The Sound Of Arrows’ new video

The Sound Of Arrows made this video, for their forthcoming single ‘Nova’, themselves, which just goes to show they’ve got as good an eye for visuals as they do an ear for a catchy ElectroPop tune.

Anthemic, and surprisingly late 90’s sounding, ‘Nova’ works seamlessly with the cosmic imagery of the clip.

‘Nova’ is out 25th April on Geffen, The Sound Of Arrows have just finished recording their début album.

The Sound Of Arrows @ Beatport

The Sound Of Arrows @ Juno

The Sound Of Arrows @ 7Digital

The Sound Of Arrows @ Amazon

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Kid Kasio’s new track (+ video)

Kid Kasio has done it again! The guy is a one-man SynthPop machine!

It amazes me that Nathan Cooper (Kids’ alter ego) can churn out sweetly written and slickly produced tunes with clever videos with no label backing (yet)!

His latest track is ‘The Reason’, pure 80’s Pop with a riff so infectious I had been humming for weeks before the song was released based on a 30 second studio clip! Kid Kasio’s knack is writing 80’s inspired songs without falling into any (not one single one) of the clichés so often , and easily, slipped into by other ElectroPop artists. Kids’ music doesn’t try to sound 80’s, it just naturally is. Amazing.

Kid Kasio – The Reason

Also amazing is the video for ‘The Reason’ which works on a similar level to the music. a Bruno Brooks introduced Top Of The Pops video (complete with TOTP title graphics!) which shows not just a vague fashionable 80’s nostalgia but a deep understanding of the music and visuals of the time. Noting more can be said about this video but ‘genius’.

I suggest you all go ‘like’ Kid Kasio on Facebook right now!

Kis Kiasio @ Facebook

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OMD’s new video

Orchestral Manoeuvres In The Dark have premiered the video for their next single, the title track from their ‘history Of Modern’ album.

The video is the wining entry in a competition run by OMD on genero.tv, It was produced by Lapantafilm from Sweden.

OMD said "The sheer volume of work that has gone into this is incredible. So many different film animation styles. A very creative mixture of stop frame animation, modelling, drawing, film capture. A serious collection of OMD references… some of which are incredibly subtle, some not. The ideas are a varied and effective as the many different techniques. There were several really strong entries but this is the clear winner."

The single will be released soon on limited edition 10”, CD and digital.

OMD @ 7Digital

OMD @ Amazon

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Binary Week: LexiconDon

If you’ve been a regular reader of electronic rumors over the past year or so you’ll understand the difficulty I’m having finding something new to say about LexiconDon. Toward the end of last year they released their staggeringly good début album, ‘Pink + Blue’, and about that time we featured them on the site…a lot.

Also, LexiconDon were featured in all three of our Top 20s Of 2010! Albums, Songs and reMixes!

With the success they’ve had in recent months you could consider LexiconDon to be one of Binary’s flagship bands, and they are a band. Whist starting out as a project consisting of just Fabien Ordorica (he of Fabian fame) and energetic frontman Alex Koons, the act is now a four piece incorporating live guitar and bass, and in a scene dominated by DJs and hipsters hunched over Ableton controllers that’s something special.

It also gives the impression that LexiconDon sit at them slightly more rowdy end of the Binary spectrum. The music has a rawness, a live quality, to it. Injecting ElectroPop with the energy of post-punk and a narrative lyrical style that speaks of day-to-day lives and loves that we can all relate to. But LexiconDon are no one trick pony, their début record is one that flows from smooth DiscoPop to pumped up Electro-Punk before you realise it’s happening.

Alex gives us the lowdown on all things LexiconDon:

ER: How did you guys get together? Was is always to make electronic music?

AK: Fabian and I met at a studio in Hollywood appropriately named Hollywood Sound in 2007. I had actually been rapping since I was like 16 and Fabian was producing hip-hop tracks at the time. I don’t remember specifics but we ended up recording a song called “The Secrets Out” and the rest was history.  We recorded a full length rap album, but about a year later wrote the song “Staying With My Girl” that would initially change our whole style.

ER: And how did you then get involved with the Binary posse?

AK: Josh and Kyle came to the first show that we played “Staying With My Girl” at. I honestly feel like they saw the potential of what could come if we continued to write songs with that same kind of feeling.

