turn of events. Don’t worry yourself too much though, as we do have a shiny new tune from the man today. Two As One is already getting spins from the likes of Grum, Goldroom and Justin Faust and we’d expect to see in cropping up in a whole load of mixtapes in the coming weeks.

What you have here is a lush, involving slice of synthy Disco-House. It’s a bit Tropical, and a bit ‘waves crashing in’, but also very British. So we guess, rather than having a beach vibe, it’s more of a sea-side vibe, but like a sea-side in space, as it’s quite cosmic too with big snyth sweeps flying all over the shop. It’s a classy summer House track loaded with breezy keys and relaxed basslines. Add a couple of haunting vocal samples to the mix, alongside some hay piano and you’ve got the perfect recipe for late night summer dancing. It’s just a pity it’s the middle of winter.

Edwin Van Cleef – Two As One

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[Audio] Little Jinder’s ‘Shh’

 

Litenjinder

Sweeden’s BassPop princess Little Jinder is back with a bran new single, and it’s something s little different. A departure from Jinder’s madcap and upbeat electronic Pop. Shh is not only a sweet, and haunting, slice of Scandinavian goodness, but it;s sung in Josefine’s native Sweedish. This one’s a real grower.

Not quite as tangibly Pop as the likes of Whatever 4ever or Won’t Look Back, Shh feels a bit more left-field, not just because of the Sweedish vocals, but the music is playfully quaint in is use of synths and vintage drums. It’s a totally engrossing single, and one that proclaims what we’ve been saying for years. Little Jinder is pretty ace really.

♫ Little Jinder – Shh

Little Jinder’s Shh is out today.

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