Errors’ new mini-album

Errors

Glaswegian Indie-Electro outfit Errors have announced the forthcoming release of a brand new mini-album. Following on from this year’s Have Some Faith In Magic album the three peice have recorded a further eight tracks that comprise the New Relics record, to be released in the Autumn on digital, 12”, CD and strictly limited edition VHS, it’ll be interesting to see what that looks like.

The lead track from the release is Relics, a sumptuous, moody track that features Bek Oliva of Edinburgh band Magic Eye. Swirling and atmospheric, Relics presents layers of rich synths and intertwining melodies over a hypnotic beat. Ethereal vocal float in and out of the track while Baroque refrains  weave in and out of the waves of sound. Interesting, slightly gothic, stuff.  You can dance looking at your shoes, right?

♫ Errors – Relics

New Relics will be released in the coming months via Rock Action Records.

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CHEW LiPS’ new single

CHEW LiPS

A couple of weeks ago I caught Indie-ElectroPop outfit CHEW LiPS live for the umpteenth time where they played a selection of upcoming unreleased material. One track, I assumed was called ‘Don’t Stop’, sounded particularly like single material to my ears. So convinced was I that I asked James about it and he confirmed that it was the next single and was, in fact, called Hurricane. Before you jump in with “cool story, bro”, a couple of weeks later here it is.

Hurricane, CHEW LiPS second single from heir forthcoming sophomore album, is a lot more accessible Pop than the previous Do You Chew?, but that doesn’t mean CHEW LiPS new found grit is nowhere to be found, it’s their loaded into the verses. It makes way, though, for shimmering, catchy DiscoPop in the huge choruses. It’s a combination of sounds we’re really loving, Tigs and James have somehow managed to take some quite harsh, almost Industrial elements and make them sound like the slickest Pop. It;s amazing. If Do You Chew? had us excited for CHEW LiPS return, Hurricane has us excited for the album’s release.

♫ CHEW LiPS – Hurricane (Radio Edit)

Hurricane is released 3rd September

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Noosa’s new single

Noosa

It was all the way back in the good old days of February, that we first wrote about New York DreamPop outfit Noosa. Things were all so much more innocent back then. They’ve got a new single incoming, let see how it stack up in these troubled times of July.

Sky Barbarick and Matt Buszko bring the total sunshine groove with them for Heartache. Big, full, synth sounds effortlessly glide out mesmerizing, nostalgic, riffs with a summery buzz. Heartache exists at the point where LA Dreamwave style Disco and proper ElectroPop meet and Sky’s understated, sweet vocals (whit what sounds like an almost Irish twang to them) shimmer over the top sounds optimistic despite subject matter. Heartache is ElectroPop joy, you need this in your life.

♫ Noosa – Heartache

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Zebra And Snake’s ‘Empty Love Song’

Empty Love Song is the forthcoming new single from Zebra And Snake,a band who have been pretty schizophrenic over their formative years, but have seemed to settle doing into an electronic Post-Punk dance groove, and that suits us just fine. It’s probably appeal to fans of darker ‘80’s stuff and Chillwave too,

Joona Mantere directs the clips, which is as enigmatic as the track itself, very muddy, Z&S are probably better off in that bubble, nice and clean. Check below the clip for a free download of the track.

Zebra And Snake – Empty Love Song (Radio Edit)

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autoKratz’s ‘Devil’s Touch’

autoKratz

Thank fuck for that! Proper autoKratz are back! autoKratz tend to be a bit amazing hit and miss. When they are being autoKratz, and producing pretty hard ElectroPop tracks they can be jaw droppingly good, but the whole Bad Life techno thing was just pretty tedious. So it’s with open arms we welcome the return of actual autoKratz.

Devil’s Touch ticks all the right boxes, it’s got a nice ElectroPop flow and some subtly anthemic vocals, set amongst a big Rave track. The track’s actually got a slight underworld flavour to it, and brings the listener up and down like the best underworld tracks do. I can see this track rocking the festivals this season. The Rave lead and piano riff are big enough to make it a hypnotic hymn to hold a congregation while the dips and builds make for some big party moments.

♫ autoKratz – Devil’s Touch

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Meridian reMixes M83

M83

I have to admit, I haven’t listened to M83’s stunning Midnight City for a while now, I think I just burn myself out on it. You know when you rinse a track so much it starts to become a bit dead, it looses something as you become desensitised to it? I think that’s what happened with me and Midnight City and it’s bjillion associated reMixes of wildly varying quality.

