Little Boots’ ‘Shake Until Your Heart Breaks’ Mixtape

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Little Boots – Shake Until Your Heart Breaks Mixtape = Boots is back! Well, not really, not yet, but let’s hope this mixtape is a precursor to her welcome return. The best thing about this 40 mins ElectroPop/Italo/DiscoPop odyssey, is that it includes a brand new Little Boots track, unsurprisingly titled ‘Shake Until Your Heart Breaks’, which proves that unlike her fellow electro-women-class-of-‘07 alumni, our Miss Hesketh hasn’t lost the synthesizer faith.

Little Boots – Shake Until Your Heart Breaks Mixtape

Little Boots is about to embark on a world DJ tour, check her out in the following locations:

12.11.11 Paris @ Chez Moune
18.11.11 Berlin @ Flamingo
20.11.11 New York @ Le Bain
21.11.11 Los Angeles @ Bardot
21.11.11 San Francisco @ Rickshaw Stop
25.11.11. Tokyo Le Baron
27.11.11. Beijing @ Yu Gong Yi Shan
03.12.11 London @ Secret Show TBA

Buy Little Boots’ music from:

    

Duran Duran & Drop Out Orchestra

Putting the funk back into Duran Duran comes Drop Out Orchestra.

Their edit of the Duran’s 1981 hit ‘Girls On Film’ morphs all the best bits into a lick laden Disco stormer that really highlights and bass and percussion of the original. this track’ll get the dancefloor jumping for all the right reasons. Good work by both the Durans and the Drop Outs.

Duran Duran – Girls On Film (Drop Out Orchestra Rework (Edit))

This edit will be coming out on vinyl next month.

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Goin’ Old School: Rockwell – Somebody’s Watching Me

Rockwell’s `1984 hit ‘Somebody’s Watching Me’, often covered, never bested.

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Clancy reMixes Robyn’s ‘None Of Dem’

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We’ve been waiting for this one for a while. As unashamed lovers of Robyn we can’t think of anything better than Clancy, one of the UKs top Nu-Disco producers reMixing ‘None Of Dem’.

Clancy peppers his retro synth groove with a sweet ‘90’s House Piano riff running throughout. There’s also a nice Italo influence in the bassline too, in fact the reMix seems to be a melting pot of everything that’s good and great in dance music, wrapped up with Robyn’s left-field ElectroPop. That’s kinda’ what I like about Clancy, as well as having the production skills, he always seems keen to draw on different styles but never let’s them overrun what he’s doing. It makes for exciting synth music every time and, as displayed here, dancefloor gold.

Robyn – None Of Dem (Clancy Discoteca reMix)

Clancy’s ‘Panther EP’ is out now and comes highly recommended.

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Goin’ Old School: China Crisis – Wishful Thinking

China Crisis? Yup, China Crisis. Why? Just in the mood. ‘Wishful Thinking’ from 1983.

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Queen Of Hearts & AlunaGeorge

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If you’re an actually regular reader, and not just a free music leecher, you’ll know that ‘round these parts we’re definitely subjects of Queen Of Hearts as well as having a big soft spot for AlunaGeorge.

AlunaGeorge’s reMix of ‘Shoot The Bullet’ was always going to be a completely different take on the track, and a different take on The Queen altogether. The Indie-ElectroPop duo’s Dub inspired, sometimes quite experimental, laid back Pop style brings a new dreamlike atmosphere to the track that’s kept in check by a hypnotic, head nodding, beat and Dubby bass. The multiple layers of solid Downtempo rhythm section, quirky melodies and synth experimentation actually does a wonderful job of highlighting QoH’s vocal chops. Awesome late night groove.

Queen Of Hearts – Shoot The Bullet (AlunaGeorge reMix)

Queen Of Hearts’ ‘The Arrival EP’ is out now.

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Futurecop! talk music, cartoons and breakfasts

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Today sees the long awaited release of Midland’s ElectroPop heroes Futurecop!’s new EP.

In true Futurecop! style the EP is titled ‘The Adventures Of Starpony’ and the cover references just about every anime archetype there is. Inside is six tracks, some new, some reworkings (the Futurecop! way) of tracks you’ll already know and MPM’s winning entry in the Starworshipper reMix competition. Futurecop! truly are are the forefront of the current ElectroPop scene, their music is clean, crisp and instantly nostalgic in a way no-one has really been able to emulate.

To celebrate the release of the new EP the guys took some time to chat with us about where they come from, what they do, to clear up some misconceptions and to talk cartoons.

Read on for words from the wizards.

ER: So where did Futurecop! come from? How did you guys get into making music and get together?

F: We met at university, we were both very different I into punk rock and Pete was more the clubbing type. But our obsession for the 80s made us best friends. We’ve always been in music; Pete was a DJ and I was in an punk band. Futurecop! started after university and looking back I think Futurecop! stemmed from us trying to escape the real world, so we setup a website with ‘80’s artwork and decided to recreate the ‘80’s sounds of our childhood movies, cartoons. Few blogs picked it up randomly, and we started getting shows all over the world, it was happening really fast, we never intentionally made it for anyone but ourselves, so it was amazing how people liked us all the way in Australia or USA. We had no knowledge of music production or the industry, we created tracks by just messing around, I remember a producer (Mylo’s co-producer) once looked at our files and was amazed in the unconventional way we made songs. It was fun though, as we were just kids making sounds in our rooms then suddenly being flown all around the world. Its only after our huge 2009 USA tour we realised there’s something special we got here, not just sounds.

♫ Futurecop! (Feat. Keenhouse) – The Only Way

ER: And how would you like your music described?

F: It’s definitely Pop music, inspired musically and visually through our childhood ‘80’s cartoons and movies and our love from Sci-Fi. I saw a blog once referring to as retro, cute, poppy, heartfelt, space music; which is spot on.

I think a lot of people didn’t know where to put us at the beginning, Dance or Indie. I think when a new sound comes out people just panic and get worried so they start making sub genres of music which doesn’t make sense, once someone called us Fantasy Disco. When I started I thought Disco was ‘70’s john Travolta stuff, haha. Our music isn’t about whether it contains Rap, Dance, Rock – it’s more about a uplifting nostalgic feeling. Just like the cartoons we watched when we were kids.

♫ Futurecop! (Feat. My Tiger My Timing) – Far Away

ER: Who are your heroes and influences, both musical and otherwise?

F: Overall the influences for Futurecop! stem from the ‘80’s as we were born in this decade, but I think everyone’s childhood whether in the ‘70’s or ‘90’s is a big influence because of its cute, innocence, fun, heartfelt nature.

For Futurecop! I think our biggest influence is Stan Bush haha! from his soundtrack to the ‘80’s TransFormers movie. Then there are other ‘80’s soundtrack artists like, Van Halen, Kenny Loggins (‘Meet Me Half Way’ from Over The Top),  Rock ballads and countless more eighties soundtrack music.

However personally we both like all different genres of music, whether it’s Passion Pit, Sigur Rós to Phil Collins, Goo Goo Dolls or even Taylor Swift! Growing up though I came from a more Punk Rock background, e.g Funeral For A Friend (massive fan) Enter Shikari, Deftones. While Pete’s always been into Dance and Hip Hop music, he introduced me to artists who bought Indie and Electro together like Mylo, Cut Copy, Daft Punk and Justice. Daft Punk and Justice influenced us a lot, especially for me as I used to see people that were into Dance/Techno like the popular type kids which was never my thing, but these artists mixed the genre into a more Pop sound, which was really cool.

ER: What band do you see as your contemporaries, do you feel like part of any scene?

F: We like to see ourselves as different (I guess all artists do) but there’s loads of bands, with similar vibes that are creating the same type of music like Fiero, Black Cards, GRVRBBRS, Renegade, Chromeo, Robots with Rayguns, Family Force 5. The synth ‘80’s vibe is the future for Electro music. There’s so much Dance music on the radio but the problem is they are all sound the same, even commercial acts are trying to sell out using House/Electro music, this usually happens when a scene is just about to end and lose credibility. There needs to be something new to the Electro scene.

♫ Futurecop! (Feat. Jane Hanley) – Street Hawk

ER: Where do you find your collaborators, both for your music and your artwork?

F: Friends we have met though touring or Facebook and MySpace. We make sure the people we choose feel and understand the overall purpose of Futurecop!, it’s very important the artist feels what we are doing for individual tracks. Some of the new tracks we made have taken from only few weeks to more than a year to create.

ER: If the TransFormers had crashed not on earth but on Third Earth, would The ThunderCats have been able to kick Megatron’s ass?

F: Yeah !! I think Mum-Ra would unite with the ThunderCats and kick ass!

ER: If you could have written the soundtrack to any movie, what would it be?

F: TransFormers (1986 movie) / Flight Of The Navigator.

♫ Futurecop! (Feat. Renagade) – Afterburner

ER: With your amazing début album ‘It’s Forever, Kids’ already available in Japan (http://www.cdjapan.co.jp/detailview.html?KEY=CSMC-3) when do you think we are likely to see a domestic release?

F: I think a lot of people got confused about this release. This was a Japan only album release, the label found us a year ago and wanted to release an album, so we decided to create an album with a Japanese touch, which meant researching Japanese pop culture now and in the ‘80’s therefore watching immense collections if Anime, which was a great project!.

But on Tuesday we will be releasing our second EP: ‘The Adventures Of Starpony’. We are very excited about it and we have lots of cool reMixes, Tees and even a music video to come out soon!

starpony
ER: Would Futurecop! be able to blow Jem & The Holograms off stage?

F: No way dude! Jem would totally win, we haven’t got a chance!

ER:  So, what’s in Futurecop!’s studio studio? Do you have any favourite synths/drum machines?

F: Linn Lindrum LM2 and Juno 60 is our favourite.

ER: And what makes up your live rig?, How does playing live work for you?

F: There are 2 types of shows we do depending on the promoter’s requirements. As its Electro and Indie we end up with Dance promoters asking us to play clubs, here we play what we call ‘Synth House’ ,we basically choose very uplifting, retro sounding, big build up House music, and then we have Indie promoters wanting us to play a stage. The DJ style consists if us 2, where we mix our tracks and play synths/samples over it, the live show consists of drummer, lots of synths, guitars and singers.

ER: If money was no object, what synth would you go after?

F: The cosmic key from the Masters Of The Universe movie, hah.

♫ Futurecop! (Feat. Captain Capa) – Is It A Crime?

ER: Are Futurecop! a cereal or fry-up for breakfast kinda’ act? Would that change the morning after a gig?

F: Cereal; Special K for Pete and Crunchy Nut Clusters with chocolate bits for me, f**kin love that sh*t!

ER: If you could support and band in history who would it be?

F: Manzur: Weezer, Peter: Daft Punk.

♫ Futurecop! – Starworshipper (MPM reMix)

Many thanks to Manzur and Pete for taking the time to chat with us.

The tracks featured here are from Futurecop!’s new  ‘’The Adventures Of Starpony’ EP, which is out today!

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Moustache Machine reMixes Billy Idol

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It appears to be a day of ‘80’s reMixes!

I approached this reMix of Billy Idol’s ‘White Wedding’ with some caution, this could have been a total cheese-fest. Thankfully Moustache Machine never stoops that low, what he does instead is give us an awesome ElectroPop version of the track. Cold digital sounds lend the track and extra air of tension that builds until the fat distorted Electro synths join the party. It all works surprisingly, and wonderfully well with Mr. Idols instantly recognisable vocal.

Billy Idol – White Wedding (Moustache Machine reMix)

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Wet Wet Wet reMixed by Nico Les Tuyaux

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Well, this is just weird and wonderful. ‘80’s Soulful Popsters Wet Wet Wet’s ‘East Of The River’ (no, not ‘Sweet Little Mystery’) given a complete Nu-Disco workout by Nico Les Tuyaux.

Adding Disco strings, thick analog bass and some slick French Touch filter action to a Wet Wet Wet track doesn’t, at first glance, seem like the most natural thing to do, but this young Parisian producer brings it all together and makes it work. Insane, but infectious.

Wet Wet Wet – East Of The River (Nico Les Tuyaux reMix)

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Monsieur Adi’s latest Madonna reMix

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Now, with all pretence of being a trilogy Monsieur Adi’s fifth Madonna reMix has landed to wow us once more.

What can we say about Adi’s mixes that we haven’t already said? The man’s skill as a Nu-Disco producer with a perfect ear for the dancefloor coupled with his flair for the orchestral is a combination that wins ever single time. The way he keeps the groove while adding all the drama and emotion for the most rousing movie score amazes us every time. It’s no different with this reMix of ‘Beautiful Stranger’, the track is led by a robust horn section and swelling strings that only around the four minute mark are complimented but the beat kicking in, but this just adds to the anticipation, and when the beat does drop, along with a shift in the strings, it’s powerful stuff.

Madonna – Beautiful Stranger (Monsieur Adi reMix)

Madonna – Beautiful Stranger (Monsieur Adi reMix (Instrumental))

Monsieur Adi ‘s other Madonna reMixes are available on his SoundCloud.

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