[Audio] New Arcades’ ‘Somewhere’

 

new-arcades-band-shot

Right, stop what you’re doing. There’s a new tune from London’s finest. Dreamwave duo New Arcades have premièred the first taster of what we can expect from their forthcoming second EP. The follow up to this summer’s self titled début. Back with the big vocal tunes, the kind that are going down a storm at these guy’s acclaimed live shows, Somewhere brings us more urban epicness from the capital.

This time around the duo deliver a mid-paced tune, at a perfect three and a half minutes, of nostalgia and feeling. Somewhere brings together all the elements we’ve come to expect from a New Arcades tune, the bright lead lines, the growling bassline, the soaring, heartfelt vocals. These guys pull of impassioned ElectroPop better than most people in the country right now. With both a strength and a vulnerability in the vocals, and a comfortable warmth to the music, New Arcades deliver the perfect music for dreamers.

♫ New Arcades – Somewhere

New Arcades self-titled EP is out now.

Buy New Arcades’ music from:

[Audio] Televisor’s ‘Can’t Get Enough’

 

Televisor

It’s time for this week’s ‘song featruing Patrick Baker’! Only joking, it’s actually been a whopping eighteen days since we last posted about a song graced by Mr. Baker’s vocals, I think the internet was starting to get withdrawal symptoms. We are starting to get a little suspicious that their might be a hostage situation somewhere, and every-time a Nu-Disco or Chicago House producer creates a track that doesn’t feature Patrick Backer on vocals a hostage gets shot, thus preventing Patrick from working on his own excellent music and homogenizing everyone’s tracks. Nu-Disco and House producers…blink twice if you need help.

Televisor’s Can’t Get Enough is actually an excellent tune. A breezy poolside Disco tune with just the right amount of nostalgia. Big vintage sounding stabs riding over wicked Disco licks give the track it’s quirky Funk, as they glide over playful synths and a rock solid beat. The vocals are, well, Patrick Baker vocals, you know the drill by now. Impeccable as always, but a little too thinly spread. Can’t Get Enough is part of a charity compilation called EDM: Every Day Matters that is out now, and although it’s a terrible, terrible tile (the mere idea of British people using the term ‘EDM’ makes us shudder) it’s raising money for Comic Relief, which is an amazing cause so you should check it out.

♫ Televisor (Feat. Patrick Baker) – Can’t Get Enough

The EDM: Every Day Matters compilation is out now.

Buy Televisor’s music from:

[Video] Miami Horror’s ‘Real Slow’

 

Miami Horror ft. Sarah Chernoff    Real Slow   Official Video    YouTube

Here’s the new video for Aussie Dreamwavers Miami Horror’s current single Real Slow, featuring the vocals of Superhumanoids’ Sarah Chernoff. A hazy ElectroPop dream for what’s left of your summer.

The clip was directed by Victor Pakpour and is a beautifully shot, full of slo-mo retro goodness.

Miami Horror’s Real Slow is out now.

Buy Miami Horror’s music from:

[Download] Walter Sobcek reMix Laurent Voulzy’s ‘Grimaud’

 

Laurent Voulzy

Ahhh the new reMix from boarder spanning Nu-Disco outfit Walter Sobcek has us all nostalgic for the heydays of Dreamwave. You know what we mean. Back in 2008 and 2009 when everything was all breezy synths and hazy nostalgia. And Walter Sobcek were releasing their first material. the guys capture the mood perfectly with this reMix of classic French singer Laurent Voulzy’s 1979 tune Grimaud.

The reMix is all stabbing vintage synths, a New Order-esque bassline and hushed French vocals, not to dissimilar to Sobcek’s own Je Me Souviens. A track that reminds us we wish Walter Sobcek would release another original tune at some point, this reMix is everything you could want from a Dreamwave tune. It’s bright, carefree, and no matter how grey thing are at the moment, injects a little sunshine into our lives. C’mon guys, more please.

Laurent Voulzy – Grimaud (Walter Sobcek reMix)

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[Download] Goldroom’s ‘Embrace’ reMixed by Kelek

 

goldroom2

We weren’t going to feature any more reMixes of Goldroom’s excellent Embrace. We love the song, we’ve loved one or two of the reMixes, but there’s too many now, it’s getting tedious. However, we haven’t heard from German  producer Kelek in a while, over a year actually, and his take on Embrace is actually significantly different, or at least different enough, that we’re giving it a one-time-only pass.

Kelek reMix is an energetic, Disco fuelled, retro Pop extravaganza. Rolling with a 80s Disco bassline and a smooth piano hook, this mix a breezy and fun. Immediately accessible, Ariela Jacobs vocals take on a new R&B twist when paired with Kelek’s vintage electronic Soul vibe. A bit New Wave-y, slightly French Touch-y, Kelek has done a sterling job of stamping his mark on the track. Check it out.

Goldroom – Embrace (Kelek reMix)

Goldroom’s Embrace EP is out now.

Buy Goldroom’s music from:

[Audio] Starcadian’s ‘Sunset Blood’ album

 

Starcadian

Starcadian’s Sunset Blood is the best Disco album of the year. There, that’s the short version of this review. It’s a pretty bold statement to make in a year that Daft Punk released their long awaited comeback, but we stand by it. Not that Starcadian’s freshly released début full length record, Sunset Blood, is strictly a Disco album, but it has a strain of authentic Disco running through it’s DNA that puts many contemporary Disco producers to shame. Mixed up with helpings of SynthWave, ElectroPop and TurboFunk it’s the perfect recipie.

Ever since we discovered Brooklyn based producer Starcadian he’s been a particular favourite around these parts, his track Girls Of Midnight clocking in at number three in our top 20 songs of 2012. Nothing about this thirteen track collection of tunes has let us down, and our expectation were high!

A new version of single Ronnie opens the album, it’s funkin’ bass, smooth electric Piano and slightly melancholy vocoding setting the tone for the album, exciting, emotional, electronic music and a badass, soaring, solo. The brooding Robo-Funk of Chinatown is up next. It’s passionate, cinematic, vocals meets rousing vintage electronics approach sending shivers down your spine. Previous favourite Sgt. Tagowski’s high-octane, slap bass fuelled, retro SynthWave meets ChipTune madness is followed by the album version of the single Heˆrt. Heˆrt is a simply beautiful piece of music, A piano led Disco ballad, a Sci-Fi lament that highlights Starcadian’s musicianship, songwriting and production skills perfectly. Spectrum Line, another new tune, is up next delivering it’s big DiscoPop vibes with an R&B twist, all smoothed over with Starcadian’s slightly gritty Electro sounds. The laid back vocoder grooves return on Lovetop, a vintage Disco laden love song, smooth and soulful to the extreme and contrasted with the big ElectroPop of Supersymmetry, probably the album’s Pop highlight. Big beats, slick vocals and catchy choruses all add up to pure synthesizer infectiousness. A New York Indie-Electro feel permeates the dreamy Waters before the album charges into the Cornish assault that is Pompey Pirate, bringing a French Electro epicness to Sunset Blood. Chainsaw riffs and soaring leads scream over a relentless machine beat and cut up, distorted electronics. What follows are three orchestrated, soundtrack pieces. Binary Stars, The Floppy Disk and It Ends Now being classical takes on the themes of Heˆrt, Chinatown and Pompey Pirate. With a John Williams flavour, this trilogy really show off Starcadian’s talent for arrangement as he presents a bombastic cavalcade of rising strings and horns that really get the blood racing. The album plays out on it’s title track, Sunset Blood is enigmatic SynthWave at it’s finest. A mysterious musical exposition, a synthesizer epic that leaves you waiting for the sequel.

It cannot be understated how impressive and confident a début Sunset Blood is for Starcadian. Easily one of the albums of the year. A musical narrative that deftly carries you along with it whist delivering some of the most addictive Disco we’ve heard in a long time. Highly recommended.

♫ Starcadian – Sgt. Tagowski

♫ Starcadian – Supersymmetry

♫ Starcadian – Ronnie (Album Mix)

♫ Starcadian – Pompey Pirate

Starcadian’s Sunset Blood is out now. Pick it up from Bandcamp.

