[MP3] New tune from Touch Tone

Touch Tone

If your after some bombastic, theatrical Cosmic Disco to shake the cobwebs out of your head and kick off your week, then you’ve come to the right place. LA’s Touch Tone is back with another new tune. raw House beats and insane cinematic strings combine on Voilà, a track that worms it’s was inside your head and takes control like a Ceti Eel.

Once again Touch Tone nails the mood. A tad Housier than his precious offerings, Voilà has got a slightly cacophonous feel to it, like being confronted with a wall of punchy beats, drama fuelled strings and bouncy synth bass all coming down on your at once. But Touch Tone handles this wall-of-Disco-sound with ease, deftly bringing in one phrase after another, building the tension of the track, especially in the breakdown, until the hook kicks back in with such anticipation it’s almost a relief. Touch Tone has masterfully created a track that is not only a dancefloor winner, but manipulates the mood of the listener, drawing them into a sweeping optimist powered by nervous energy. Well, it is a homage to 70s Sci-Fi soundtracks!

Touch Tone – Voilà

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[MP3] Jordan F reMixes Flume

Flume

There’s Chillwave in the air as SynthWave master Jordan F takes on electronica producer Flume, resulting in nothing we were expecting. Flume deliver quite a Lo-Fi, reverb drenched take on electronic music to begin with, and Sleepless, in all it’s incarnations, exemplifies their sound. Jordan takes it to the next level, while still retaining a little of the 80s guru we all know and love.

There’s hints of the Jordan’s SynthWave core in this tracks opening synths, and punchy bassline, but this is washed with the spacey Funk of Chillwave. The result is the best of both worlds. Leaning slightly more toward the Lo-Fi, Jordan wraps us up in waves of hazy synths and ghostly vocal snatches. It’s the most experimental thing that Jordan has released to date, and we’re loving it. When a producer like Jordan F becomes comfortable enough with himself, and his talents, to really indulge himself, beautiful things happen.

Flume (Feat. Jezzabell Doran) – Sleepless (Jordan F reMix)

Flume’s Sleepless is out now.

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[MP3] Marina And The Diamonds’ new song

Marina And The Diamonds

Marina And The Diamonds chose Valentine’s Day, yesterday, to drop a brand new track, the fittingly titled E.V.O.L. Which is very nice of her, what’s double nice is that E.V.O.L feels like old Marina, pre-Stargate-produced-big-90’s-Trance-leads Marina. And we love it!

Produced by Liam Howe (mega-producer and the one from Sneaker Pimps who wasn’t Chris Corner), E.V.O.L is the track we’ve been waiting for Marina to release for what seems like ages. Don’t get us wrong, we quite enjoyed (most of) Electra Heart, but it was no The Family Jewels. This track feels, lyrically, the more recent, mature, Marina but sonically it’s up there with Mowgli’s Road in it’s ElectroPop quirkiness, bombast and sheer Indie excitement. Showing off everything we love about Marina’s vocals and is catchy as hell to boot. We’re hoping this is nudging herself back into a place where she sounds (to us) more comfortable. Love it. Now if we can just get Russ Chimes and Mille reMixes…

Marina And The Diamonds – E.V.O.L

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[MP3] Ruben & Ra edit The Style Council

The Style Council

It Didn’t Matter is one of the very few songs by The Style Council that doesn’t make me want to punch Paul Weller in his stupid smug face. I’ve always thought it was an awesome song if you can block from your mind who is performing it. I don’t know of edit masters Ruben & Ra feel the same, but the must like the track as they have whipped up a quick edit of the track.

The original is pretty much intact here, Ruben & Ra haven’t really done much to the tune. there’s an added House beat, which actually does the track wonders. The occasional new synth, but the track is more or less the same as it has always been. Still, a nice improvement to a nice song, and one very east to get suck on repeat.

The Style Council – It Didn’t Matter (Ruben & Ra Style Edit)

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[MP3] Nightcrawler’s ‘Road Blaster’

Spanish SynthWave producer Nightcrawler released his Road Blaster single this week. Not only has he delivered a stormingly powerful slice of retro synth music, but he’s collected some of the top talent in the scene to contribute reMixes to the release. Miami Nights 1984, Tommy, Dynatron, Protector 101 and 80s Stallone all put in an appearance, which reads like a whos-who of the cream of the scene. It;s almost impossible to pick favourites here.

The original version of Road Blaster is a driving example of atmospheric instrumental Italo. Fuelled by  rich, dark synths and a stomping beat, Road Burner offsets it’s ominous tone with playful melodies and an exciting tone. Miami Nights 1984 reMix injects the tune with a little vintage electronic Funk, bringing out a bouncing bassline to give the track some groove, whilst layering his thick 80s chords with some of the most beautiful piano work and soloing we’ve heard in a SynthWave track for a long time. MN84’s reMix is truly epic. Frenchman Tommy’s take on the track is suitably Sci-Fi. Utilising waves of cosmic synths to wrap the listener in a wash of electronic wonder. For a darker, more dystopian, vision of Road Blaster Protector 101 dials back the tempo and works his was around haunting and sometimes oppressive sounds but with an air of optimism throughout.  The whole is EP an excellent excursion in nostalgic soundtrack Italo and well worthy of your attention. It’s free too.

Nightcrawler – Road Blaster

Nightcrawler – Road Blaster (Miami Nights 1984 reMix)

Nightcrawler – Road Blaster (Tommy reMix)

Nightcrawler – Road Blaster (Protector 101 reMix)

Pick up the whole EP right now, for free, on Nightcrawler’s Bandcamp.

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[MP3] Deluce reMixes Pyramid

Pyramid

Has it really been four years since we heard from Parisian deep Electro dude Deluce? That was when he released his awesome Stage 1 EP and we last wrote about him (I use the word ‘wrote’ loosely, it was a while ago). A scan if his SoundCloud page indicates he’s been steadily , if sporadically, releasing tunes. But it was only yesterday that he re-appeared in our inbox with this slick take on fellow French Sci-Fi synth lover Pyramid’s tune of last summer, Frontier.

Dulce’s reMix walks the fine line between SynthWave and Cosmic Disco. Weaving funky little licks  and a clap fuelled beat though his soundtrack synths. Staying true to the beauty and atmosphere of the original, Deluce up-s the Disco ante a little and reinvents the track’s drama filled melodies for a nostalgic dancefloor.

Pyramid – The Frontier (Deluce reMix)

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[MP3] Shelby Grey & DâM-FunK reMix Toro Y Moi

Toro Y Moi

Two very different interpretations right here of Toro Y Moi’s Say That, one of the standouts from his recent Anything In Return album. There’s a few reMixes of this tune floating about, but these two recently released versions bring a couple of distinct flavours to the track.

First up Mr. Shelby Grey delivers a deep House groove to accompany the song. Spacing out the vocals over a laid back warehouse beat. With a synthetic, hypnotic hook, Shelby drops haunting snatches of vocal in and out of the track, driven on by an early 90s House bassline. LA Funketeer  DâM-FunK whips up a sumptuous LA Funk Re-Freak that plays on the tracks smoothness to it’s fullest and injects it with a healthy does of D-F’s raw synthesizer Funk.  Two equally good, but worlds apart takes on an excellent, soulful, tune.

Toro y Moi – Say That (Shelby Grey reMix)

♫ Toro Y Moi – Say That (DâM-FunK Re-Freak)

Toro Y Moi’s Anything In Return is out now.

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[MP3] Final DJs reMix Frankie Goes To Hollywood

Frankie Goes To Hollywood

Germany’s finest, Final DJs, really know how to take a track you already love, and give it a spin that bring it right up to date without loosing any retro cool. They have delivered once again with this storming reMix of Frankie Goes To Hollywood’s 1983 début, Relax. Trevor Horn produced slick 80s funk-Pop meets soaring synth Dreamwave Disco, a match made in heaven.

Frankie always had a somewhat Sci-Fi element to their brand, and Final DJs ramp that up considerable. This is Frankie Goes To Hollywood in the year 2019. A dance track that reaches the songs emotional core, bringing out this big chord progressions with layers of lush synths and a retro bassline, so powerful it moves you with each key change. The prefect platform of FgtH’s instantly recognisable tune, the track goes next level when the solo kicks in, from then on in the seven minute epic just soars, and you are helpless to resist being carried with it.

Frankie Goes To Hollywood – Relax (Final DJs Relax On The Beach reMix)

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[MP3] Moustache Machine reMixes Madonna

MADONNA, 1984: This exclusive photo-session with Madonna was made exactly 20 years ago in a photo-studio in Amsterdam. Her record company in Holland telephoned Dutch photographer Kees Tabak and asked him if he would like to photograph a new, totally-unknown singer called Madonna. Luckily he said yes. She brought along two dancers with her. The male dancer is her brother.  Shortly after this session Madonna became a world-known superstar.  **  USA & UK ONLY ** HIGHER RATES APPLY ** © Kees Tabak /  Sunshine / Retna UK

With Classixx’s awesome reMix of Madonna’s Lucky Star nearly two years old now, it’s the perfect time for some fresh blood on the Lucky Star scene. It’s the prefect track for a Disco update, and stepping up for the challenge is French producer Moustache Machine.

The tracks got all the elements for a massive Italo-Disco workout, pumping synth bass, bright keys, evil little Disco licks and Madge’s big vocal. Moustache Machine handles these elements with ease, reworking them into his own version of dancefloor gold. With just the right amount of added driving synth goodness, and the occasional B-Boy breakdown, this is easily one of the best reMixes of this track we’ve heard.

Madonna – Lucky Star (Moustache Machine reMix)

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[MP3] Alison Valentine’s ‘Warm Winter’s Day’

Alison Valentine

You may remember New York songstress Alison Valentine from her track Peanut Butter, and Moon Boots stunning reMix of it. She’s back this month with a new single, Warm Winter’s Day, and this looks like the one to gain the talented singer the wider attention she deserves.

Warm Winter’s Day, is a perfect example of inviting R&B flavoured ElectroPop. Imbued with that Chillwavey air so often found in New York’s ElectroPop output, reverby beats and toy town synths dance playfully about the track while Alison provides an intimate, personal performance. This would have made an awesome X-Mas single, but a month later it still delivers a warming electronic cheer.

Alison Valentine – Warm Winter’s Day

Alison Valentine’s Warm Winter’s Day is out now.

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