Tommy’s new tune

tommy

Here’s something new from French SynthWave producer Tommy, and if you like your electronic music Outrun flavoured you’re in for a treat.

After a screeching , engine revving intro ‘Overdrive’ throttles ahead with some of the most uplifting solo work I have heard in a while. Tommy really works the keyboard to ring every last drop of emotional, inspiring energy out of it.  Leads soar, drums rock, pads rise and fall as ‘Overdrive’ takes you along on it’s high speed synthesizer journey. Just sit back and relax.

Tommy – Overdrive

Check out more from Tommy on SoundCloud.

M83 & Mylo

m83

In a couple of months time M83 will be dropping his new single, That single will be ‘Reunion’ from his acclaimed album ‘Hurry Up, We’re Dreaming’ and the package will feature reMixes from the likes of The Naked & Famous, Polly Scattergood, Sei A, We Have Band, White Sea and this absolutely storming version from the legend that is Mylo.

Premiered by our girl Annie Mac on her show this past Friday, Mylo’s mix is both smooth & soulful and energetic & exciting. In fact, Mylo’s done exactly what I’d want a reMixer to do with the track, keep the arrangement pretty much intact but swap out some of the rockier elements of the original and replace them with a solid dance groove. The result lift the song to new heights.

♫ M83 – Reunion (Mylo reMix) (Radio Rip)

Props to HarderBloggerFaster for the heads up.

‘Reunion’ is released 7th May.

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Worship’s ‘Horizon’ EP

This week sees the release of the new EP from SynthWave master Worship, titled ‘Horizon’ EP and released on ‘the ever-awesome Holographic People

The ‘Horizon’ EP promises three tracks of blissed-out synthesizer  love and kicks off with ‘Spiral End’, featuring Cavaliers Of Fun’s Ricco Vitali on vocals. Worship’s big power chorded SynthWave and Ricco’s 80’s wailing is a match made in heaven . It’s a pretty anthemic track, like a rousing call to dance, loaded with huge warm synths, a wicked groove and that particular sing-a-long quality all anthems need. Have we had a Dreamwave anthem yet? If not, this is your contender. Also featuring on the EP is ‘Miles Indies’, which is as atmospheric as it is funky. The solid groove and slap bass head-nodding effect complimented perfectly by some lush, worldly, pads and leads. SynthWave at it’s best, ‘Miles Inside’ speaks to both your feet and your heart. The EP’s title track starts off in Jean Michel-Jarre mode before launching into the funk fuelled soundtrack to the best imaginary ‘80’s cop show. Y’know, a cop show with a theme, probably about a future cop who accidently gets trapped in the past (the ‘80’s) and had to buddy with a quirky everyman beat cop. ‘Horizon’ is exciting, driving and majestic and contains some really nice flourishes. Including a bunch of reMixes alongside the originals, this EP will be a must purchase!

♫ Worship (Feat. Ricco Vitali) – Spiral End

♫ Worship – Miles Inside

♫ Worship – Horizon

‘Horizon’ is released today.

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Cinnamon Chasers & Lameboy Advance

cinnamon-chasers

OK, so we’re going to try not to go mad on entries into Cinnamon Chasers ‘The Day That Never Came’ reMix cometition, but sometimes we can’t help it. We love Cinnamon Chasers and Cinnamon Chasers X producers we really dig, such as Lameboy Advance, is a equation for awesome we can’t turn down.

This take on the track by Lameboy isn’t really an Edit despite being called that, it’s actually a full-blown reMix, which is a good thing because the German SynthWave producer takes the song down a sweetly melancholic nostalgia route. Deep ‘80’s bass, muted guitar and gentle retro synth chords transform the doomy vocal into something softer, and the track into a chilled-out SynthPop track the cruises along with a slightly summery vibe.

♫ Cinnamon Chasers – The Day That Never Came (Lameboy Advance Edit)

‘The Day That Never Came’ is out now.

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Dizkopolis’ ‘Class Of ‘91’ video

We love Malaysian duo Dizkopolis’ ‘Class Of ‘91’, so it’s pretty cool to see the track now has a video.

The clip comes courtesy of director Ahmad Faris who was chosen by the TV channel Astro Hitz’ Music Video grant program, and he’s done an awesome job with this real life video game. Malaysia looks amazing!

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Cinnamon Chasers reMixed by Mr. Mæn

Cinnamon Chasers

We make no secret ‘round here that Cinnamon Chasers is one of our favourite producers working today. The CC recently launched a reMix competition off the back of his last single, ‘The Day That Never Came’ and we were pretty excited when the constantly awesome Mr. Mæn dropped his entry.

The original track sees Cinnamon Chasers leaning toward an almost Electro-Rock direction with dark overtones, so Mr. Mæn pulls the track back to a mare dreamlike place. His chilled Dreamwave bringing out an ‘80’s Pop side to the gothy vocals. Mr. Mæn pulls of the perfect vibe for a more summery, sunset version of this track with great use of layered melody and soaring leads.

♫ Cinnamon Chasers – The Day That Never Came (Mr Mæn reMix)

‘The Day That Never Came’ is out now.

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Walter Sobcek’s ‘The Return Of The Knight Of Love’ mixtape

Walter Sobcek

Walter Sobcek – The March Tape ‘The Return Of The Knight Of Love’ = The Sobcek guys get soulful with their latest mixtape, just over half an hour of funky, smooth grooves including a couple of our favourite tunes.

♫ Walter Sobcek – The March Tape ‘The Return Of The Knight Of Love’

The tracklist:

01. Moon Boots – Bills To Pay
02. Sam Padrul – Let’s Make History
03. Beck & Charlotte Gainsbourg – Paradisco (Le Crayon reMix)
04. School Of Seven Bells – Lafaye (Scissor Sisters reMix)
05. Grouplove – Tongue Tied (Gigamesh reMix)
06. Gemini Club – By Surprise
07. Whitney Houston X Chromeo – When The Night Knows
08. Walter Sobcek – Miami (Allen Walker Re-Write)
09. LeSale – Time After Time After Time
10. Late NightTuff Guy – Not In Love Anymore
11. The Doors – An American Prayer/Ghost Song (Domes’ Instrumental Edit)
12. Tangerine Dream – Love On A Real Train (Club Silencio Edit)

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James Curd & Second Date reMix DJ Cam

DJ Cam

Parisian producer DJ Cam is a bout to release the single ‘Uncomfortable’ on Inflammable Records/Studio !K7, a downtempo, dramatic track with an excellent reMix package.

Amongst those featured are James Curd who picks up the tempo and drops the listener onto his robotic dancefloor. The bulk of the reMix is made up of classic House moments but Curd gives them his own unique Electro twist, a real tune for synthesizer lovers. Second Date go the opposite direction on drop a slick late-night slow jam, full of early ‘90’s R&B tropes and a silky smooth vibe.

♫ DJ Cam (Feat. Chris James) – Uncomfortable (James Curd Radio reMix)

♫ DJ Cam (Feat. Chris James) – Uncomfortable (Second Date reMix)

‘Uncomfortable’ is out 19th March and also includes a reMix from one of our current favourite acts, Reflex.

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The return of Jordan F

jordan-f

I suppose you have to take a trip to find out where home is. maybe that’s what happened to Jordan F, who recently shed his name to dabble with a smoother sound under the moniker Countach, however he found he missed Jordan F too much, and y’know what, so did we.

So Jordan F, or as we like to call him the man in desperate need of new press photos, is back and announcing his return with ‘Jordan’s Theme’, his synthesizer manifesto. The track itself is a smoothed out, solo infused version of the title track of his ‘Definitely Miami’ EP, a little slicker n the production, a little more mature sounding, and rocking some serious leads. But more than the music, it’s a marker, a point that Jordan F can move forward from and take us all on his crazy retro synth ride.

♫ Jordan F – Jordan’s Theme

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Malibu B & Binalog Frequency

Malibu B

Last month we featured Hungarian SynthWave dreamer Malibu B’s new single ‘Engame’, well not it;s getting a proper release, courtesy of Binalog Productions with the EP including a new dark rework from Binalog Frequency himself.

Binalog’s ‘Return To LA’ version takes the aspects of ‘Endgame’ most suited to spinning on your back on a peice of lino and runs with them. This is kind of dark, moody, Electro that flourished through the likes of Juan Aitkin’s Cryotron briefly before Hip Hop hit the big time and still lurks in the Electro shadows. The Jan Hammer-esque lead line of ‘Endgame’ takes on a whole new dystopian feel when coupled with Binalog’s 808 percussion. All this is driving by a growling, relentless machine beat. If the original is Miami Vice, then this is The Terminator.

♫ Malibu B – Endgame (Binalog’s Return To LA version)

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