LexiconDon – Boy Vs. Girl Pt.1

ER: Your sound seems to owe a lot of British SynthPop and Post-Punk artists, in that it feels more raw and live than your average SynthPop, is this where your influence lies?

AK: Personally, I draw a lot of influence in all genres. I love Celine Dion and Yanni songs, just as much as I love The Church and Psychedelic Furs.

ER: Who are your heroes and influences, both musical and otherwise?

AK: My dad is a big hero of mine, and I think a lot of the reason I am so into music. I have been a big Kanye fan since ‘College Drop Out.’ The Talking Heads, Third Eye Blind, and Atmosphere have played a pretty huge roll in the soundtrack for my life as well.

ER: Your songs seem deal with the everyday, lives and loves and losses, are you just making the soundtrack to your own lives?

AK: Yes.

ER: What’s in LexiconDon’s studio? What are your favourite bits of kit?

AK: Logic, armed with any plugin imaginable, a midi keyboard, an Mbox, an MXL condenser microphone, and a SM 57.

ER: And what makes up your live set up?

AK: Our live set up is like a rainbow with a pot of blow at the end of it. It’s made up of four guys having a lot of fun on stage, sometimes a little too much.

ER: How has the inclusion of live drums and guitar evolved the live sound? And will this be more and more influencing the studio sound?

AK: The drums bring the tracks to life. Fabian’s drums already are so important in his production and when played on a kit there is a certain breath that the live performance takes. Sam’s guitar and bass has added to the energy of the whole show and really makes a difference giving these tracks a totally different feel on stage. I think the studio sound will differently evolve like the live show has.

ER: If money was no object what synth would be your dream purchase?

AK: A Yamaha VSS30 I had one when I was a kid and wish I never sold that bad boy. Its not a synth but it would be really bad ass to have a real Roland 808 too.

LexiconDon – Sleep 2 Dream

ER: How does being part of Binary help you guys as musicians?

AK: You are always surrounded by such amazing musicians and people. In no way is it a competition, but hearing the new stuff everyone is working on all the time just make us want to work harder. It’s like pushing each other to reach our maximum potential. It’s a pretty amazing thing to be a part of.

ER: I’d be remiss if I didn’t ask you about, the Student Body video, or how you felt about the reaction to it. Opinion seemed to wildly differ between those who (like us) though it was a harmless, and quite funny, bit of fun satire and those who (and I quote) “couldn’t watch it to the end”. Personally I felt that if the video made someone feel uncomfortable then that said more about the viewer than the video. What did you think?

AK: All I know is that making that video was one of the funniest things we have ever down. It was amazing working with everyone and the video turned out perfectly. I guess we had a different point of view because we got to be on set, and we wrote the song. In the end I don’t think we have much to say to the people who think its super pedo. It deserves a reaction yes, but it should be a light hearted one at best.

ER: Did it even cross your mind that some people would be uncomfortable with the video when you
were making it?

AK: Yeah, I think we knew that it would upset some people. There is always gonna’ be a paradox in anyone’s art. People can look into anything too hard and make something out of nothing. I don’t think we were prepared for some of the reactions from certain people. It was rough having people very close to us not getting it.

ER: How are you feeling now Pink + Blue is out? Proud I’d expect?

AK: Yeah, very proud and it feels good that its out. It took a long time to make that record. I really don’t think its reached its maximum potential, but so far I think we are all pretty happy with where its at.

ER: How do you feel it has been received?

AK: We are happy with the results thus far. Its rough writing SynthPop in a lo-fi, Chillwave saturated forum.

ER: One of the great things about Pink + Blue is that it contains quite a mix of styles, is this just ‘cos it represents the last few years of LexiconDon evolution or can we expect you to mix it up a bit in future?

AK: Its because Fabian & I write in such a sporadic way. We have no formula, we have always just made songs that we like. Every single song we have made has been done in such a different way, and when we try to repeat previous attempts, it never works the same. We hope to have a bit more consistency on the next record but be prepared for a roller coaster of genre crossing.

LexiconDon – Heart Attack

ER: Can we expect to see you touring Pink + Blue, and sign of you guys crossing the Atlantic?

AK: I am pretty sure we will be hitting the road sometime in late May. As for crossing the Atlantic, which by the way would be a dream come true just playing a show over seas, might be a little while away. In reality we need a higher demand in the states and elsewhere. The next year holds a lot of gold and we intend on grabbing as much as possible to share it with everyone else.

ER: Are LexiconDon more cereal or pile of pancakes for breakfast kinda’ band? Would that change the morning after a show?

We are more like a 4 shots of espresso on ice and a cigarette band. The morning after the show we would probably be a bloody mary.

LexiconDon – Success Is Fine

LexiconDon’s début album, Pink + Blue, is out now on dubFrequency/Binary.

LexiconDon @ Beatport

LexiconDon @ Juno

LexiconDon @ 7Digital

LexiconDon @ Amazon

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Konnichiwa’s début album

A few days ago we dropped the video for Konnichiwa’ s ‘Maiden China’ from their début album ‘Visions’. We’ve had a chance to listen to the full album now, and it’s pretty special.

The thing I like about Konnichiwa is their points of reference. Most 80’s inspired acts draw their influences from Europe, particularly England (and being English, I do hear a lot of it!) whereas Konnichiwa, although defiantly an 80s SynthPop influenced duo, produce a sound more akin to the Electronic Pop that came out of the US in the 80s, a sound that tended to be a bit more upbeat than it’s European counterpart and made more extensive use of burgeoning sampling technology. This sound eventually gave way to a particular North American brand of EBM/SynthPop (think Information Society) and it’s this poppy, yet borderline EBM, groove that I can hear running through Konnichiwa’s record. Lots of FM synthesis and sampling make up the music. Percussive and driving it forms a stable basis for Kaela Noel’s crazy, reverb washed, vocal style. Almost oriental and kinda’ operatic in a weird way, and with a touch of Karin Dreijer-Andersson to it, Kaela’s vocals  form a strange and alluring focal point for the tracks.

Check out ‘Constellations’ on of my favourite tracks from ‘Visions’

Konnichiwa – Constellations

‘Visions’ is out 22nd March on Rainbow Body Records.

Konnichiwa @ 7Digital

Konnichiwa @ Amazon

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Masters Of The Radio

Upcoming electronic duo Masters Of The Radio are picking up the torch for classic Futurist SynthPop.

Hailing from the north of England the duo takes their influences from the Futurist pioneers of the late 70’s/early 80’s (and Gary Numan), many of whom came from the same part of the country. Making sparse and minimal yet melodic music that would have sat easily alongside the likes of early The Human League and Fad Gadget with vocals that occasionally slip into Bowie mode, even with a touch of Brian Ferry in there, Masters Of The Radio prove that you can write Minimal Synth tunes and still have a catchy chorus.

Masters Of The Radio – The Last Feeling

Check Masters Of The Radio out at their Facebook page:

Masters Of The Radio @ Facebook

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Marsheaux reMixes HURTS and Mirrors

Greek SynthPop queens Marsheaux grace these pages once more to hit you up with a couple of awesome new reMixes.

First up they bring their analog Pop to HURTS’ ‘Better Than Love’, and it’s actually the best reMix of the track we’ve heard. Bright and ElectroPoppy it’s dancey without turning the song into a cheesy dance track and SynthPoppy without stepping on the original’s toes. Mirrors ‘Into The Heart’ also gets the girls attention. the Brighton SynthPop act’s forthcoming single gets an retro, analog, workout with more than a little OMD about it.

HURTS – Better Than Love (Marsheaux reMix)

Mirrors – Into The Heart (Marshaeux’s ‘Greek Girls Are Not Easy’ Extended Mix)

Mirror’s into the dark is our February 28th. Marsheaux’s latest album, ‘‘Lumineux Noir’ is out now.

Marsheaux @ Beatport

Marsheaux @ Juno

Marsheaux @ 7Digital

Marsheaux @ Amazon

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New Champagne Riot

Champagne Riot have just released a new four track EP titled, ‘Moonstruck EP’, on Matinée Recordings.

The Danish duo continue along their journey of slick ElectroPop with a quirky Scandinavian edge. The title track is a prime example of the sophisticated electronic music that these guys produce. Owing equally to the 80s and contemporary Indie-Electro the track is rounded and retro without sounding like a homage to anything. A cavernous sounding chorus is complimented by introverted Indie verses.

Defiantly worth a listen.

Champagne Riot – Moonstruck

Champagne Riot’s ‘Moonstruck’ EP is out now.

Champagne Riot @ Matinee

Champagne Riot @ Amazon

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Tareq

Greek ElectroPop artist Tareq recently dropped his début album, ‘Cocoon’, on Undo Records (home to Marsheaux) and is about to unleash his premier single from the album, ‘Cold’.

