[Audio] Justin Faust reMixes Glen Check’s ‘Pacific’

 

Glen Check

Glen Check are a South Korean duo who have had a pretty successful career in that particularly East-Asian brand of sweet Indie-Electro-y Nu-Disco that that part of the world does so well. The guys have just released the second collection of reMixes of tracks from their Youth! album, this time focusing on the tracks Pacific; and on that release is this joyous four minutes from German synth-Disco master, Mr. Justin Faust.

OK, first up, ignore the rest of the track for a second, just listen to that bassline. Pure boogie. As soon as that punchy, retro synth bass kicked in Faust has us hook, line and sinker; conjuring the best mid-80s dancefloor hits to mind. Add to this some lush keys, Glen Check’s buoyant, optimistic vocals and cool summer-pop swing; and you’re left with a track that  just puts a smile of your face, whatever the weather. Stick around for a mind-warping solo at the track’s finale. Groove on!

♫ Glen Check – Pacific (Justin Faust reMix)

Glen Check’s Pacific – reMixes From Youth! is out now.

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[Audio] Bag Raiders’ ‘Nairobi’

 

bag raiders

I do love Bag Raiders. They tend to make music just for me. Their self titled album of 2010 is still one of my all time faves.Mixing Disco, House and ElectroPop, these guys make the best summer tunes. They’ve been quiet for a while, so long if fact that we didn’t know if they were coming back. But the Australian duo had relocated to LA to work on their follow up album, before wich they present a brand new double A-side single, featuring the tracks Nairobi and Savannah. Check out Nairobi below.

The track sums up everything that’s awesome about Bag Raiders live. Relentless deep grooves with a breezy tongue-in-cheek feel. An irresistible, slightly Techy, House monster that flicks bits of Disco and Tribal at it’s listeners ears, layering the punchy bassline and playful hooks with some ‘deep in the zone’ moments. We’re so glad they’re back.

♫ Bag Raiders – Nairobi

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[Audio] Pat Lok and Patrick Baker’s ‘Could Be Mine’

 

pat-lok_thumb1

Here’s a little mid-week bliss from one of our favourite Torontonians (and there’s a lot of ‘em!) Pat Lok. For this one he’s teamed up with the voice of the moment Patrick Baker for a warm and relaxing groove, perfect timing now that the sun if finally shining here in the UK. Sit back, hit play, and sink into what Pat & Pat have served up.

Pat’s (the second one) voce drifts across this deep deep House tune with an R&B lilt while Pat the first lays down a glorious subby bassline and a Garage-y beat. With a touch of vocal modulation and some enigmatic keys thrown into the mix, Lok brings the hot summer nights vibe to the track; the end result being something smooth, soulful and dancefloor friendly, but only for friendly dancefloors.

♫ Pat Lok (Feat. Patrick Baker) – Could Be Mine

Pat Lok’s Could Be Mine is out now.

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[Audio] Essáy’s ‘Ocarina’

 

Essáy

The latest edition to the ever awesome Cascine fold is German producer Essáy. The last essay I wrote was 2,500 words on Nobutoshi Kihara and the Sony Walkman and believe me, it wasn’t nearly as smooth as the chilled House that Simon Schilling produces, but it did celebrate an absolute design classic, so that’s something, right? Anyway, Essáy’s new EP is out next month, it’s titled Ocarina and here’s the title track.

Ocarina is like waking up with a beat in your head, still bit blurry eyed and now 100% sure where you are; the only thing you’re really sure of is your feet tapping out a groove. So you might as well stay in bed, wrapped up in a duvét of warm tones, samples and cost synths; accompanied by a cheeky 90’s-esque tambourine. It’s a strange combination whose parts are more energetic than their whole. SO hit play and sink back into dreamland.

♫ Essáy – Ocarina

Essáy’s Ocarina EP is released 1st July.

Check out more from Essáy on SoundCloud.

[Audio] Ben Macklin and Tobtok reMix Kill Me Softly &Jane Elizabeth Hanley’s ‘Catch’

 

Jane Elizabeth Hanley

It was back in October last year we first featured Kill Me Softly’s Catch. The duo, a collaboration between Nude Disco’s Vern, Dirty VegasPaul Harris’ début track featured on the Nude Disco Selections Vol. 1 compilation and now it’s set for it’s own single release, with a storming reMix package. Featuring the vocals of our very own Jane Elizabeth Hanley from Kids At Midnight, the single comes correct with mixes from Kids At Midnight herself, Ben Macklin and Tobtok, check out the latter two below.

Cassette Club’s Mr. Macklin revels in Jane’s sweet vocal and goes full shimmering nostalgia. Layered with bouncy bass and twinkling keys, Ben’s reMix takes you on a dreamlike journey on the dancefloor, surrounded by punchy synths airy pads that lift the track up to the stars. Pure retro synth Disco bliss. Young Swedish producer Tobtok’s take on the leans more toward the funky side of things. With cheeky Disco licks and Tropical percussion, Tobtok whips up a cosmic beach party groove that’ll have you reaching for a Pan Galactic Gargle Blaster. Some prefect soundtracks to your summer right here.

