Oct 30 2013

[Audio] Crazy P’s ‘Burning’

London based Disco collective Crazy P have a new record coming out next month on Bristol’s own Futureboogie imprint. The four track MTS Vol. 2 EP looks like it;s going to be pretty amazing if the first track to break ground is any indication. Burning premièred this week over on Mixmag and we can’t stop listening to it. Bring on the EP!

Burning seems like a strange beast but it all perfectly makes sense. A stripped down slab of synthetic Disco, a heavyweight Robo-Funk groove with a hypnotic hook. But more than that, the melding of Acid burbling and electronic Disco is something we’ve been saying we need to hear more of for a while now, and Cray P have nailed it with Burning, rolling from sweet retro funk to 303-esque House riffs with an effortless cool. We’re definitely interested to hear the rest of the EP.

♫ Crazy P – Burning

Crazy P’s MTS Vol. 2 EP is due out 4th November.

Buy Crazy P’s music from:

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Oct 30 2013

[Audio] Holy Ghost! reMixes RAC, MNDR & Kele’s ‘Let Go’

In all honesty we just weren’t that keen on RAC’s, MNDR and Kele featuring, Let Go, in fact much of their output ever since they transformed from reMixers extraordinaire to major label Indie-Pop outfit has fallen a bit flat in our opinion, it;s not bad, it’s just not particularly inspired. Being big fans of MNDR, we really wanted to love Let Go, we just weren’t feeling it. However, we very much are feeling this reMix of the tune from New Your Indie-ElectroPop heroes Holy Ghost!, so there’s always that. I wonder if RAC know that the RAC is actually a thing in the UK, like the AA.

So, Holy Ghost! do what Holy Ghost! do best, injecting the track with a ton of their raw synth Disco. Twisting analog lead lines and thick, bouncing bass permeate every second of the track. MNDR’s vocals in particular fit beautifully with Holy Ghosts! NYC groove, moreso than in the original, we’d absolutely love to hear more of a Holy Ghost!/MNDR collaboration. The result here is a smooth and breezy, but definitely urban, slice of synthesizer funk, heave and robust, that’s as playful as it is pumping.

♫ RAC (Feat. Kele & MNDR) – Let Go (Holy Ghost! reMix)

RAC’s Let Go is out now.

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Oct 29 2013

[Audio] Kill Me Softly & Jane Elizabeth Hanley’s ‘Catch’

You may recall, at the start of the month we let you know about a great new compilation from a great new record label. Nude Disco is now one of London’s top club nights, a production outfit AND a record label and to kick off their label venture they self-released the Nude Disco Selections Vol. 1 compilation album. That Nude Disco & Friends record is now getting a general release with the Beatport edition coming with three exclusive tracks, the most exciting coming from Kill Me Softly, a collaboration between Nude Disco’s Vern, Dirty Vegas’ Paul Harris and our very own Jane Elizabeth Hanley from Kids At Midnight.

Catch is a bright, sparkling, Poppy Nu-Disco track. Prepare yourself for one of those choruses that’ll be stuck in your head for the rest of the week. Thick with a sweet pumping bass and a broad selection of breezy keys, Vern and Paul whip up a top quality DiscoPop track with a comfortable poolside vibe. It’s to this mix that Jane injects a passionate performance. Heartfelt vocals that manage to be both touching and a massive earworm. It may not be summer anymore, but re-capture the vibes with this one.

♫ Kill Me Softly (Feat. Jane Elizabeth Hanley) – Catch

Nude Disco & Friends’ Nude Disco Selections Vol. 1 goes on general release on 4th November, until then you can pick up the album (minus the bonus tracks) on Bandcamp.

Buy Nude Disco & Friends’ music from:

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Oct 29 2013

[Download] Joel Hood’s ‘Follow the Fool’

Joel Hood is a musician from the north of England whose lush Chillwavey ElectroPop has just been snatched up by Sunday Best, who will be releasing his début EP next year. In the meantime Joel has just finished, and released online, a new tune titled Follow The Fool to give you a taster of what to expect from the EP.

Follow The Fool is surprisingly laid back and Tropical for something originating in The North. It’s also peculiarly British, compared to his contemporaries, in a way that we just can’t put out finger on but we love all the same. The track builds a swirling cloud of sound, from the running bassline to haunting snatches of Sax, the track is a multi-layered synthesizer dream that floats over a 90s beat. Add a pinch of hazy vocals and you have five minutes of downtempo, electronic brilliance. just what we needed this week.

♫ Joel Hood – Follow The Fool

Joel Hood’s début EP is due out next year.

Check out more from Joel Hood on SoundCloud.

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Oct 25 2013

[Download] DCup & Mereki’s ‘Don’t Be Shy reMixed by La Felix

Why this isn’t on the single release of DCup’s Don’t Be Shy we have no idea. This reMix of the feel-god Nu-Disco monster, featuring the vocals of ElectroPop artist and Goldroom collaborator Mereki, comes from the one-and-only La Félix, and is quite, very, possible out favourite version of the song.

There’s nothing about this track that isn’t just a warm wave of good-times. La Félix adds a certain poolside grove to the tune. With a lush piano hook, thick Disco stings and a popping slab bassline, he whips up a smooth and sexy vibe that Mereki’s sweet vocal just adds to. This is the prefect Friday track if you need any help getting in the mood for the weekend. Enjoy.

♫ DCup (Feat. Mereki) – Dont Be Shy (La Felix reMix)

DCup’s Don’t Be Shy is out now,

Buy DCup’s music from:

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Oct 23 2013

[Audio] Grum’s ‘Human Touch’ album

Hey all, seconds after posting this review I was informed that Grum‘s second album, Human Touch, has been pushed back from it’s October release date to sometime in 2014. So, I guess well run our review nearer it’s release date, cos it’s a bit pointless telling you how good the album is if you can’t buy it for months.
Apparently the release date was moved due to the overwhelming success of The Theme, which is actually a pretty awesome reason and very well deserved.
Look out nearer the album’s release for our in-depth review.
Cheers.

Oct 23 2013

[Audio] Chromeo’s ‘Sexy Socialite’

First the album teaser, then the track Over Your Shoulder, and now another new tune, Sexy Socialite, has been unveiled along the road to the release of the almighty Chromeo’s fourth studio album, White Women. The album looks set to feature a whole host of collaborations (it’s the done thing this year) from the likes of Oliver, Vampire Weekend’s Ezra Koenig, Toro Y Moi and Solange. Sexy Socialite sees the Canadian duo teaming up with LCD Soundsystem’s Pat Mahoney on drums.

Sexy Socialite is amazingly New Wave. Whist still keeping it funky, the guys play with a little early 80s Pop. Not quite as Disco oriented as we’d expect from Chromeo, although there is a heavy amount of groove and vocoding galore, Sexy Socialite is Rick James style stripped down Funk Pop. Dave 1 is on his usual top form lyrically, funny and subversive, mixing retro machismo with a modern wit. the track is a six minute epic, that give Dave more than enough room for one of his solos before launching into a Vocoder duet with P-Thug. Sexy Socialite is quite a bit different than we were expecting from the album, but very very good. The album’s release date can’t come soon enough.

♫ Chromeo – Sexy Socialite

Chromeo’s forthcoming new album, White Women, is due out later this year or early 2014.

Buy Chromeo’s music from:

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Oct 23 2013

[Download] Miami Horror’s ‘Real Slow’ reMixed by Plastic Plates

We featured the new, comeback, single from Aussie ElectroPoppers Miami Horror last month. Real Slow features some tight vocals from Superhumanoids’ Sarah Chernoff and is a sweet slice of chilled DiscoPop. To make things even better, the tune has been versioned by one of our favourite producers, Mr. Felix Bloxsom A.K.A. Plastic Plates. The LA based Australian producer really gets his synthetic groove on with this one.

plastic Plates truly delivers the thick electronic vibes right here. A growling and squelchy synth funk bassline pulses away underneath waves of popping melodies and vintage stabs. A new rhythm give the tune a bit more of a jump-out-of-your-seat feel, and a pretty irresistible one too. Rolling along on a steady hook, it;s the choruses when this reMix really shines, loaded with big synths hammering away, complimenting Chernoff’s vocals to carefree effect. Another big tune from Plastic Plates.

♫ Miami Horror (Feat. Sarah Chernoff) – Real Slow (Plastic Plates reMix)

Miami Horror’s Real Slow is out now.

Buy Miami Horror’s music from:

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Oct 23 2013

[Download] Baron Von Luxxury edits Bee Gees’ ‘Night Fever’

LA DiscoPopper Baron Von Luxxury has been steadily releasing some of the best edits around over the past few months, his Madonna and David Bowie edits being the standouts so far. The latest in this line of floorfillers comes in the form of an enigmatic edit of Bee Gees’ 1978 hit Night Fever.

This tune kinda’ goes beyond the remit of an edit, not even a reMix, Luxxury’s edit is a radical reworking of the song. Morphing the track into a slo-mo, brooding, Nu-Disco epic. Haunting and mysterious, the tune retains the original’s groove, it was edited from the original multitrack stems, but recreates the strings and bassline as an ominous midnight soundtrack. Spooky Disco anyone?

♫ Bee Gees – Night Fever (Luxxury Edit)

Buy Bee Gees’ music from:

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Oct 18 2013

[Download] G.L.O.V.E.S. reMixes Passerine’s ‘Paris Morning’

G.L.O.V.E.S.. Now there’s a dude who doesn’t release nearly enough tunes for sate out appetite for his music. The Australian Nu-Disco staple’s productions never fail to impress and, particularly on a Friday, get us in the mood for the weekend. His latest work is a reMix of Melbourne Tip-Hop outfit Passerine’s Paris Morning.

Mixing up a little bouncy House and a little poolside Disco into one synth funk fuelled whole, G.L.O.V.E.S. transforms the deep, atmospheric original into a dancefloor mover. This reMix is like a Chicago House track with added Disco swing. The 909 beats, organ riff and punchy digital bassline are all straight out of the classic House playbook, but the smokey vocals and carefree daytime swing give the track a definite mirrorball vibe. A nice combination of genres coming together to birth a good-times floorfiller.