Nite Sprite’s début EP

nite sprite

Nite Sprite are a Norwegian double act whose harsh Electro/SynthWave we recently featured reMixing Mitch Murder’s ‘In The News’.  The duo have just released their début EP and it’s a no-nonsense, dark robotic journey through the night. Check it out.

Their self-titled EP contains four originals, named ‘Scene 1’, ‘Scene 2’… and so on which only adds to the ambiguity of these tracks. This isn’t sweet Outrun/SynthWave inspired by ‘80’s teen movies, this is holy-shit Electro SynthWave inspired by ‘80’s “what the fuck is after me” movies. They actually remind me a lot of Coloureds, in that way they can make Electro noise terror but still retain a Disco groove or a cinematic SynthWave progression. it’s not an easy thing to achieve and Nite Sprite pull it off with ease. Highlights of the EP include ‘Scene 1’, which sets up the EP with harsh digital bass and melodies filled with dread anticipation, ‘Scene 3’ which channels a little Kavinsky and Vince DiCola together into a noise, but emotionally driven tune, ‘Scene 4’, the most melodic of the tunes, maybe the finale of the Originals. ‘Scene 4’ is a brooding, but ultimately optimistic slice of chainsaw electron with a tune. Also, their are reMixes from Totem and the king of SynthWave Mitch Murder, who takes the heavy elements of ‘Scene 1’ and works them into a flawlessly produced, post-EBM slab of pure retro synth work. Mitch’s reMix drops some really interesting elements, the crunch synth guitar playing against the sparkling leads to create a rich, full sound. An interesting EP to be sure, and an in-you-face début form Nite Sprite.

♫ Nite Sprite – Scene 1

♫ Nite Sprite – Scene 3

♫ Nite Sprite – Scene 4

♫ Nite Sprite – Scene 1 (Mitch Murder reMix)

Nite Sprite’s self-titled EP is out now.

Buy Nite Sprite’s music from:

   

Emeron & Fox’s début single

Emeron & Fox

‘Dopecity’ is the forthcoming new, and début, single from the awesome Emeron & Fox. Released via Silhouette Music later in the month. We’ve been keeping an eye on these guys for the last few months even since they came onto our radar so we definitely agree that it’s about time for this Brooklyn based duo to start properly releasing stuff and I can’t think of a better partnership that with Silhouette.

‘So what can we expect from ‘Dopecity’? It’s a pretty classic SynthPop track with slight Nu-Disco overtones. Based in bass, the track revolves around it’s undulating and buzzing bassline. Layered on top are some rich retro synths and some haunting female vocals that despite being layered and quite ethereal end up being surprisingly catchy. The track is a nice mix of retro and contemporary and a nice premiere single. reMixes come from The Legendary 1970 Orchestra, L’Equipe Du Son & Follow Me. L’Equipe Du Son’s take on the track  is a deep Disco groove with some nice House topping. Rocking the ring modulator L’Equipe Du Son created a humming synthetic Disco tune with slowly moves along it’s hypnotic vibe to a multi-layered finale. Follow Me’s mix is a sweet, light, SynthWave track that is uplifting and infectious. Full of Funk and sweeping retro synths I think this version is the standout for us.

♫ Emeron & Fox – Dopecity (Original Mix)

♫ Emeron & Fox – Dopecity (L’Equipe Du Son reMix)

♫ Emeron & Fox – Dopecity (Follow Me reMix)

Emeron & Fox’s ‘Dopecity’ is released 21st May on Silhouette Music.

Check out more from Emeron & Fox on SoundCloud.

Final DJs début single

finaldjs

Well it’s finally here. Germany’s purveyors of the finest in dreamy SynthWave Final DJs release their début single for On The Fruit Records today. It’s been a long road tog et here which has seen this duo dropping originals and reMixes taking in everything from cinematic Dreamwave to bass funkin’ Nu-Disco. It seemed to take them a while to settle on a sound of their own, but with this premiere release they lay down their musical manifesto. You better listen up.

‘Gossip Country’ contains three originals and two reMixes, the title track is an epic excursion through synthetic melodies. Kicking off with a machine bassline with a Industrial feel, which isn’t as harsh as it sounds and makes for a nice hypnotic, undulating, backing for the lush, rich pads and some of Final DJs greatest solos and lead lines to date. There even a little ‘90’s House vibe in the mix too just to offset the overwhelming 80’s-ness of the leads. Final DJs have crafted some real goosebumps moments in ‘Gossip Country’ and, whilst keeping the SynthWave sound have taken it one step further and taken Outrun Electro one step further toward being accepted by the mainstream. Flipside number one, ‘Salt On Our Skin’ is more of a funkier affair, but in an funky Italo way rather than a Nu-Disco vein with it’s bouncy digital bass being impossible not to move to. Again these producer double act hit just the right note with their soaring synth work. The remaining B-Side, ‘A Long Way Home’ is a more traditional dance affair with a lot more of the 90’s vibes. reMixes come from Sebastian Scotch who drops a deep Housey Disco track and Justin Faust who reworks ‘Gossip Country’, adding a bit more of a syncopated groove and a classy Disco sheen. Faust keeps a lot  of what makes the track so good in place, just tweaking things here and there, making the song ready for prime time.