Tareq brings a little Vocal House flavour to the Modern SynthPop scene. As well as mixing in his retro influences he’s not adverse to adding some Disco bass or House pads into the traditional Modern SynthPop sound. While musically ‘Cold’ lives up to it’s name with layers of icy synths, the presence of a  slap bass groove and Tareq’s emotive vocals warms things up a bit. The reMix package is quite impressive, the standout being d-tek’s Italo mix which is just begging for Club play as it mixes up an Italo bassline with layers of Nu-Disco synths.

Tareq – Cold (d-tek Italo Mix)

If you want to check out how the Modern SynthPop scene is evolving the Tareq’s ‘Cold’ is recommended.

Tareq @ Beatport

Tareq @ 7Digital

Tareq @ Amazon

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The electronic rumors awards: electronic rumors’ top 20 reMixes of 2010!!!

Now it’s time for, probably, my favourite list. The meeting of two talents, when it works, is an amazing thing.

This was also, probably, the easiest of the lists to compile. Most of our favourite tunes this year have been reMixes. Our top slot was always a no-brainier, that track has a breakdown and build that still gives me goosebumps after the 300th listen.

It’s our favourite song of the year, the award goes to…

electronic rumors’ best reMix: 2011

01: Ellie Goulding – Starry Eyed (Russ Chimes reMix)

Ellie Goulding – Starry Eyed (Russ Chimes reMix)

…and the rest of the list:

02: Chromeo (Feat. Elly Jackson From La Roux) – Hot Mess (12inch Mix)

Chromeo (Feat. Elly Jackson From La Roux) – Hot Mess (12inch Mix)

03: Gemini Club – Ghost (Hey Champ! reMix)

Gemini Club – Ghost (Hey Champ! reMix)

04: Yes Giantess – The Ruins (Fear Of Tigers reMix)

Yes Giantess – The Ruins (Fear Of Tigers reMix)

05: Mark Ronson & The Business INTL (Feat. MNDR & Q-Tip) – Bang Bang Bang (Russ Chimes reMix)

Mark Ronson & The Business INTL (Feat. MNDR & Q-Tip) – Bang Bang Bang (Russ Chimes reMix)

06: Robyn – Indestructible (A-Trak reMix)

Robyn – Indestructible (A-Trak reMix)

07: Pet Shop Boys – West End Girls (Grum reMix)

Pet Shop Boys – West End Girls (Grum reMix)

08: LexiconDon – Student Body (Build & Clancy reMix)

LexiconDon – Student Body (Build & Clancy reMix)

09: Panda People – Sophisticated Girl (Ride The Universe reMix)

Panda People – Sophisticated Girl (Ride The Universe reMix)

10: Vandroid – Master & Slave (Yuksek reMix)

Vandroid – Master & Slave (Yuksek reMix)

11: Cassette Club – 4 Me (Beaumont reMix)

Cassette Club – 4 Me (Beaumont reMix)

12: NightWaves – Sweet Carrie (Walter Sobcek reMix)

NightWaves – Sweet Carrie (Walter Sobcek reMix)

13: Breakbot (Feat. Irfane) – Baby I’m Yours (Aeroplane reMix)

Breakbot (Feat. Irfane) – Baby I’m Yours (Aeroplane reMix)

14: Oh Shit! & Night Drugs – Everybody Needs (Diamond Cut reMix)

Oh Shit! & Night Drugs – Everybody Needs (Diamond Cut reMix)

15: Aeroplane – Superstar (The Krays reMix)

Aeroplane – Superstar (The Krays reMix)

16: Super Mal – Rock The Night (Diamond Cut reMix)

Super Mal – Rock The Night (Diamond Cut reMix)

17: Walter Sobcek – Je Me Souviens (Paul reMix)

Walter Sobcek – Je Me Souviens (Paul reMix)

18: Visitor – Los Feeling (Alan Braxe reMix)

Visitor – Los Feeling (Alan Braxe reMix)

19: Kelis – Acapella (Monarchy Urania Club Mix)

Kelis – Acapella (Monarchy Urania Club Mix)

20: LIGHTS – Second Go (Echoes reMix)

LIGHTS – Second Go (Echoes reMix)

As always, you should defiantly pick up some of these reMixes, they are all highly recommended and most can be purchased here:

Beatport – Juno – 7Digital – Amazon

 

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