Buy Starcadian’s music from:

  

[Audio] Absolute Valentine’s ‘American Nightmares’ EP

 

Absolute Valentine

Just in time for Halloween, French SynthWaver Absolute Valentine has dropped a new EP of suitably eerie soundtracks and juggernaut horror grooves. Titled, American Nightmares the EP boasts more than a couple of nods to American Horror films of the 80s in it’s relentless synth basses and spine tingling leads. Be prepared for eight tracks to fill your nightmares, or liven up your Halloween parties, it’d work for either one.

The EP is packed with everything from short mood pieces to full-on dark electro masterworks. Terrordome is evocative of the whole EPs mood. Driving Italo beats and multi layered melodies, with everything just on the right side of terrifying.. The bass shakes your gut while the piercing leads set you on edge just enough. The whole thing is tempered with waves of lush chords holding an optimism within them. The EP’s title track once again mixes up creepshow synths with slamming dancefloor beats. On-the-edge-of-your-seat Electro, American Nightmares has an unnerving sense of urgency about it, like it doesn’t want to hang around, and neither should you. Growling synths are intercut with chilling harpsichord which even the irresistible beats can’t escape. Chainsaw Revenge is proper French Electro gone Halloween. Grinding leads and the hugest beat on the records meet for what is borderline a big-room epic, albeit one that will kill you once the dancing is done. Another awesome eight tunes from Absolute Valentine. John Carpenter would be proud.

♫ Absolute Valentine – Terrordrome

♫ Absolute Valentine – American Nightmares

♫ Absolute Valentine – Chainsaw Revenge

Absolute Valentine’s American Nightmares EP is out now.

Buy Absolute Valentine’s music from:

[Download] Box Of Wolves’ ‘Close’

 

Box Of Wolves

Close is the new tune of Canadian Chilly-Disco-meister Box Of Wolves. Taken from a compilation released this week, it perfect mid-week music. Funky enough to get you thinking toward the weekend, but chilled enough not to mess with your shit this Thursday. Check it out.

Close is just under four minutes of pure electronic bliss. With a healthy nod to both 80s SynthPop and early 90s classic dance music, it’s a tune that you can just relax into and let it carry you away. The play between the chord progression and the purcussion sounds particularly SynthPop which, when coupled with the Orbital-esque bass vibe and the waves of hazy vocals make for a spot-on slice of synthesizer escapism.

Box Of Wolves – Close

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[Audio] Grum’s ‘Human Touch’ album

 

Hey all, seconds after posting this review I was informed that Grum‘s second album, Human Touch, has been pushed back from it’s October release date to sometime in 2014. So, I guess well run our review nearer it’s release date, cos it’s a bit pointless telling you how good the album is if you can’t buy it for months.
Apparently the release date was moved due to the overwhelming success of The Theme, which is actually a pretty awesome reason and very well deserved.
Look out nearer the album’s release for our in-depth review.
Cheers.

[Download] Miami Horror’s ‘Real Slow’ reMixed by Plastic Plates

 

miami-horror

We featured the new, comeback, single from Aussie ElectroPoppers Miami Horror last month. Real Slow features some tight vocals from Superhumanoids’ Sarah Chernoff and is a sweet slice of chilled DiscoPop. To make things even better, the tune has been versioned by one of our favourite producers, Mr. Felix Bloxsom A.K.A. Plastic Plates. The LA based Australian producer really gets his synthetic groove on with this one.

plastic Plates truly delivers the thick electronic vibes right here. A growling and squelchy synth funk bassline pulses away underneath waves of popping melodies and vintage stabs. A new rhythm give the tune a bit more of a jump-out-of-your-seat feel, and a pretty irresistible one too. Rolling along on a steady hook, it;s the choruses when this reMix really shines, loaded with big synths hammering away, complimenting Chernoff’s vocals to carefree effect. Another big tune from Plastic Plates.

Miami Horror (Feat. Sarah Chernoff) – Real Slow (Plastic Plates reMix)

Miami Horror’s Real Slow is out now.

Buy Miami Horror’s music from: