Jan 30 2012

Chris Malinchak’s new EP

Chris Malinchak

One of New York’s finest purveyors of boogie, Chris Malinchak, released his new EP late last week on the consistently awesome French Express label.

The ‘Hollywood’ EP is three smokin’ hot cuts of the smoothest retro Electro Disco and delivers something a little more mature than the usual dancefloor bangers. Kicking off with ‘Deal ‘Em’, the most jump-up track of the bunch. A tune that hides complex layering of sample snatches and uplifting synth lines amidst it’s deep funk. With a rocking bassline that’ll keep you dancing it’s a storming way to open the EP. ‘At Night’ follows, reining the mood in a little. Less banger, more slick Disco, this one just oozes feel-good vibes. If ‘Deal ‘Em’ is the track that get’s your attention then ‘At Night’ is the one that gets the part started. The EP wraps up with ‘Tango In Paris’, a Nu-Disco/ElectroPop hybrid, and probably the highlight of the EP for us. It’s a track that really captures a mood, with growling Moog bass and elusive vocals adding to a atmosphere of late night mystery.

♫ Chris Malinchak – Deal ‘Em

♫ Chris Malinchak – At Night

♫ Chris Malinchak – Tango in Paris

The ‘Hollywood’ EP is out now on French Express.

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Jan 28 2012

Dizkopolis’s new version of ‘Class Of ‘91’

Dizkopolis

Kuala Lumpur based retro synth duo Dizkopolis are back with a new version of ‘Class Of ‘91’, a tack we first featured in October last year.

This ‘Part 2’ version relies less on the ChipTune elements of the original and leans more toward a smooth, more French, Disco sound with elements of Dreamwave. The track sees the guy’s skills improving and they become more confident and their sound matures. There’s some seriously slick keys playing going on in this track mixed up with wicked Disco licks. This is a track that’s so densely layered it’s a wonder that nothing gets lost in the mix, but the end result is clean sounding and guaranteed to rock and dancefloor, this tune’ll take people into orbit.

♫ Dizkopolis – Class Of ’91 (Part 2) (Video Rework)

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Jan 28 2012

Lost Years goes ‘Digital’

lost years

Some people just don’t know their own talent.

Here’s what SynthWave producer Lost Years wrote about this track on SoundCloud: “I’m not really sure about this track… I’ve been working with it for a week and that’s not my usual ‘style’. Most of the time I do a track in 3 hours. I think I tried too hard with this one and It did not came out as good as it should. Trash bin or not… you decide?”. I’ve no idea how he can remain so humble about such an awesome tune. ‘Digital V1’ is retro synth heaven. A mid-paced, brooding peice of post-Italo electronic scoring that conjures the calm before the storm. Running digital basses and delay heavy percussion are lifted into the stratosphere by some epic leads in a track that feels all about anticipation. When shit’s about to go down, this is the soundtrack.

♫ Lost Years – Digital V1

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Jan 28 2012

Awkoder reMixes Edgework

edgework

Released yesterday was the new single from French electronic act Edgework. the reMix package contains this gem from the awesome SynthWaver Awkoder.

So light and fluffy is Awkoder’s reMix, that’s it’s practically ElectroPop. There’s actually quite a strong strain of New Order DNA running through this track. The bassline, the bright shiny synths, the arrangement, all capture something of New Order in the early ‘80’s, bits of ‘Blue Monday’ and ‘Shellshock’ spring to mind. This, of course, is all injected with Awkoder’s Nu-Italo synthesizer skills and results in a nice slice of retro synth nostalgia.

♫ Edgework – Night Mechanics (Awkoder reMix)

‘Night Mechanics’ is out now on Plastic Toy Records.

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Jan 26 2012

Pelifics & Human Life

Pelifics

Toronto’s Brilliantine records have given us the first taste of what to expect from the highly anticipated new release from Norway’s Pelifics.

The collection of collaborations is split over two EPs due out in February and March. March’s release will contain tracks featuring JD Samson (Le Tigre/MEN), AXXE and Miss Plug Inn, while next months EP holds one track featuring Electric Youth and this flip side, ‘Can’t Promise Anything’ featuring Human Life. ‘Can’t Promise Anything’ is driven by a Funked our digital bassline that makes for a sparse ElectroPop backing for Human Life’s impassioned vocal duet. It’s a tantalising hint of what promises to be an exciting collection of tracks.

♫ Pelifics (Feat. Human Life) – Can’t Promise Anything

The first EP is released 13th February.

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Jan 26 2012

Miami Nights 1984’s ‘The Getaway’

Miami Nights 1984

He promised it, and here it is. A brand new track from Miami Nights 1984, and he really captures the Miami Vice feel this time.

‘The Getaway’ kicks off with a very Jan Hammer-esque ringing arpeggio before treating us to some of the most soaring of soaring synths I’ve heard in a while. The main refrain in the track is actually pretty dark, giving ‘The Getaway’ a sense of drama, but there is always hopefulness in those cosmic synth solos. If you were in a Ferrari, sporting a mullet, and eluding the cops, then this would have to be your soundtrack.

♫ Miami Nights 1984 – The Getaway

Check out more from Miami Nights 1984 on SoundCloud.

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Jan 25 2012

The Magician’s ‘Magic Tape Nineteen’

The Magician – Magic Tape Nineteen = Here it is, The Magician’s first Magic Tape of the year, and it’s an awesome way for Stephen Fasano to kick of the year with a spot on collection. Not to hard, not to soft, just right you ease you into 2012.

♫ The Magician – Magic Tape Nineteen

The Tracklist:
01. Lancelot – We Can Dance (Goldroom reMix)
02. Moon Boots – Aretha
03. Parallel Dance Ensemble – Shopping Cart (Maxxi Soundsystem reMix)
04. Speech Debelle – I’m With It (Louis La Roché reMix)
05. Friendly Fires – Hurting (Tensnake Dub reMix)
06. Mercury (Feat. Robert Owens) – Candlelight
07. Disclosure – Flow
08. Patrick L & DJ Nibc – Call Me (Tiger Stripes reMix)
09. Todd Terje – Inspector Norse
10. Montevideo – Horses (Mickey Dub Version)

Buy The Magician’s music from:

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Jan 25 2012

New track from Fabian

fabian

Our boy Fabian has dropped a brand new track, and that’s always cause to take notice!

As we all know Mr. Ordorica is a man of many sides, the Montell Jordan sampling ‘Do It’ nicely Electrofies his Nu-Disco side and throws in a infectious. ‘90’s House hook. While not as hard as his noise Electro stuff, ‘Do It’ adds some stomping dancefloor fuel to his smoother synth side amongst some nice nostalgic jacking.

♫ Fabian – Do It

Fabian is also the musical mastermind behind LexiconDon, who feature on electronic rumors Volume 1. Just sayin’.

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Jan 24 2012

Mitch Murder reMixes Lazerhawk

Lazerhawk

Oooo, this is exciting stuff. SynthWave guru Lazerhawk is gearing up for the release of his ‘Arrival’ EP, the Jordan F reMix has been rocking our worlds for a while now but we finally get to get our ears round Mitch Murder’s take on the track.

We’re still reeling from Mitch’s new album ‘Current Events’ (which just missed the top spot in our top albums of 2011) so we know the man is on top for right now, but once again he blows us away with this soaring slice of pure synthesizer joy. Unlike some electronic music producers who sit in front of Abelton firing off arpeggios, Mitch is a true musician. His mastery of layering and melody and his ability to capture an emotional mood in a synth dance track is second to none. This is what it sounds like in my brain all the time. Vangelis would be proud.

♫ Lazerhawk – Arrival (Mitch Murder reMix)

Lazerhawk’s new EP is out soon also featuring reMixes from Miami Nights 1984 and Jordan F.

Check out more from Lazerhawk on SoundCloud.

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Jan 24 2012

Flashlights’ new single

Flashlights

Fresh from their critically acclaimed ‘Hidden Behind Trees’ EP for Binary, Denver Synth outfit Flashlights are back with a new single, ‘Fireworks’.

Injecting a little more ElectroPop into their dreamtime synth sound with ‘Fireworks’, Flashlights combine an ‘80’s Indie vocal with layers of crisp electronics for a sound more inclined to the upbeat and catchy, as we first heard with “’New Hampshire II’. It’s a nice direction for Flashlights to be going in, with something about it that recalls mid-‘80’s British Indie as well as the melodic ElectroPop at it’s core. It’s catchy as hell too!