♫ Final DJs – Gossip Country

♫ Final DJs – Salt on Our Skin

♫ Final DJs – Gossip Country (Justin Faust reMix)

Final DJs’ ‘Gossip Country’ is released today.

Buy Final DJs’ music from:

     

Pteez’ ‘Southwind Part 2’

pteez

One of our favourite up-and-coming Russian producers Mr. Pteez is back. this time he’s dropping the follow up to last years ‘Southwind’.

Pteez sticks with the chilled summer vibes for ‘Southwind Part 2’ and lays down some retro Electro Boogie fit for the beach. The very cinematic SynthWave Pteez lays down, with it’s densely packed arrangement of sweeping pads and nostalgic melodies, conjures images of moves from the ‘80’s, maybe some light action, not comedy but not to serious either, the good guys are definitely prevailing. That’s a win for everyone!

♫ Mr. Pteez – Southwind Part 2 (Re-Breeze)

Check out more from Pteez on SoundCloud.

Camille R’s ‘Vegas Night$’

Camille R

‘Vegas Night$’ is the new single from French SynthWave producer Camille R. The precursor to his forthcoming new album. To be released in the coming months the new records will be the follow up to last years’ ‘Last Limit’, and album so good it featured in the electronic rumors Awards Best Album of 2011 category.

So it was with excitement that we checked out this first taste of what to expect later this year. ‘Vegas Night$’ shows a smoother, slightly more mature sound for Camille. Truly capturing the Vegas vibe means Camille has added a little glamour to this tune, mixing up his 80’s synth work with some late ‘70’s Disco strings and licks. Even the percussion has a kinda’ bright-white-jumpsuit sheen to it with it’s cabaret bongos and shimmering chimes. ‘Vegas Night$’ is slick as hell, and makes us very excited to hear what the man has up his sleeve for us on his full length record.

♫ Camille R – Vegas Night$

‘Vegas Night$’ is out now.

Buy Camille R’s music from:

Malibu B’s ‘Downtown’

malibu b

Hungary’s Malibu B has been going from strength to strength this year. With a string of awesome tracks and a storming single on Binalog Productions, this is one producer who a definitely getting better and better.

On his latest tune, ‘Downtown’ he brings a little ‘90’s flavour to his ‘80’s SynthWave sound. there is something so indicatively ‘90’s about the combination of synths and the breakbeat from The Soul Searchers’ ‘Ashley’s Roachclip’. Sure, it’s an ‘80’s Hip Hop beat, but use it with dreamy synths and the whole thing becomes hazy ‘90’s Pop. ‘Downtown uses the break at it’s core but gives us the kind of Yacht vibed nostalgic synths over to top that we are used to from Malibu B. The combination adds new, interesting, dimensions to the retro sound.

Malibu B – Downtown

Buy Malibu B’s music from:

Anto Greekson

Anto Greekson

OK, let me just start by sating that, yes I am aware that is the single worst record cover ever made. It’s such a truly terrible peice of misguided marketing that I can’t even bring myself to show you the whole thing. A graphic design and artwork failure so bad that I very nearly didn’t listen to the music at all. But that would have been a mistake, because the music of Greek Swede Anto Greekson is really sublime at times.

Anto makes Electro tunes that swing between full-on bangers and sweet SynthWave tracks. As evidenced on his new EP ‘Fantasy’, his bangers are top quality, EBM tinged cacophonies of chainsaw synths and heavy bass that would kill in any hard Electro set. However, it;s his more melodic peices where Anto really shines. ‘Galaxy’ for example, drops a hard beat and rapid fire Italo basslines, but then layers it with some soaring synth leads that would easily be suited to some futuristic ‘80’s TV show. Still working the buzzsaw sounds, ‘galaxy’ is an altogether more musical offering. As is ‘Naked’, again still in-your-face Electro, but somehow less obnoxious as the more banger-oriented tracks, here there is flying shimmering synth sounds and a sense of melody to the distortion. ‘Streetlights’ is the other standout on the EP, the most Italo of the collection at times sounding, working bit-crunched sounds into a rolling groove and occasionally sounding a bit like Mille. All in all it;s a pretty good début, Anto needs a lot of work on his production (and a new graphic designer!) but this one shows a lot of potentiol, and we’ll definitely be keeping an eye on him.

♫ Anto Greekson – Galaxy

♫ Anto Greekson – Naked

♫ Anto Greekson – Streetlights

Anto Greekson’s ‘Fantasy’ EP is out now.

Buy Anto Greekson’s music from:

    

Follow Me’s ‘Aaliyah’

Follow Me

Follow Me is back with another slice of his smooth SynthWave sounds, this time he’s grabbed a handful of vocals samples and written a track for sunsets.

Grabbing bits of the top-line from Aaliyah’s ‘If Your Girl Only knew’, Follow Me craft a smooth, laid back track that builds up a chilled atmosphere with rounded synths and hollow percussion. This is being-on-a-rooftop-looking-over-the-city-at-night kinda’  track, if that makes sense, which it probably doesn’t. Suffice to say it conjures up an relaxed, night time, urban feel. Follow Me’s cinematic SynthWave works surprisingly well with in an R&B context, or at least takes the R&B context far enough out into it’s own retro synth arena that it seems to fit.

♫ Follow Me – Aaliyah

You can download the track from Follow Me’s Facebook page.

Check out more from Follow Me on SoundCloud.

The return of Saar & Sky

Saar & Sky

A few years ago Saar & Sky were, briefly, one of the best Electro acts in London. A melting pot of Italo, SynthPop and the emerging Dreamwave and SynthWave styles with an energetic live show and some seriously catchy songs. Then distance divided this duo and Saar & Sky were no more. We all mourned. It was dark times.

So it was a pleasant surprise to find a new Saar & Sky EP incoming. Born of late night phonecalls this isn’t really a return for these guys, more of a decision that they had too many good songs on ice not to release them in some form or other. The result is the ‘Maria’ EP, a collection of five of their best unreleased tracks. Much of this you might already know, either from live or from their MySpace page (yes, it was that long ago), which make it doubly nice to now have the good quality studio recordings of these songs available. The great, and unique, thing about Saar & Sky was always their combination of styles. On the one had you have Logan Sky’s very Italo influenced Electro sounds, robotic grooves and big power stabs, and on the other there’s Saar soulful, almost R&B vocals. That combination of machine beats and smooth songs was way ahead of it’s time in terms of the surge of vocal Nu-Disco. The tracks on the EP, surprisingly, haven’t really dated much. ‘Maria’, the lead track is a rich, haunting slice of retro Pop, all dreamlike riffs and electro tom rolls alongside Saar’s impassioned vocals and sets the tone for the EP. Saar & Sky slide from the harder dance tracks like the insanely catchy ‘Confessions’ to  to the more eclectic end of Italo found on tracks like ‘Falshback’ throughout the EP, never afraid to try something new within their vocal SynthWave framework.  If this is the epilogue to Saar & Sky it’s a fitting tribute, kinda’ hoping it’s not though.

♫ Saar & Sky – Maria

Saar & Sky’s ‘Maria’ EP is released 15th May.

Buy Saar & Sky’s music from:

Futurecop! new compilation album and launch party

Basic RGB

On 5th June Kiez Beats and Futurecop! will be releasing ‘We Are The Future’, an 18 track compilation album featuring the best in contemporary SynthWave and Dreamwave around. Featuring the likes of datA, Lifelike, Phonat, Anoraak, Fear Of Tigers, Mille, StardonE, Worship and Follow Me alongside Futurecop! themselves. Check the MiniMix for a taste of what to expect and feast your eyes on that stellar tracklisting.

Futurecop! – We Are The Future MiniMix

The tracklist:

01. Lazerhawk – Shoulder Of Orion
02. Car Clova – Farletched
03. StardonE – Lovedays
04. Mille – Afterski
05. Worship – Horizon
06. Lifelike (Feat. Namebrand And Yota) – Love Emulator
07. Follow Me – A Mission Noctural
08. datA – Electric Fever
09. Anoraak – Above Your Head
10. Fear Of Tigers – Hidup
11. Robots With Rayguns – Fever
12. Phonat – The Microwave FX
13. Power Glove – Night Force
14. Maethelvin – Delight
15. Futurecop! – Forever: Dreams (beaumont reMix)
16. Young Digerati – The Dauphin (Ride The Universe reMix)
17. Futurecop! – Far Away (Leisure Council reMix)
18. NeonFlashDrive – Previously On X-Men

Just before the album drops, on 26th May, the guys are putting together a launch party at The Nest in Dalston, London. It look like it;s going to be a one-of-a-kind night featuring Futurecop!, The C90s, Edwin Van Cleef, Fear Of Tigers and I’ll be there too spinning some tunes. Details here.

we are the future flyer - A4 with 3mm bleed @ 200dpi (1)

It’s going to be a pretty unmissable night! Stay tuned for more information, and tracklist, about the album.

Buy Futurecop!’s music from: