Mar 21 2012

Quixotic

Quixotic is a Hungarian producer who’s been kicking around various music scenes for a few years now but has recently turned his hand towards the worlds of Nu-Disco, SynthWave and Italo. And we’re glad he did.

There’s a few tracks over on his SoundCloud page worth your attention, but here are a few that capture his style. That style being big, thick, retro Italo basslines awash with rich Nu-Disco grooves. ‘Étoiles’ is the big stand out for me, it’s a massive slice of Italo flavoured Cosmic Disco which is driven by a pounding bassline and razor sharp keys and perfectly shows what Quixotic has to offer. Twisting arpeggios play of melodic leads to evolve into new line, giving the tack the feel of an epic journey. ‘Apology’ is his latest tune, a slow jam with a muted disco lick and heartfelt vocoded vocals. ‘Streetlife’ borrows heavily from The Crusaders’ track of the same name but injects it with even more Funk and a healthy dose of modern, deep synth bassed, Nu-Disco. This tune features one of the best lead solos I have heard this year, Herbie Hancock style.

♫ Quixotic – Étoiles

♫ Quixotic – Apology

♫ Quixotic – Streetlife

Check out more from Quixotic on SoundCloud.

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Mar 20 2012

Tommy’s new tune

tommy

Here’s something new from French SynthWave producer Tommy, and if you like your electronic music Outrun flavoured you’re in for a treat.

After a screeching , engine revving intro ‘Overdrive’ throttles ahead with some of the most uplifting solo work I have heard in a while. Tommy really works the keyboard to ring every last drop of emotional, inspiring energy out of it. Leads soar, drums rock, pads rise and fall as ‘Overdrive’ takes you along on it’s high speed synthesizer journey. Just sit back and relax.

♫ Tommy – Overdrive

Check out more from Tommy on SoundCloud.

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Mar 20 2012

…as Sampson’s ‘Human Love’

...as Sampson

Swiss producer …as Sampson has dropped a militaristic take on SynthWave in the form of ‘Human Love’.

‘Human Love’ appears to be written from the cyborg’s point of view as it is dominated by machine beats and repetitive synthetic sounds. Almost industrial in it’s approach to it’s hammering, relentless, drums the track takes on a regimented march out of which softer synths and the occasional glimpse of funk cry for attention. And it’s those snatches of soul amongst the factory floor onslaught that make the song what it is. Kinda’ sweet, in a noisy way.

♫ …as Sampson – Human Love (Original Mix)

Check out more from …as Sampson on SoundCloud.

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Mar 19 2012

Worship’s ‘Horizon’ EP

This week sees the release of the new EP from SynthWave master Worship, titled ‘Horizon’ EP and released on ‘the ever-awesome Holographic People’

The ‘Horizon’ EP promises three tracks of blissed-out synthesizer love and kicks off with ‘Spiral End’, featuring Cavaliers Of Fun’s Ricco Vitali on vocals. Worship’s big power chorded SynthWave and Ricco’s 80’s wailing is a match made in heaven . It’s a pretty anthemic track, like a rousing call to dance, loaded with huge warm synths, a wicked groove and that particular sing-a-long quality all anthems need. Have we had a Dreamwave anthem yet? If not, this is your contender. Also featuring on the EP is ‘Miles Indies’, which is as atmospheric as it is funky. The solid groove and slap bass head-nodding effect complimented perfectly by some lush, worldly, pads and leads. SynthWave at it’s best, ‘Miles Inside’ speaks to both your feet and your heart. The EP’s title track starts off in Jean Michel-Jarre mode before launching into the funk fuelled soundtrack to the best imaginary ‘80’s cop show. Y’know, a cop show with a theme, probably about a future cop who accidently gets trapped in the past (the ‘80’s) and had to buddy with a quirky everyman beat cop. ‘Horizon’ is exciting, driving and majestic and contains some really nice flourishes. Including a bunch of reMixes alongside the originals, this EP will be a must purchase!

♫ Worship (Feat. Ricco Vitali) – Spiral End

♫ Worship – Miles Inside

♫ Worship – Horizon

‘Horizon’ is released today.

Buy Worship’s music from:

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Mar 19 2012

Cinnamon Chasers & Lameboy Advance

cinnamon-chasers

OK, so we’re going to try not to go mad on entries into Cinnamon Chasers ‘The Day That Never Came’ reMix cometition, but sometimes we can’t help it. We love Cinnamon Chasers and Cinnamon Chasers X producers we really dig, such as Lameboy Advance, is a equation for awesome we can’t turn down.

This take on the track by Lameboy isn’t really an Edit despite being called that, it’s actually a full-blown reMix, which is a good thing because the German SynthWave producer takes the song down a sweetly melancholic nostalgia route. Deep ‘80’s bass, muted guitar and gentle retro synth chords transform the doomy vocal into something softer, and the track into a chilled-out SynthPop track the cruises along with a slightly summery vibe.

♫ Cinnamon Chasers – The Day That Never Came (Lameboy Advance Edit)

‘The Day That Never Came’ is out now.

Buy Cinnamon Chasers’ music from:

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Mar 19 2012

Dizkopolis’ ‘Class Of ‘91’ video

We love Malaysian duo Dizkopolis’ ‘Class Of ‘91’, so it’s pretty cool to see the track now has a video.

The clip comes courtesy of director Ahmad Faris who was chosen by the TV channel Astro Hitz’ Music Video grant program, and he’s done an awesome job with this real life video game. Malaysia looks amazing!

Buy Dizkopolis’s music from:

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Mar 16 2012

The return of Jordan F

jordan-f

I suppose you have to take a trip to find out where home is. maybe that’s what happened to Jordan F, who recently shed his name to dabble with a smoother sound under the moniker Countach, however he found he missed Jordan F too much, and y’know what, so did we.

So Jordan F, or as we like to call him the man in desperate need of new press photos, is back and announcing his return with ‘Jordan’s Theme’, his synthesizer manifesto. The track itself is a smoothed out, solo infused version of the title track of his ‘Definitely Miami’ EP, a little slicker n the production, a little more mature sounding, and rocking some serious leads. But more than the music, it’s a marker, a point that Jordan F can move forward from and take us all on his crazy retro synth ride.

♫ Jordan F – Jordan’s Theme

Buy Jordan F’s music from:

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Mar 15 2012

Malibu B & Binalog Frequency

Malibu B

Last month we featured Hungarian SynthWave dreamer Malibu B’s new single ‘Engame’, well not it;s getting a proper release, courtesy of Binalog Productions with the EP including a new dark rework from Binalog Frequency himself.

Binalog’s ‘Return To LA’ version takes the aspects of ‘Endgame’ most suited to spinning on your back on a peice of lino and runs with them. This is kind of dark, moody, Electro that flourished through the likes of Juan Aitkin’s Cryotron briefly before Hip Hop hit the big time and still lurks in the Electro shadows. The Jan Hammer-esque lead line of ‘Endgame’ takes on a whole new dystopian feel when coupled with Binalog’s 808 percussion. All this is driving by a growling, relentless machine beat. If the original is Miami Vice, then this is The Terminator.

♫ Malibu B – Endgame (Binalog’s Return To LA version)

Buy Malibu B’s music from:

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Mar 15 2012

Lameboy Advance’s new tune

Lameboy Advance

German retro synth producer Lameboy Advance had dropped a new tune. ‘The Scene’ that puts the Boogie back into Electro and a little soul into a SynthWave.

‘The Scene’ is pretty slick and laid back, but with a solid vintage groove and all the smoothness of an ‘80’s electronic Soul track. Those dreamy chords alone are enough to rock the vibe, but when Lameboy turns on his Herbie Hancock-esque soloing skills the whole track ascends to a higher level. Chilled out SynthWave bliss.

♫ Lameboy Advance – The Scene

Check out more from Lameboy Advance on SoundCloud.

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Mar 14 2012

Siedah Garrett reMixed by Mr. Pteez

Siedah Garrett

Even before I heard this track I knew it was going to be a winner. Siedah Garrett’s 1985 ItaloPop hit ‘Do You Want It Right Now?’ reMix by a man who’s fast becoming one of our favourite Russian producers, Mr. Pteez. What more do you want?

Pteez keeps it old school with his particular mix of Italo, SynthWave and B-Boy Electro, which works perfectly with the original track and it’s vocals. Pteez reimagines the track for inner-city high energy dancefloors bring a bit of Garrett’s soul to the breakers in the subway and a bit of Electro Boogie to the Disco. Keep en eye on Mr. Pteez!