♫ Kill Me Softly (Feat. Jane Elizabeth Hanley) – Catch (Ben Macklin reMix)

♫ Kill Me Softly (Feat. Jane Elizabeth Hanley) – Catch (Tobtok reMix)

Kill Me Softly’s Catch, is released 16th June.

Check out more from Kill Me Softly on SoundCloud.

[Audio] Grum reMixes Dirty Vegas’ ‘Setting Sun’

 

Dirty Vegas

We’ve been a bit busy recently and might have overlooked writing about the new single from the amazing Dirty Vegas. Setting Sun sees the boys treading classic Dirty Vegas territory with a blissful Balearic groove and utterly euphoric, carefree vibes. Good stuff that gets even better when you inject healthy done of Mr. Grum into the mix.

Grum seems to capture everything we love about Dirty Vegas perfectly, whilst twisting it slightly to match his own music personality. What that means is you get the dreamy, sunset, House tinged ElectroPop that Dirty Vegas do so well; that hazy dance feel that carries you away with it, paired with Grum nostalgic powerhouse post-Dreamwave House. Delivering a massive dance tune that feels close and personal, Dirty Vegas and Grum seem like the perfect pairing.

♫ Dirty Vegas – Setting Sun (Grum reMix)

Dirty Vegas’ Setting Sun is out now.

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[Audio] Freak You & Bright Light Bright Light’ ‘There You Are’ reMixed by Cosmonaut Grechko

 

Bright Light Bright Light

Are you ready for some of the biggest Chicago House tracks you’ve heard in a long time? Next week electronic rumors is crazy proud to release the new single from French producer and On The Fruit Records shot-caller Freak You featuring Welsh Londoner and SynthPop superstar Bright Light Bright Light. There You Are is already an acclaimed Pop House track, and the reMix package we are presenting is just the icing on the cake. We’ve lined up Edwin Van Cleef, Starcadian, She’s The Queen and this monster from Cosmonaut Grechko.

Grechko serves up a complex House tune that though it’s layers of melodies and hooks sounds utterly authentic. The is early 90s piano House at it’s finest, in 2014. From the sine bassline, to the sample snatches, to the digital sax, to the infectious as hell piano hook, this on is full on dancefloor nostalgia the works just as well stacked up against contemporary floorfillers. Grechko’s been quite quiet for a while, we’re glad he back if he’s going to be treating us to the like of this killer tune.

♫ Freak You (Feat. Bright Light Bright Light) – There You Are (Cosmonaut Grechko 1991 Mix)

Freak You’s There You Are is released 2nd June as a Beatport exclusive, 19th June elsewhere.

Buy Freak You’s music from:

[Audio] The Penelopes reMix We Have Band’s ‘Modulate’

We have Band

 

Indie-Electro juggernaut We Have Band released their new single Modulate last month. Taken from the British three-piece’s recent album Movements, the track, and it’s video, have already been hyped as hell. Now here comes our favourite French Londoners The Penelopes to deliver a storming retro Electro remix of the track that we are proud to première right here.

The Penelopes turn in a big chugging ElectroPop tune. Verging on Electro-Rock in places, the track is a powerhouse of driving synth bass and growling riffs. When the chorus hits, The Penelopes lighten things up a little with airy melodies and lush pads, before diving headfirst back into the B-Boy beats and relentless apreggios. The Penelopes are really expanding their sonic pallet recently; producing some awesome results. This ecclectic mix is just another feather in their cap.

♫ We Have Band – Modulate (The Penelopes reMix)

We Have Band’s Modulate is out now.

Buy We Have Band’s music from:

       

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[Audio] Deep Sound Express’ ‘Closer’

 

deep-sound-express

Pole Position Recordings and Satin JacketsGlam Jam Artists’ awesome collaborative vinyl imprint Pole Jam Vinyl is set to release it’s third compilation EP next month. As with previous instalments, alongside the likes of Cassara, Monsoon Season and Eclectic Sound, Russian groover Deep Sound Express puts in an appearance with this sweet team-up with Muscovite Raha. Sink into Closer.

Deep Sound Express drops a laid back House vibe with a twist of Disco in the cheeky licks on Closer. The smooth and soulful vocals of Raha lend the track a touch of class while Mr. Express lays down a buoyant synth bassline and warbling keys that give the track a comfortable vintage feel. No retro track , though, Closer is primed of today’s late night dancefloors with this chugging and strangely energetic, yet chilled, flow. Summer nights, here we come.

♫ Deep Sound Express (Feat. Raha) – Closer

The Forever Closer EP is released 16th June.

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[Audio] Ronika’s ‘Selectadisc’ album

 

ronika

Ronika will always kinda’ be ‘the one that got away’ for us. After appearing on electronic rumors volume 1, the album that made us decide to launch a record label, we would have given our right arm to sign Ronika, we just never found an angle. Not only is she an incredibly talented songwriter, performer and producer (having been a professional sound engineer in her pre-Pop star life), but with her own releases via her label Record Shop, a shrewd businesswoman too. Honestly, we could never think of anything we could offer her that she couldn’t already do amazingly well herself. If only we’d had loads of money back then.

