Oct 9 2012

All Night Shoes’ ‘Hello Jupiter’

Here’s a new slice of laid back late night Funk from Californian producer All Night Shoes. Eschewing his LA beach-party Disco sound for something a little more organic sounding, he new tune, Hello Jupiter, has got more of an urban Jazz Funk feel to it.

With a played sounding beat and some Jazzy instrumentation, this vocal sample fuelled track sets itself apart from the pack with some really interesting use of sounds and samples. there’s something raw about the production, like garage Disco, that gives the track a kind of live energy which is pretty compelling. All Night Shoes productions are coming on in leaps and bounds, we look forward to more.

♫ All Night Shoes – Hello Jupiter

Hello Jupiter is released 11th October.

Check out more from All Night Shoes on SoundCloud.

Follow @electronicrumor

Oct 8 2012

Monsieur Adi’s ‘Dystopia’

Monsieur Adi continues to prove he’s one of the best producers in the world today. Not only does every new release impress, but it always surprises too, and that’s a rare and exciting thing. Take his latest track, Dystopia, the first to feature the vocals of Adi himself, and moody SynthPop track with a French touch.

Dystopia truly is a beautiful and involving track, filled with nuances of sound. Atmospheric and brooding, yet with a strong wave of optimism, mainly delivered by Adi’s gently vocal. One again Adi coveys pure emotion with his music, with comforting effected drums and rich synths that swirl around your head. this is all accompanied by Adi’s orchestration, we’ve commented before about the quality of Adi’s string arrangements and here they shine like never before, helped with a hint of a choir. It’s a stunning piece of work, and one that demands repeated listenings to fully appreciate.

♫ Monsieur Adi – Dystopia

Buy Monsieur Adi’s music from:

Follow @electronicrumor

Oct 8 2012

The New Sins’ ‘Don’t Break My Heart’

London outfit The New Sins newest release is dropped last month on Tigersushi, it’s a slick 80s DiscoPop tune that sees the duo of New Young Pony Club’s Lou Hayter and Nick Phillips taking on a UB40 classic and giving it a 303 based Boogie going over.

The New Sins’ version of Don’t Break My Heart glides out of the speakers like liquid audio. With a laid back, vintage, beat and a burbling Acid bassline underpinning the track, the silky pads and Lou’s sultry vocal shimmy across the tune with an effortless cool. Quite Minimal, but never sounding like it, this is smooth ElectroPop at it’s best. Add a few nice Dubby touched, a nod to UB40’s Reggae version and you’ve got a winner, even more so with the Dubbed out B-side version. Alongside finishing up The New Sins’ album, Lou has also embarked on another project, teaming up with AIR’s JB Dunckel called Tomorrow’s World, which should produce some exciting results.

♫ The New Sins – Don’t Break My Heart

Don’t Break My Heart is out now on Tigersushi Records.

Buy The New Sins’ music from:

Follow @electronicrumor

Oct 8 2012

Cordova’s ‘Paradigm’ released!

Well, this kinda’ slipped out without telling anyone. I sort of think the label missed a trick here. One of the best loved Dreamwave tracks of recent years, Cordova’s Paradigm, has finally got an official release, with a bunch of reMixes in tow too, where was the fanfares? Where was the spotlight? Where was any promotion at all? It’s a pity, as Paradigm is a killer track !

Even by the time it hit the internet mid-last year it was already a year old, now over twelve months later it’s out , and sounding fresher than ever. Cordova is the meeting of U-Tern (Vaughn Oliver, making massive waves this year as one half of Oliver themed double act Oliver) and his buddy AJK, with Roxy on vocals, and Paradigm is so good it made it into the top five in our twenty best songs of 2011 and in our post on the track we used the words “fucking awesome”. It’s a massive slice of Dreamwave boogie with husky vocals and Sci-Fi vocoding. Nearly two years after it’s creation it hold up and kicks it’s contemporaries arses! And now there’s reMixes too! Broke One gets a look in with a shuffling House mix that mixes a Chicago vibe with an almost UK Garage feel, keeping it smooth. British DJ Fingerman whips up something a little more synth Disco with his mix, pacing choppy synths against Tropical percussion for a funky, airy, groove. All that’s left to say is how glad we are that this if finally out, and how bewildered we are that the label decided not to tell anyone about it.

♫ Cordova (Feat. Roxy) – Paradigm

♫ Cordova (Feat. Roxy) – Paradigm (Broke One reMix)

♫ Cordova (Feat. Roxy) – Paradigm (Fingerman Rework)

Cordova Paradigm is out now.

Buy Cordova’s music from:

Follow @electronicrumor

Oct 8 2012

Strangers reMix Kimbra

I think New Zeland songstress Kimbra’s appearances on electronic rumors come along like busses. Just before she broke we featured her tracks and reMixes quite a lot, then there was a period of quite here, but now with some good mixes coming along all at once, the last being Aeroplane’s mix of Two Way Street, she’s becoming a staple feature again. Next up is this mix of Posse from London’s SynthPop finest, Strangers.

Pulsating electronics abound in Strangers’ mix of Posse. Underpinned by a deep throbbing bass, Strangers drop Cabaret Voltaire style Dubby stabs and Industrial noise on the track, providing an enigmatic electronic backing for Kimbra’s husky vocal. If your out and about in London on the 15th November, you can catch Strangers live headlining an amazing night of deep SynthPop, details here.

♫ Kimbra – Posse (Strangers reMix)

Buy Kimbra’s music from:

Follow @electronicrumor

Oct 8 2012

DiscoSocks’ ‘Motivation’

Did someone order a big slab of actual Disco? Well MofoHiFi sister label Heavy Disco have snapped up London groovemeister DiscoSocks to bring you just what you want. And, man, does he deliver. Keep it locked for some insanely infectious Disco action.

Motivation is a huge feel-good tune. Layered thick with slap bass, a catchy hook and a big horn section. This track is just all about the dancefloor, nothing more nothing less, and what more is needed? DiscoSocks’ crazy bass playing give the track it’s heart, literally flying through the track, whist all around it horn stabs and snatches of big diva vocals provide an uplifting groove that is just irresistible. This is Disco.

♫ DiscoSocks – Motivation (Radio Edit)

DiscoSocks’ Motivation is released 8th October.

Buy DiscoSocks’ music from:

Follow @electronicrumor

Oct 8 2012

Flemming Dalum & Kid Machine

Two of the worlds finest Italo minds have come together, at last, for an original recording. DJ legend, King Of The Cut, Flemming Dalum and Manchester’s new Italo godfather Kid Machine are gearing up for the release of their new collaborative 12”, titled Fantasmi.

Fantasmi is a futuristic thrill ride of a track. With in it’s five minutes it takes the listen on a journey, a narrative, that slide from one mood to the next whilst keeping solid time with the machine beat. From the offset you are presented with rapid fire arpeggios and Industrial percussion but soon the track eases you into, not a frantic tune, but a mid-tempo synthetic odyssey. mixing in a lot of Dubby elements into their brooding Sci-Fi synths, highlighting the offworld feel and acting as a nice foil for the piercing melodies, the human side of the Fantasmi. Fantasmi is the lead track from an EP highlighting Mantchester’s electronic talent, including work from Ste Spandex, Il Bosco, and Starion.

♫ Flemming Dalum & Kid Machine – Fantasmi

Fantasmi and EP1 will be out on limited edition 12” soon, via new Manchester label Red Laser Records.

Buy Flemming Dalum’s music from:

Follow @electronicrumor

Oct 8 2012

Mitch Murder’s ‘Rush’

Tension mount thought Swedish SynthWave master Mitch Murder’s new tune, Rush. Back in a soundtrack groove after the retro Pop of Feel The Air and the Twin Peaks homage Traces To Nowhere, Rush sees Mitch back doing what he does best, being better than everyone else in the world at 80’s synthesizer soundtrack music.

And Rush is a soundtrack unto itself, taking the listen through three or four ‘set pieces’, from the frantic opening section that sets up the action, this is lead by a soaring solo into a more relaxed chunk, contemplative synth work and intertwining melodies forming a reflective mood. Following from this the high pace picks up again, this time more jarring and disjointed, the digital bass trying to keep to with the different flying elements as the track heads into a big string finale. How Mitch takes us on this electronic music journey is a work of art. No one rocks a synth like Mitch Murder, and no-one tells a story quite like him either.

♫ Mitch Murder – Rush

Buy Mitch Murder’s music from:

Follow @electronicrumor

Oct 8 2012

The Vitalic Noise ‘Family Ties’ Mixtape

Vitalic Noise – The Vitalic Noise ‘Family Ties’ Mixtape = America’s top management and booking agency Vitalic are reinvigorating their operation, and to mark the occasion they have dropped this amazing mixtape featuring acts from their roster and a whole heap of unreleased secret tunes from the likes of Miami Horror, Goldroom, Viceroy, DCUP, Grafton Primary, Knightlife, Chela, and Good Night Keaton. Enjoy!

♫ Vitalic Noise – The Vitalic Noise ‘Family Ties’ Mixtape

The tracklist:

1. ???
2. Saint Lou Lou – Maybe You (Good Night Keaton reMix)
3. ???
4. Goldroom (Feat. Chela) – Fifteen (Instafunk reMix)
5. ???
6. Knightlife – I Want You
7. Miami Horror (Feat. Kimbra) – I Look To You (Jad & The Ladyboy reMix)
8. ???
9. ???
10. ???
11. ???
12. ???
13. ???

Check out more from Vitalic Noise on SoundCloud.

Follow @electronicrumor

Oct 8 2012

Branded James reMixes Youngblood Hawke

We got sent the reMix of LA Indie bad Youngblood Hawke’s oft-reMixed We Come Running by American producer Branded James. We know next to nothing about Branded James, and that’s only a little bit less than we know about Youngblood Hawke, so if you don’t mind we’re just going to chat about the music for a bit.

For a producer out of the blue, this track is really good. Branded James nicely marries a Nu-Disco groove with lush Dreamwave synths and a warm retro feel. We’re really not that familiar with the Indie-Folk original, but these vocals work perfectly with James’ slick, optimistic, sound. Even the production is very solid. The mix is carried by some seriously airborne lead lines and punchy synth stabs, both having a nice nostalgic vibe to them that makes it feel like these vocals, that do have an anthemic quality to them, have always been part of this track.