Kisses’ new single

Kisses

LA ElectroPop duo Kisses caused quite a stir back in god old 2010 with their Heart Of The Nightlife LP. Brilliantly crisp retro ElectroPop with a Disco sheen that captured the heart of all who heard it. The band have been touring for a while but are now announcing their return with a brand new single, Funny Heartbeat.

The new track, which was produced by Pete Wiggs of Saint Etienne, sees Kisses displaying a more carefree,  beach party, sound. Jesse Kivel and Zinzi Edmundson bring a kind of Two Door Cinema Club tropical Indie-ElectroPop flavour to their sound with splashes of relaxed guitar against the pulsating Electro beats. it’s a shimmering, summery tune that just right for lazy days in the sun.

Kisses – Funny Heartbeat

Kisses will be announcing a video and their new album soon.

Buy Kisses’ music from:

      

Visitor’s ‘Coming Home’

visitor

It was only this time last week that we first got our ears ‘round one of the tracks from London based ElectroPop outfit Visitor’s long awaited new double A-side single Coming Home/RNB. Now, having had seven days to digest the awesome RNB, we are treated to the flip side, Coming Home.

Instantly recognisable to anyone who’s seen Visitor live as that big anthemic bit in their set, or any one who’s heard Lifelike’s reMix in his June 2011 mixtape or in the June 2011 edition of Fear Of Tigers’ The Guestlist. Coming Home kinda of sums up what we’re all waiting for in new Visitor material, and why anyone who knows Visitor is this excited about the new material. It’s big, heartfelt ElectroPop, with a nice splash of New Wave guitar and Diamond Cuts impeccable Dreamwave production. It that kind of rousing track that you can’t help but sing-a-long to. Inspirational and uplifting, there is a reason when you see Visitor live it’s this track that sticks in your mind. In a weird way it reminds us a bit of Shiny Toy Guns, before they were a Rock band, Visitor have captured that epic, majestic, uplifting wall of sound perfectly. reMixes on the single comes from Lifelike, Viceroy, FM Attack, Bestrack, SymbolOne, Vanguard, Easy D and more.

♫ Visitor – Coming Home

Visitor’s Coming Home/RNB is released soon.

Buy Visitor’s music from:

MiGHty mOUse’s ‘August Mixtape’ and Future Unlimited Dub

MiGHty mOUse

MiGHty mOUse – August 2012 Mixtape = It’s MiGHty mOUse mixtape time again! This one drops over an hour of some of the best Nu-Disco and House from the past couple of months. This one goes quite deep, but it’s a definite party starter, it just gets bigger and bigger toward the end!

MiGHty mOUse – August 2012 Mixtape

The tracklist:

01. Pressure Drop – You’re Mine
02. Hal Incandenza – Ventura (Original Mix)
03. Solid Light – El Deporto
04. White Shadow – If You Like It (Rick Rude reMix)
05. Rüfüs – This Summer (JBAG reMix)
06. Tony Betties – You & I (Saalim reMix)
07. Kraver & NSFW – Starstruck (Drop out Orchestra reMix)
08. Daniel Solar – Say What (Original Mix)
09. Ivan The Terrible – My Love (Original Mix)
10. Jonas Rathsman – Since I Don’t Have You
11. Music Lovers – (Keep On) Dancin’ (Original Mix)
12. Bit Funk – It’s My Love
13. Solomun – Cloud Dancer (Kraak & Smaak reMix)
14. The Egg – Catch (The C90’s reMix)
15. Future Unlimited – Golden (MiGHty mOUse Dub reMix)

While you’re here, MiGHty mOUse is giving away the Dub version of his fantastic reMix of Future Unlimited’s Golden. We featured the track last week and loved it, now you can have that infectious melody all on it’s own for soaring Disco House epicness.

Future Unlimited – Golden (MiGHty mOUse Dub reMix)

MiGHty mOUse’s ‘Disco Battle Weapons (Volume 2) is out now on Cheap Thrills

Buy MiGHty mOUse’s music from:

An interview with Arnaud Rebotini/Black Strobe

Arnaud Rebotini

An imposing figure in electronic music, Arnaud Rebotini has seen it all. A legend amongst producers who has never been afraid to walk a different path, and the path Rebotini walks usually ends up being emulated by the masses a year or so later.  An analog experimentalist who has ploughed through EBM, Detroit Techno, Acid House, ElectroClash through to and French Electro and Disco leaving a trail of ground-breaking 12” in his wake.

Whether in his solo synthesizer noodlings or as part of ElectroClash come Electro-Rock pioneers Black Strobe, Rebotini continues to push boundaries and inform, rather then follow, current dance music, and even Indie,  trends. He’s latest output being a return to Black Strobe for an ungodly Electro/Swamp Rock hybrid that is as grimy as it is funky.

Amidst all this pioneering and ground-breaking, Arnaud took some time to chat with us about just where the madness comes from.

ER: So, I think you came onto our radar back in 1998/99 with Black Strobe and since then played around with electronic music styles both as Black Strobe and with solo releases. But we get the feeling there’s a lot more going on in your past. Can you fill us in on your musical background, what influenced you to start writing music, and what your musical journey to the point we are at now was?

AR: I starting music in Noisy band influence by band like The Jesus And Mary Chain, My Bloody Valentine and Sonic Youth, after that I was singer in Death Metal band, in the same I’m starting electronic music, I released my first 12” around 1995 it’s pretty Experimental Techno. I was influence by early Warp Records and Detroit Techno. I always listen some very different kind of music, was I was teenager my favorite records was Herbie Hancock Head hunter, New Order’s Power, Corruption And Lies, and Muddy Waters: fathers and sons. I don’t thinks that’s changed that much.

ER: From the electronic side of things, as well as the obvious House influences, we hear a lot of old school EBM in your music. What electronic styles have influenced you over the years?

AR: I like all good electronic music, from early Electro Funk stuff, to old school EBM, Detroit Techno Chicago House and Krautrock have a great influence on me. And form Techno a mix between ambient Krautrock band like Cluster or Tangerine Dream and Disco.

ER: And the, of course, there’s the Southern Blues. Especially with the new releases there is a big Swamp Rock vibe going on. There’s a kind of darkness, a kind of seedy sexuality and a kind of lost souls feeling, that this kind atmosphere. When did you decide you wanted to try to combine that with electronic music, was it something you always had in mind?

AR: This sound come may because now I listen a lot of Nu disco stuff and southern rock and blues. At I think it’s really cool to mix it with disco. Like Johnny ‘Guitar’ Watson have done in certain way. And the biggest success of Black Strobe are Italian Fireflies and I’m a man, so tried to mix its all in a on one and unique style.

♫ Black Strobe – Italian Fireflies

ER: When do you tell if a track is going to be a Rebotini track or a Black Strobe track?

AR: Rebotini is pure electronic music, and a solo project in studio and on stage. Black Strobe is a band and not only electronic music, you have drums, guitars, vocals.

ER: And your style switches from Bluesy to more electronic and back again. Does that happen organically, naturally, or do you set out to make a particular type of record?

AR: I think it came naturally it’s base on classical chords and melody, everybody all ready know it, and it was funny to me have no classical bluesy production, to make some kind of electronic Blues.

♫ Arnaud Rebotini – Few More Minutes Of Love

ER: So what’s the Black Strobe studio? Do you have a favourite bit of studio kit? Any favourite synths?

AR: I have a nice studio with a lot of hardware stuff, a lot synth, and effects. May be my favorite is one of my first synth, not the most rare, but probably the most versatile, and easy to carry for the live, it’s the Roland SH 101.

ER: If money was no object, what piece of studio gear would be your dream to own?

AR: Probably a Buchla 200 series.

ER: Your music particularly, in the electronic arena, lends itself well to a live situation. What’s your preference, live or studio?

AR: I like both. Studio is the composition and production time, you feel alone with the music. Live it’s the opposite it’s the execution time, and you feel close to the ground

♫ Black Strobe – White Gospel Blues (Extended Version)

ER: Speaking of playing live. Any crazy rock ‘n’ roll stories from your tour adventures?

AR: Playing live spending time on the road, waiting for the soundcheck, waiting for to play, waiting for the next gig. And for the rest what happened on tour stays on tour.

ER: Any nightmare shows? What’s the worst?

AR: I always forget my nightmares.

♫ Arnaud Rebotini – My Life In House Music

ER: What’s your breakfast preference? Cereal or a proper continental breakfast? Would your answer change the day after a show?

AR: My favorite Breakfast is the Proper English Breakfast! After a show I need bean eggs sausage and mushroom !

♫ Black Strobe – Boogie In Zero Gravity (Extended Version)

Black Strobe’s Boogie In Zero Gravity EP is out now.

Buy Black Strobe’s music from:

Alice In Videoland’s ‘Spaceship’ video (sort of)

We really don’t know what’s going on with original ElectroPopPunks Alice In Videoland. They’ve been quite for so long now we had presumed they’d called it a day. We hope that’s not the case, and maybe the fact that they’ve pulled out all the stops to finally the release the video for their 2010 hit Spaceship is a good sign.

We remember seeing stills from this clip a few years ago. From what we can gather the video was filmed then most of the footage was lost in a hard drive crash and the video was scrapped.. Rather than letting it go to waste, it appears that Toril and Anders took it upon themselves to salvage what footage was left, spend some time learning about editing, and finish it themselves. The result is more a bit of fun than anything, mostly made up of outtakes, but it’s good to see it finally put together. We wonder how it would have looked with the real effects, we remember seeing photos of Toril and giant gorilla arms and stuff.

Spaceship is taken from Alice In Videoland’s forth album, A Million Thoughts And They’re All About You. Out now.

Buy Alice In Videoland’s music from:

     

Electric Youth’s ‘The Best Thing’

 

One of the greatest exports to come out of Canada ever, Electric Youth’s new single came out this week. the duo are still riding high on the wave of being featured on the soundtrack to 2011 underground hit movie Drive, milking it for all it’s worth, they’re even currently on a ‘Drive’ tour with fellow Drivers Collage. The release of this new single, The Best Thing, is probably the best thing to happen to Electric Youth, probably best to move on from the whole Drive thing now.

And as a step into a post Drive world for Electric Youth The Best Thing is excellent. Blissful retro Pop, more chilled than Right Back To You and more sophisticated than their Valerie early days, The Best Thing displays a more mature Electric Youth, maybe even a more confident one. Both musically and vocally, The Best Thing is heavy with passion as rich pads and piercing leads dance around the track while Bronwyn delivers a flawless, intimate performance. Proving there are more layers to Electric Youth than we have yet seen, The Best Thing leaves us eager for more of their nostalgic Pop. We hear Mr. Vince Clarke had a hand in it too.

Electric Youth – The Best Thing

Electric Youth’s The Best Thing is out now.

Buy Electric Youth’s music from:

 

Goin’ Old School: Nitzer Ebb, The Shamen, Duran Duran

Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:

Nitzer Ebb’s Control, I’m Here from1988. Classic Ebb, before they went a bit funny.

The Shamen 1988 Indie hit Jesus Loves Amerika. Not moving any mountain now are we? The Shamen, post-Industrial, pre-Mr. C.

1981 saw Duran Duran’s chart breakthrough with Planet Earth. It stared a revolution.

You can buy most of this  music from:

 

The C90s’ ‘August Chart Mix’

the-c90s

The C90s – August Chart Mix = Here it is, London’s disco dons, The C90s, monthly mix of all things Disco and House. This months mix takes a particularly cosmic slant, whether big cosmic Disco or space age House, the tunes are always big.

The C90s – August Chart Mix

The Tracklist:

01. Dutch Rhythm Combo – Bonaire (Blackjoy Rough Demo. Mix)
02. Storm Queen – Lets Make Mistakes
03. Moodymann – I Got Werk
04. Zombie Zombie – Rocket Number 9 (Joakim 808 Mix)
05. Incredible Bongo Band – Sharp Nine (Klic reMix)
06. Shiny Objects – Just Fabulous
07. Things Happen – Red Crocodile (John Tejada reMix)
08. Aksel Friberg – To Be With You (Disco Mix)
09. Lindstrøm – Eg-Ged-Osis (Todd Terje Edit)
10. Kris Menace – We Are (Holmes Price reMix)
11. Chinese Flash Mob – Fade 2 Black (Only Children reMix)
12. DJ Kaos – Hands up (Munk reMix)
13. ???? – ???? (????)
14. Rodion & Mammarella – Majella (Edit)
15. Melee – Superheaven

Buy The C90s’ music from:

Diamond Cut reMixes Harts

Harts

The enigmatic Diamond Cut is easily one of the best producers in the world. As well dropping some of the best reMixes of the past few years, on top of one or two (too few) original tracks, he’s also had a hand in so much of the music we love. Everyone from Queen Of Hearts to Visitor have been graced with this Dreamwave guru’s talent. Producing other artists aside, Diamond Cut has been quite quite on recent months when it comes to his own work. Now he’s breaking radio silence with this new reMix of Australian Indie Rocker Harts début single, All Too Real.

Diamond Cut turns it into a slick dance track. Creating a smooth hybrid of Dreamwave and 90’s House, DC whips up the best of both worlds in this mix. Using the originals guitar riff in a way reminiscant of a bit of Daft Punk brings a little Disco touch to the tune. The result of this melting pot of styles is a cool, deep, groove with a retro synth sheen topped off with some impassioned Indie vocals. Hopefully this will see a return to a more active (in the release arena at least) Diamond Cut, more of these late night summer jams please. Diamond Cut leading the pack once more. The reMix will be released on limited edition 7” via Far Land.

Harts – All Too Real (Diamond Cut reMix)

You can pick up the All Too Real 7” here.

Check out more from Harts on SoundCloud.

Karin Park: the interview

karinpark

If they were to make a movie based on electronic chanteuse Karin Park , it should be titled Karin Park: International Woman Of Mystery. This Swedish born ElectroPop star might have only recently entered your consciousness, but she’s had a world-hopping life that’s seen her go from Sweden’s deepest forests to schooling in Japan, to the icy tundra’s of Norway and a Scandinavian Pop career to match including Norwegian Grammys and massive hits.

Now she’s breaking out onto the international music scene with the highly acclaimed Highwire Poetry album. A dark, icy, yet ultimately welcoming collection of beat and synth driven Pop tracks holding songs that both, create an emotional connection with the listener, and are pretty darn catchy too. Drawing on all manner of influences from British Industrial to ScandiPop, Karin crafts a beautiful synthetic atmosphere, otherwordly and strange, whist drawing us into her world of lamentations and  impassioned, and sometimes sultry, refrains.

David Bowie and Massive Attack count themselves amongst Karin Park’s fans, maybe it’s about time you should too? See what Karin had to say as she took some time out from promoting Highwire Poetry to fill us in on a few things that make Karin Park tick.

ER: So, you had quite a multicultural upbringing, being a Swedish girl in a Japanese convent school. Do you think this influenced both your music now, and how you came to music in the first place? how did that happen?

KP: Everything we have experienced makes us who we are I guess, so yes, my upbringing influences my music and the way I see things. I always feel like an outsider everywhere I go. That hasn’t always been the best feeling but I accept it now and try to make the most out of it.

I knew from when I was very little that I was gonna’ be an artist. It has never been anything else for me and it came very natural. My brother got his first drum-kit at the age of 3 after hammering away at pots and pans everyday so it was the same for him.

ER: And it was moving to Norway that facilitated you rise to Scandinavian fame, bagging two Norwegian Grammys. Does Norway influence your music in a way Sweden wouldn’t?

KP: Not really. Releasing a record in Norway instead of Sweden was a random set of coincidences and one thing led to another. Living in Bergen for some years though, a city that has 250 rainy days per year, makes you stay inside the studio quite a lot. I think you can hear the rain in a lot of music that comes from Bergen like Røyksopp, Annie and Kings of Convenience.

♫ Karin Park – Thousand Loaded Guns

ER: What did you listen to growing up, was it electronic music or did you come to that later?

KP: My first proper encounter with music was Depeche mode and Whitney Houston. I like them both for different reasons. But the love for the whole electronic music genre came later when I discovered analogue synthesizers and the whole world around that. I’ve also had a love for metal music for a long time.

ER: You’ve collaborated a lot with your brother David on your latest album Highwire Poetry and performed live with him for most of the last decade. How do you prevent sibling rivalries and arguments from interfering with the music, or does that just not happen at all?

KP: David is one of a kind and very talented. We do argue sometimes, but we keep it short and pretty straight forward. We are both pretty outspoken so it can sound a bit harsh some times but there is not much confusion that way. And we can read each others mind, so that helps.

♫ Karin Park – Restless (Radio Edit)

ER: Is it strange going from being pretty successful in Scandinavia to essentially starting from scratch with the international audience?

KP: It’s refreshing. This record is a bit like starting from scratch for me everywhere, cause it’s quite different from my earlier records. And it’s nice when people listen to it with fresh ears and no presumptions.

ER: How has the reception Highwire Poetry received struck you?

KP: It’s an honest record and people get it, it seems. The fact that it was well received makes it easier to work and I’m just happy to be able to perform the songs live now as they deserve to be.

ER: Industrial influences aside, why do you thing so much Scandinavian ElectroPop has that icy, dark edge we love so much?

KP: Scandinavian nature and the fact that it’s cold and dark most of the year gives the music a melancholic vibe that shines through in Scandinavian music, books and film. At dinner at my house today, everyone around the table had to tell the others their 3 biggest complains in life. Typical Scando-conversation, I guess.

♫ Karin Park – Tiger Dreams

ER: So what’s the Karin Park’s studio? Do you have a favourite bit of studio kit? Any favourite synths?

KP: In my studio there is a Moog Taurus 1 , Juno 106, a Korg MS 20, a Roland Drumatix 606 , a Casio MT-65 and many other small keyboards and synthesizers. There’s a drum kit, oil barrels, pipes and bells to hit, Hiwatt guitar amps and cabinets, Tandberg tape-recorder amps and my Yamaha silver flute that I bought when we lived in Japan at the age of 8. I live in a big church so I have a lot of stuff there and there’s more to come. My favourite is the Korg MS 20 though. I use it when I play live.

ER: If money was no object, what piece of studio gear would be your dream to own?

KP: An ARP 2600. And an engineer to go with it who can fix it every weekend.

ER: Do you prefer songwriting/studio work or playing live?

KP: Sometimes I feel like writing is a curse because when I write I feel an urge to go somewhere I haven’t been or where it’s painful to go emotionally. But when I’ve written a song and I know it’s really good, I think about performing it. Then it comes to life for real and can’t live without that feeling. Can’t have one without the other.

♫ Karin Park – New Era

ER: Now Highwire Poetry has been so well received, what next in the plan for Karin Park world domination?

KP: I want to go and play live in loads of places and meet cool people in every country. I love to travel and want to see everything in this crazy world.

ER: What’s your breakfast preference? Cereal or cooked breakfast? Would your answer change the day after a show?

KP: My breakfast preference? It depends on what kind of day it is, I guess. Greek yoghurt and honey is cool when it’s sunny but maybe I’d go for a rooibosh cup of tea and a tuna melt with jalapenos and applewood cheese if I wake up and the wind is howling outside. No wait, no jalapenos in the morning….. But definitely applewood cheese.

Many thanks to Karin for giving us a few moments to give you lot an insight into the life of a Scandinavian ElectroPop jet setter.

While you’re hear, check out this reMix of Karin’s new single, Thousand Loaded Guns, but our favourite deep House DJ Maya Jane Coles.

♫ Karin Park – Thousand Loaded Guns (Nocturnal Sunshine reMix By Maya Jane Coles)

The Thousand Loaded Guns single is released 10th September, Karin Park’s début album Highwire Poetry is out now.

Buy Karin Park’s music from: