Emeron & Fox’s ‘Nightmares’ single

Emeron & Fox

Brooklyn SynthWave export Emeron & Fox are gearing up for the release of their new single later this month. If’s been a few months since their début, Dopecity, and this new release, Nightmares, sees a maturing of their sound and a massive collection of reMix talent.

Nightmares features American Indie-Pop singer Bit on vocals and is a rich, evocative SynthPop track that gently creeps along on spacious synths and distant cutting analog growls. Bit’s calm, husky voice tempers the eerie soundscape, all ties together with vintage machine drums. There is a ton of reMixes by some of the best producers out the. Swedish Nu-Disco trio Monitor 66 delivers a slow House jam. loaded with smooth laid back vibes and a ton of funk. The Dutch king of Electro Boogie L’Equipe Du Son’s take on the tune is suitably packed with B-Boy basslines. It’s a Nu-Disco stormer with a late ‘80’s electronic Soul feel and a sprinkling of 16-bit sounds for good measure. Follow Me drop a thick retro synth mix with a robotic Disco feel. Germany’s finest Final DJs drop one of the single standouts with an upbeat SynthWave track that keeps it’s energy levels up with wave after wave of sparkling melodies. Nightmares sees a definite advancement of Emeron & Fox’s sound, we can;t wait for the next instalment.

♫ Emeron & Fox – Nightmares

♫ Emeron & Fox – Nightmares (Monitor 66 reMix)

♫ Emeron & Fox – Nightmares (L’Equipe Du Son reMix)

♫ Emeron & Fox – Nightmares (Follow Me reMix)

♫ Emeron & Fox – Nightmares (Final DJs reMix)

Nightmares is released 24th September on Silhouette Music.

Buy Emeron & Fox’s music from:

Saint Lou Lou’s ‘Maybe You’ video

This is the video for Australian duo Saint Lou Lou’s blissful new single ‘Maybe You’.

Philippe Tempelman directs this beautiful clip, heavy on precise visuals that compliment the track well.

Saint Lou Lou ‘s Maybe You is out now.

Buy Saint Lou Lou’s music from:

Plastic Plates’ ‘Things I Didn’t Know I Loved’

plastic-plates

The latest release from Mr. Felix Bloxsom, better known as the awesome Plastic Plates, is actually his début EP. Which seems weird as his tracks and reMixes have been gracing these pages for a while now, but if you are going to only just release your début EP, then you can do a lot worse than being picked up by Kitsuné Music as a label.

Simon Lord steps up for vocal duties on the EP’s lead track, Things I Didn’t Know I Loved is an upbeat, catchy slice of slick ElectroPop with a Disco groove. Maybe released just a little too late to catch the heights of the summer, the track nonetheless put you in a summery mood with it’s bouncy keys, infectious piano and smooth vocal. Toy’s is the perfect port-Italo track, the kind Kitsuné are really pushing these days, with a UK late ‘80’s SynthPop bassline and Disco drums the track sprinkles on a little rave lead and it’s all set to blow up dancefloors everywhere. The EP’s remaining original, More Than Love, is the deep Disco antithesis to the EP’s Poppier openers. Growling, funky basslines and a hypnotic Acid line underpin some seriously Cosmic synth work. Not on the EP, but a free download, is this reMix of the lead track from Amine EdgeDance, who turn the track into deep ‘90’s House territory.

♫ Plastic Plates (Feat. Simon Lord) – Things I Didn’t Know I Loved

♫ Plastic Plates – Toys

♫ Plastic Plates – More Than Love

Plastic Plates (Feat. Simon Lord) – Things I Didn’t Know I Loved (Amine Edge & Dance reMix)

Things I Didn’t Know I Loved is out now.

Buy Plastic Plates’ music from:

    

Keenhouse’s new album

keenhouse

Ken Rangkuty has long been one of the most interesting, and talented artists working in Dreamwave/Nu-Disco. In fact, he’s been a favourite of ours for so long it’s hard to believe that Four Dreams, released this week,  is only his second album. As Keenhouse, ken has been a pioneer in the melodic retro synth field, first coming to our attention back when he was championed by the Valerie Collective and was very much part of putting Dreamwave together, both as a musician and as a part of the Binary stable. His music keeps evolving, more so than many of his contemporaries, and this new album, inspired by Keenhouse’s worldwide travels, encompasses all his myriad influences.

Kicking off with the stabbing chill HousePop of Lost In the Night the album, you immediately notice the wild variety of  musical cultures present on this record. East Asian instrumentation, in particular, get’s readily worked into Keenhouse’s jazzy synth dreams. Most evident on Echoplants and Taura. As we predicted in July, the album flows from one track to the other and on the whole is really a concept album, a music journey to represent Keenhouse’s travels and listening to the album as a whole (the only way it should be heard) you really feel the mood shift as if moving from place to place. Where I Belong, the albums preview track is one of the records highlights, an upbeat, spacey tune that is just one part of the whole experience. Ken’s gentle, hushed vocals are the prefect compliment for many of the tracks on this album, such as Twilight Bridge, an energetic Synth Funk workout which seems to serve as a bridge, hurrying the listener from one section of the record to the next. In fact, it does feel like this album is broken into chapters, each part of the story featuring quieter moments and moments of grandeur. Diary 11 is one of those majestic moments, powerfully combining ominous chords with uplifting piano and and a soaring synth lead. There’s also time, such as the experimental Lounge Jazz of Patchworld, where Ken indulges himself and just had fun with things. Things get a little more frantic toward the end of the record, culminating in the hypnotic synth House groove of Wet Earth, before Ken signs off with The Lullaby Of Keenhouse, a soothing piano track that is a final testament to Kens musicianship. While all this may sound a little ambient, don’t get us wrong there are many club tunes on Four Dreams, such as the pumping Emergence and the tense I Can’t Sleep Since, they just happen to be slightly more musical, and intelligent that your standard ‘banger’. Four Dreams is a masterpiece that invites the listener to enjoy the wealth of Keenhouse’s diverse cultural experiences and multi-instrumental musical talent, whilst pleasing with familiar synth jams. Very, very recommended.

Keenhouse – Where I Belong

♫ Keenhouse – Diary 11

♫ Keenhouse – Wet Earth

♫ Keenhouse – Twilight Bridge

Keenhouse’s Four Dreams album was released yesterday on Binary.

Buy Keenhouse’s music from:

Televisor featuring Patrick Baker

televisor

Check out the kind of awesome things that happen when two massive talents get together. We’ve previously shown love to both British/Dutch Nu-Disco collaboration Televisor and awesome retro ElectroPop artist Patrick Baker. What happens? Pure funky vintage Pop is what happens!

Run Away, the result of this meeting of minds, is a summery Pop gem, loaded with Televisior’s synth Funk and Baker’s Pop sensibilities it’s a track that you can’t help but smile to. Dominated by massive retro synths and Baker’s classic Pop croon it’s an easy-breezy song, but once the sax solo hits, it;s taken to the next level.

♫ Televisor (Feat. Patrick Baker) – Run Away

Check out more from Televisor on SoundCloud.

Noosa reMixes Cinnamon Girl

Cinnamon Girl

Camilla Roholm A.K.A. Cinnamon Girl’s Devil In Me is the first track we’re really feeling from this Danish songstress, but we are really feeling it. It looks set to be her breakthrough tune, and with it will come a host of reMixes. One that has caught out ear right now is this version from New York DreamPop outfit Noosa.

Noosa tame the raucous post-ElectroClash of the original, smoothing it out for a totally different, but no less fun, vibe. Gone are the chainsaw synths in favour of dreamy guitar and easy going synths. Held together with a dancefloor beat, this carefree reMix is just the ticket for summer parties. Cinnamon Girl’s vocals work amazingly well in both contexts, but right here it’s time to just give in to the swirling DreamPop of this take on the song.

♫  Cinnamon Girl – Devil In Me (Noosa reMix)

Devil In Me is out now, available from Cinnamon Girl’s Bandcamp.

Buy Cinnamon Girl’s music from:

Blende’s ‘Fake Love’

Blende

London’s Swedish king of ballsy Electro-Disco Blende is gearing up for the release of his new single, Fake Love, later this month. Blende has been consistently impressing with his reMix work this year, but now with blend [pun intended] of French Electro, French Disco and English ElectroPop he’s about to give some of the biggest names on the scene a run for their money.

We’re not saying this lightly either. We were a little lukewarm on the latest Justice album, if it’d sounded like Fake Love, we would have been all over it. It’s loaded with those chainsaw synths and phased piano that we’d normally associate with Justice, but Blende takes it to the next level. Rebecca (from Sweden’s Rebecca And Fiona) provides a rich vocal for the track, adding a catch hook to a track that is so full of Funk, so full of electronic power, that it has to be heard to be believed. Sometimes, just sometimes, the new kids can really take the old masters to school. reMixes are supplied by The Living Islands, Belgian legends Villa, who turn in a gritty Disco stompfest with a hard Electro pump to it and electronic rumors favourites Chordashian who bring their pounding Disco-House groove to the table in the single standout reMix. Fake Love comes highly recommended.

♫ Blende – Fake Love

♫ Blende – Fake Love (Villa reMix)

♫ Blende – Fake Love (Chordashian reMix)

Blende’s Fake Love is released 17th September on Eskimo Recordings.

Buy Blende’s music from:

      

Crystal Bridge

Crystal Bridge

Russian duo Crystal Bridge stopped by the electronic rumors inbox recently to prove one again that when it comes to retro SynthPop music, Russia is leading the pack. Taking more of a cue from the likes of Tesla Boy rather than their SynthWave peers, Crystal Waters produce some excellent New Wave tinged ElectroPop.

The two original tracks on the SoundCloud are quite different beasts, held together by a nostalgic ‘80’s sound and a nod towards teen movies of that era. The Secret Letter Or Two Overboard could quite honestly have been taken from the soundtrack to any number of John Hughes or Joel Schumacher(pre-Nipples Batman) movies. Bright, shimmering synths play out melodies that feel strangely familiar against a brooding soundtrack of dramatic tones. On No Account Don’t Choose, on the other hand, is a jump up vocal SynthPop track full of twisting retro leads and slick guitar. Deeply seeped in carefree American ‘80’s Pop, On No Account Don’t Choose is a catchy, exuberant display of what Crystal Bridge can do. More pleases.

Crystal Bridge – The Secret Letter Or Two Overboard

Crystal Bridge – On No Account Don’t Choose

Check out more from Crystal Bridge on SoundCloud.

Private’s Everywhere’, with Flemming Dalum & Kid Machine

Private

Danish ElectroPop outfit Private is making a massive bid for worldwide appeal with their new single, Everywhere. Having scored a couple Euro hits a few years back, they are ready to unleash their massive Pop sound on an unsuspecting world.

Everywhere is a bit of a Frankenstein’s monster, made up of part from here and there all mixed into one big Pop beast. On the whole it’s a summery, slightly Indie-electro sounding hit that’s as catchy as it is slick. It;s an excellent example of contemporary ElectroPop. There is a ‘but’ thought, unfortunately the track is marred by some of the worst rapping we have ever heard. Both lyrically and in terms of flow, the rap, by someone called Genasis is just amateurish. But if you can ignore it, you’ll be rewarded with some summer fun. There’s tons of reMixes, but obviously the most exciting comes from the team up of Italo legend Flemming Dalum and Manchester’s finest Kid Machine who deliver the single package’s clear standout track, A shimmering Italo ElectroPop tune powered by space age arpeggios and haunting melodies. Flemming and Kid Machine bring a little retro cool to the single and make the vocals sound a bit more comfortable with themselves. Also amongst the host of versions of Everywhere are a massive Trance lead lead commercial dance mix from Aylen and JKF from MSTRKRFT’s noisy jump up Electro-House pit-bull-of-a-reMix.

♫ Private (Feat. Genasis) – Everywhere (Flemming Dalum & Kid Machine reMix)

♫ Private (Feat. Genasis) – Everywhere

Private (Feat. Genasis) – Everywhere (Aylen reMix)

Private (Feat. Genasis) – Everywhere (JFK MSTRKRFT reMix)

Private’s Everywhere is out now.

Buy Private’s music from:

   

Todd Terje reMixes Hot Chip

Hot Chip

Norwegian Disco-House genius Todd Terje’s reMix of Hot Chip’s new single How Do You Do is just stunning. Mr. Terje’s has released some of the best track of the last six months, but he’s really outdone himself here. It’s nine minutes long, and not a second of it is anything less than brilliant.

A reMix this length gives Terje room to breath and slowly whip any dancefloor up into a frenzy. Using the original subtly, this reMix  eases you into the groove with some shuffling 909 drums and hypnotic and evolving Sci-Fi analog synths. Gently rising sparkles and synth stabs (which from not on I will be calling the stabs of anticipation) let you know something is coming, but Todd takes his time to get there, enforcing a deep electronic Funk before laying down a massive breakdown. When that kicks back in, there’s no going back, you are locked in.

♫ Hot Chip –  How Do You Do (Todd Terje reMix)

Hot Chip’s How Do You Do is out now.

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