I feel slightly sorry for Belgian producer Meridian in this case. He’s massively late to the “let’s all reMix M83’s Midnight City” party. Everyone had an awesome time, got very drunk, puked on the carpet and went home leaving the place in a state. Meridian has just got here, which is a shame as his reMix is one of the better ones we have heard. A pumping club powerhouse that plays off the now famous riff and drags it straight to the middle of the dancefloor. Big synths and surprisingly slick production rocket this track to the top tier of the Midnight City pile. It’s just a pity the pile is a bit played out.

M83 – Midnight City (Meridian Club Mix)

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Erika Spring’s ‘Hidden’ video

We’ve already written about Au Revoir Simone’s Erika Spring’s new single Hidden, having read that, now have a gander at some images that are moving at the same time as the song.

The video is directed by Celia Rowlson-Hall, not really sure what’s going on, but it looks nice, and in the end, isn’t that all that counts?

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Panama reMixed by Midnight Magic

Panama

Australian outfit Panama’s Magic isn’t strictly a new track, neither is the reMix from Brooklyn’s Midnight Magic. But the band have just been signed by Future Classic who are set to release the tune properly this month.

Sitting alongside a reMixes from LCD Soundsystem’s Gavin Russon, the Midnight Magic mix is a slick, late night DiscoPop jam. Summery and sexy, Midnight Magic’s mix  glides out of the speaks to permeate every corner of the room with it’s rich piano and cosmic synth squelches. The actual song is quite an airy Indie-Electro tune that lends itself perfectly to a mirrorball spectacular like this. Shuffling hats and a pure Disco bassline keep a rolling groove going, solid and smooth, so the starlight synths can dance around the track. As the title says, it’s Magic.

Panama – Magic (Midnight Magic reMix)

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Shelby Grey’s new single, with Goldroom and Moonchild

shelby1

‘The ever-awesome Holographic People’ are back with a brand new release, which is always something to get excited about. This new single sees the Shelby Grey back in the spotlight. Taken from his awesome The Music Is On His Side album and featuring Cavaliers Of Fun’s Ricco Vitali on vocals. Shelby is dropping an amazing reMix package for Wild Youth.

First up there’s an updated version of the track, more focused on rhythm and riff and extended for your DJing pleasure. Wild Youth is a feel good summer anthem, bursting at the seams with good vibes, it;s a real party starter. Built on an infections piano riff and sparking synths. Vitali’s vocals will be in your head all day too. The reMix package is pure killer, alongside work from Pedro Pantera we find Goldroom, who delivers a surprisingly big reMix, casting aside his usual laid back beach party style, here Goldroom layers the tune with big room riffs and shows he can handle them with ease. Goldroom effortlessly turns the tune into peak-time floorfiller. Moonchild brings the chilled Disco element to table with a bass heavy groove and furiously funky licks. Moonchild turns in the late night jam version of the track. It’s an awesome single package and one that should definitely be checked out.

♫ Shelby Grey (Feat. Ricco Vitali) – Wild Youth (2012 Extended Mix)

♫ Shelby Grey (Feat. Ricco Vitali) – Wild Youth (Goldroom reMix)

♫ Shelby Grey (Feat. Ricco Vitali) – Wild Youth (Moonchild reMix)

Shelby Grey’s Wild Youth is out today.

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The League Unlimited Orchestra edited by Aeroplane

The League Unlimited Orchestra

The League Unlimited Orchestra’s Love And Dancing is, of course, a The Human League album and not for the first time have the worlds of Nu-Disco legend Aeroplane and The Human League come together. Exciting stuff. So who’s that cheeky chappy in the photo? Well, that (for the 1% of readers of this site who wouldn’t know, but really should) is the late, great, Martin Rushent. He, basically, was The League Unlimited Orchestra. He’s the man who produced the greatest album ever made, The Human League’s Dare from 1981. Pressured by their Record Label for more released Rushent came up with the idea of releasing an record of Dub and Mixes of tracks from Dare, thus inventing the reMix album. A selection of Instrumentals to the untrained ear Love And Dancing is actually full of pretty complex and divergent reMixes. And mostly the work of Rushent.

So, for a long time Vito’s personal edit of the Love And Dancing version of Don’t You Want Me? was a staple of his set, originally put together for a BBC Radio 1 Essential Mix. Vito leaves the track largely intact, which is why it’s an edit not a reMix, subtly bring out it’s dancefloor qualities and stripping everything that’s not needed in a set. I think Martin would be proud that even now, in 2012, people are still crazy for his tunes.

The League Unlimited Orchestra – Don’t You Want Me? (Aeropop Edit)

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