After spending the past couple of years releasing some of the finest singles in the country, Ronika is finally ready to drop her début album; Selectadisc. Named after legendary record Nottingham record shop (which is lucky, if we released an album based on our childhood crate digging haunt it would be called ‘Tony’s’, which doesn’t have the same ring to it.), the LP has already been a big part of our life since late last year (at this point I’m going to have to drop the blog ‘we’).

Late last year my dad died. Shit happens, it was pretty dark. Certain sections of the music industry sent over their condolences and musical care packages, it was touching and appreciated. Topping off the outpouring of sympathy Ron send over a copy of the then-just-mastered and untitled Selectadisc. Now, I’m not going to go all soap opera on you and say it made everything better. My dad had just died y’know. But it did do practically the impossible, take my mind of things for a while. And put a smile on my face. The album has been constantly play-listed ever since.

At this juncture, just before slipping back into the entirely more comfortable blog ‘we’, I’d like to point out that had Selectadisc been a bit shit none of that story would make sense. Luckily for all involved it’s not a bit shit, not even a tiny bit. If fact it’s fucking awesome, in every possible way and so far 2014’s best album (and looking unlikely to be beaten). Keep in mind that the likes of Tensnake and Chromeo have released records this year too and I swear that I am being as un-biased as humanly possible when I say that. Best album of the year.

So, to the music. As to be expected (almost) all the ‘hits’ are present and correct. Wiyoo, Forget Yourself, Paper Scissors Stone, Clock, Only Only, In The City and Rough ‘N’ Soothe are all here in newly recorded versions.Collected together here they present a timeline of Ronika’s journey as she weaves in and out of 80s Pop, Disco, Italo and Boogie; unleashing catchy hooks and infectious choruses as she travels. Only Automatic and Do Or Die from Ronika’s discography are missing, but seeing as they are making room for the new material we’ll excuse their absence.

The track we were most excited about hearing on Selectadisc was 1000 Nights. For a long time our live favourite; the tune doesn’t disappoint in studio form as Ronika puts one foot in the 80s Power Pop arena an delivers a huge cinematic epic. Like Bonnie Tyler meets Giorgio Moroder, 100 Nights is the hit single from an imaginary 80s movie soundtrack. There’ll be a ton of dry ice and wind machines in the video. It’s spot as our favourite of Selectadisc’s new material was usurped, though, by Video Collection. Video Collection reigns as one of the album’s standout tracks with it’s driving late 80s beat, punchy Italo bassline, sing-a-long chorus and sense of humour. We’re not sure if “built up my video collection, and now it’s good for nothing” is supposed to be a metaphor for life and emotional investment; but taken literally it pretty much describes our lives.

Album teaser Shell Shocked serves up it’s springy-bass laden soulful epicness, pairing Ron’s vocally sweeter side with some complex synth work, to offer a musically nostalgic TOTP moment amongst the Boogie. Selectadisc’s mid-point moment of cool comes in the form of Believe It, a laid back and involving slice of electronic Soul that finds Ron at her most Motown (vocally) over a shuffling late 80s groove, that serves as the calm before the Earthrise.

Earthrise treads similar bombastic territory to 1000 Nights, but adds a little B-Boy Electro to the Boogie with galloping hi-hats and a comfortable mixture of starlight synths and Disco licks sitting in-between the Robo beats and Ron’s passionate performance. Which makes for a nice contest with What’s In Your Bag?, a track that was our least favourite on first listen. Definitely a grower, our opinion of What’s In Your Bag? has gone from ‘filler’ to ‘work of pure genius’. Both the sunshine Pop vibe and the at-first-glace throwaway lyrics can seem alien on the record, but delving into the track revels a lyrical wit and 90s dance vibe that it is really hard not to love.

The other pre-album teaser Search Siren acts at the album’s spiritual epilogue. It’s enigmatic drama putting a full stop to proceedings with low key beats and one of the finest vocal performances on the album. We say ‘spiritual’ epilogue, because the album actually closes on Mixtape. A fun and funky tune, Mixtape feels a little out of place on Selectadisc but makes for a perfect encore and, in it’s own way, seems to sum up the experience of Selectadisc, only from the outside (it’s also definitive proof of the well known playground wisdom that ‘girls can’t make gun noises’).

So, to summarise (in case you haven’t been paying attention or have skipped to the end); buy this album. We guarantee it’ll either be your favourite record of the year, or in your top five. Ronika can write classic Pop songs with the best of them, but she’s so steeped in Disco, Italo and Boogie that every second of Selectadisc oozes compelling robotic Funk. That’s a combination that many try, but very very few ever master, and Ronika pulls it off better than anyone we can think of. Even Chromeo. So there.

Your summer starts right here.

–Edit– Apparently Mixtape isn’t on the final release of the album, so the world will be deprived of Ronika’s gun noises. Sadface.

♫ Ronika – Shell Shocked

♫ Ronika – Rough ‘N’ Soothe (Single Version)

♫ Ronika – In The City (Single Version)

♫ Ronika – Wiyoo (Single Version)

Ronika’s Selectadisc is due out 2nd June and can be pre-order on vinyl from the Record Shop shop here.

Buy Ronika’s music from: