Jordan F’s ‘Summers Of Tomorrow’ redux

Jordan F

Australia’s finest SynthWave export Jordan F originally released the Summers Of Tomorrow EP last year. It was kinda’ just before the excursion with his alter-ego Countach. Now he’s fully back in Jordan F mode he’s revisited the EP, it’s been refreshed, remastered and has a little track list tweak. The all-new Summers Of Tomorrow EP is heading your way right now.

Beginnings kicks of the EP, and the differences are readily apparent. This version is a lot slicker. Gone is the abrasive bass sound, replaced by a more atmospheric tone, and the whole production is a lot more well rounded. Everything sits together a lot nicer, for an instrumental, soundtrack peice such as this it makes all the difference. Whilst the original has an Italo rawness, these track sound a lot more mature. Abandoned Streets is abandoned in favour of it’s Crime In Fourth Sector counterpart, and again, the remastering is a revelation. Softening the gritty synth work allows the rhythm a section to carry the song a lot more fluidly. The neon drenched dystopia theme works it way into the track a lot better with this version, the powerdrive soundtrack Electro feeling more comfortable with itself. Dream Machine, the EP’s new addition, was obviously written with unicorns in mind, a pulsing electronic haze that Vangelis would have been proud of. Renegade probably benefits the most from the reworking, the whole track working as a rich emotive Italo stomper much better with everything lying tighter in the mix. The EP’s title track, a outro, Summers Of Tomorrow, is here fully allowed to realise it’s epic, Sci-Fi, majesty without the drums overbearing. Actually, it’s the drums where you hear the biggest difference in this remastering, they don’t dominate the tracks anymore, they become part of them. Jordan F is easily in the top five musicians making SynthWave right now, without a doubt, but this new found maturity to his productions will push him even higher. There may be an album coming soon, and that’s exciting as hell.

♫ Jordan F – Crime In Fourth Sector

♫ Jordan F – Dream Machine

♫ Jordan F – Renegade

Summers Of Tomorrow is available right now, for free, at Jordan F’s Bandcamp.

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Young Digerati’s ‘Endless Bummer reMixed’

Young Digerati

Bay Area Indie-ElectroPop outfit Young Digerati’s recent ‘Endless Bummer EP was a skilful mix of jangly Indie and retro ElectroPop. A lot more guitary than their previous output, something that normally has us on the fence, the EP did contain some catchy tunes. Good news then that some of the finest SynthWave reMix talent has come along to give those tunes a good old synth workout. Smooth grooves incoming.

The whole EP, all five tracks, are all pretty superb, ranging from Electro-House, to Italo to Dreamwave, but out picks would be the work contributed by Silenx, 80s Stallone and Sex By Surprise. Silenx wow us one again with his super slick production on his reMix of Peak Performance. Injecting a little more funk into his sound than usual, Joel goes full on Cosmic Disco. Adding the core of the last couple of years of some of the best SynthWave around, he adds some funky slap bass and Moog-esque stabs, to a truly galactic Funk experience. Also taking on Peak Performance, 80s Stallone hits the ground running with his 80’s sound, immediately Italo, from the arpeggiated bassline to the EuroPop riff, before raising the track up with some big retro chords. The vocal is used sparsely in 80’s Stallone’s take, but Chris Stallone’s melodies more than make up for it. The EP rounds off with SxS’s robotic Electro take on Young Digetati’s biggest tune to date, The Dauphin. Normally associated with a laid back beach party vibe, SxS turn the track into an Electro-House anthem, packed with nervous energy and bright, intertwining, synth lines. Did we mention the EP is free, that’s five top quality tunes for no money whatsoever. Bargain!

Young Digerati – Peak Performance (Silenx reMix)

Young Digerati – Peak Performance (80s Stallone reMix)

Young Digerati – The Dauphin (Sex By Surprise reMix)

You can pick up Young Digerati’s Endless Bummer reMixed Ep for free here.

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Android Automatic

Android Automatic

Android Automatic is a Detroit based SynthWave project. His SoundCloud page is chock full of bouncy electronic tunes with a strong ‘80’s leaning. He;s just dropped a new double A-side single, available for free, Electric Nights & Starset.

Electric Nights shows the real complexity of Android Automatic’s work, not quite disco enough to be Nu-Disco, but more Disco than most SynthWave, AA’s tunes chug along on an Italo groove, a digital bassline that would make Moroder proud and doesn’t scrimp on the big retro synth chords. It’s an infectious slick of Electro Boogie that really gets under your skin, floaty vocoders and all. Starset has more of a cosmic Italo vibe to it, a track with an energetic drive to it, the on-beat bassline pushing the track ever forward, driven faster by shuffling hats. This two track single is a great introduction to Android Automatic, who is definitely one to look out for in future.

Android Automatic – Electric Nights

Android Automatic – Starset

While you’re here, check out our favouite of Android Automatic’s tunes, Dreaming In Color. A deep vocoded ElectroPop tune. It’s far too short, but in it’s two and a half minutes it delivers a rich Sci-Fi sound and an almost Indie quality to it. A longer version of this track could be epic.

Android Automatic – Dreaming In Color

Electric Nights/Starset is out now.

Check out more from Android Automatic on SoundCloud.

Arc Neon’s début EP

arc-neon

We wrote about new Synth wave crafter Arc Neon a while back. Rising from the ashes of Indie-Electro outfit Wolf And Yeti this London based producer has a knack for blending vintage synth sounds and samples from ‘80’s TV. News reports, adverts, you name it, Arc Neon will make a track out of it.

The man has just released a new EP, Wet Dreams, his début complete release. And an impressive début it is too. Kicking of with is standout track, Spring Break (Lisa’s Theme), a complex and intricate five minute epic . Whilst the track’s rich electronic tapestry and sense of dark drama never really mesh with teenage rabble rousing of the Spring Break news report samples, this doesn’t detract from what is a driving and emotionally resonant synth tune. There’s some insanely good riffs in this tune and a multi layered Italo style production that gets pitch perfect at times. On Riot the music and sampled subject matter gel a lot better. The report of prison riots plays well with the arpeggiated, almost old school EBM, bassline and switchblade lead lines. Also house within this package are the previously posted Beyond Our Control and synthetic sleaze-fest Looking For A Goddess. Arc Neon has laid down his manifesto here, and it’s one that will no doubt see him shoot to the top of the SynthWave scene.

♫ Arc Neon – Spring Break (Lisa’s Theme)

♫ Arc Neon – Riot

Arc Neon’s Wet Dreams EP is out now.

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Worship’s ‘Arcane’

Worship

This is a bit of a treat. While we are waiting for Swiss SynthWave producer Worship’s soon to be released new EP, here’s a brand new track he has delivered. And it has us more eager than ever for his new record.

Arcane is a SynthWave track at heart, but plays around with the sound in ways we haven’t heard before. Dropping a Speak & Spell vocal over the top of a relentless Italo bassline give the track the ability to swing from gritty Electro riffs to rich, rousing synth chords. The track is a nice mix of SynthWave, Kraftwerk and Italo, pumping and sweet at the same time. We’re hoping Worship’s new EP comes around some time soon.

Worship – Arcane

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Nude Disco & Paul Harris reMix Donna Lewis

Donna Lewis

OK, if there’s two things you know le love ‘round these parts it’s cheesy Pop and Disco, and London’s Nude Disco is fast becoming our go-to guy for slick combinations of the two. Especially when teaming up with Dirty Vegas’ Paul Harris. Remember Donna LewisI Love You Always Forever? Prepare to get funky with it.

Vern and Paul grab a hint Italo, a little of the Balearic, a sprinkle of Nu-Disco and mix it up with pitch perfect use of the vocals to create an instantly recognisable, but funky fresh, summer jam. An upbeat beach vibe and some dreamy swooping synths keep the track on the edge of blissful with the vocals chanted out like a mantra, it’s almost hypnotic.

Donna Lewis – I Love You Always Forever (Nude Disco & Paul Harris reMix)

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Goin’ Old School: Tricky Disco, Modern Talking & Alphaville

Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:

1989’s Tricky Disco from Tricky Disco. Not nearly as funny now, I guess you had to be there.

From 1985, ItaloPop with Modern Talking’s You Can Win If You Want.

Alphaville’s epic original version of Forever Young from 1984.

You can buy most of this  music from:

 

Black Strobe’s ‘Boogie In Zero Gravity’ EP

Black Strobe

Next week sees the release of Black Strobe’s Boogie In Zero Gravity EP. Having spent the last few months releasing some excellent tracks solo Arnaud Rebotini returns to the Black Strobe moniker as the sole surviving original member, and it seems he’s using Black Strobe to experiment and indulge in a new sound. Whilst the ElectroClash beats and seedy Disco synths that are Black Strobe’s trademark remain, we are also treated to an injection of Southern Blues.

Kinda’ building on 2007’s Burn Your Own Church, but with more swagger, and more soul and more electronics. Where as Burn Your Own Church was pretty much a straight up Rock album, Boogie In Zero Gravity is the sound of the deep south, if Moog’s were dead cheep in the down by the bayou. A mixture of soulful swamp Blues and Chicago House, Boogie In Zero Gravity, and it’s flip side White Gospel Blues are definitely unique, if nothing else. But also brilliantly atmospheric. The reMix package is pretty huge, alongside work from Jeremy Glenn with a brilliant man-machine track and and Drop Out Orchestra sweet laid back Disco (neither of which we’re allowed to play you more than 1m30s of, which isn’t worth bothering with really) is a mix from Elijah Collins, a man making a lot of waves recently. He delivers an atmospheric space Disco track. Slightly brooding and very electronic, Collins brings a different side to the Blues. Fellow Blackstrobe Records producer Museum provides a bonus mix which again, retains the Bluesy fell, but channels that through a vintage synth machine that spits out a pulsating analog workout.

♫ Black Strobe – Boogie In Zero Gravity (Extended Version)

Black Strobe – White Gospel Blues (Museum reMix)

♫ Black Strobe – Boogie In Zero Gravity (Elijah Collins reMix)

The Boogie In Zero Gravity EP is out 16th July.

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Montevideo reMixed by Zimmer and the Discotexas crew

Montevideo

Remember Belgian outfit Montevideo’s Horses from back in February? A track that combined a New York Disco feel (no doubt helped by recording at DFA’s studio) with an Italo feel. The band are currently working on their new release, but in the meantime they, and Discotexas, are giving ways two new reMixes of Horses to tide us over until their second album drops.

First premièred on his last mixtape is Zimmer reMix. A burbling Disco tune that piles on the Cosmic elements and it’s fair share of cowbell. Pure Horizontal Disco, as Zimmer would term it, the track runs with bubbling analog bass and frantic percussion on a galactic trip that deserves an Animé video. The second reMix comes from Discotexas core trio of Moullinex, Xinobi & Mr. Mitsuhirato who kick of with a reverby 909 beat and proceed to fold an ‘90’s House vibe into a European Disco groove, the result is pretty unique and pretty captivating. Totally a track to get lost in.

Montevideo – Horses (Zimmer reMix)

Montevideo – Horses (Discotexas reMix)

‘Horses’ is out now..

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Sohight’s ‘Get It Right’

Keiz Beats are once again releasing the new record from the Russia team up of Sohight  and Cheevy. Sohight has been killing it with every release me drops recently, especially when teamed up with Cheevy’s vocals and this new tune, Get It Right, is no exception.

Following on from their last couple of releases, Get it Right certainly gets synthesizer funk right. It’s a flashy mirrorball tune, packed with emotion and heartfelt passion. Occasionally veering into ElectroPop territory, Get It Right brings twisting Moog Funk, slick Disco, SynthWave chords and a catchy as hell vocal to the mix and spits out a Sohight’s best tune to date. reMixes come in the form of Xtrafunk’s laid back beach party Disco sounds, complete with fantastic synth soloing. Follow Me who turn up the SynthWave for a full on ‘80’s Italo fest and La Zebra piano driven ‘90’s House/Disco hybrid alongside work from Patchwork and Stubbs. The Get It Right single package is full of floorfillers and party starters, you should get involved.

♫ Sohight (Feat. Cheevy) – Get It Right (Original Mix)

♫ Sohight (Feat. Cheevy) – Get It Right (Xtrafunk reMix)

♫ Sohight (Feat. Cheevy) – Get It Right (Follow Me reMix)

♫ Sohight (Feat. Cheevy) – Get It Right (La Zebra reMix)

Get It Right is released 23rd July on Beatport and 08th August everywhere else.

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