Karin Park: the interview

karinpark

If they were to make a movie based on electronic chanteuse Karin Park , it should be titled Karin Park: International Woman Of Mystery. This Swedish born ElectroPop star might have only recently entered your consciousness, but she’s had a world-hopping life that’s seen her go from Sweden’s deepest forests to schooling in Japan, to the icy tundra’s of Norway and a Scandinavian Pop career to match including Norwegian Grammys and massive hits.

Now she’s breaking out onto the international music scene with the highly acclaimed Highwire Poetry album. A dark, icy, yet ultimately welcoming collection of beat and synth driven Pop tracks holding songs that both, create an emotional connection with the listener, and are pretty darn catchy too. Drawing on all manner of influences from British Industrial to ScandiPop, Karin crafts a beautiful synthetic atmosphere, otherwordly and strange, whist drawing us into her world of lamentations and  impassioned, and sometimes sultry, refrains.

David Bowie and Massive Attack count themselves amongst Karin Park’s fans, maybe it’s about time you should too? See what Karin had to say as she took some time out from promoting Highwire Poetry to fill us in on a few things that make Karin Park tick.

ER: So, you had quite a multicultural upbringing, being a Swedish girl in a Japanese convent school. Do you think this influenced both your music now, and how you came to music in the first place? how did that happen?

KP: Everything we have experienced makes us who we are I guess, so yes, my upbringing influences my music and the way I see things. I always feel like an outsider everywhere I go. That hasn’t always been the best feeling but I accept it now and try to make the most out of it.

I knew from when I was very little that I was gonna’ be an artist. It has never been anything else for me and it came very natural. My brother got his first drum-kit at the age of 3 after hammering away at pots and pans everyday so it was the same for him.

ER: And it was moving to Norway that facilitated you rise to Scandinavian fame, bagging two Norwegian Grammys. Does Norway influence your music in a way Sweden wouldn’t?

KP: Not really. Releasing a record in Norway instead of Sweden was a random set of coincidences and one thing led to another. Living in Bergen for some years though, a city that has 250 rainy days per year, makes you stay inside the studio quite a lot. I think you can hear the rain in a lot of music that comes from Bergen like Røyksopp, Annie and Kings of Convenience.

♫ Karin Park – Thousand Loaded Guns

ER: What did you listen to growing up, was it electronic music or did you come to that later?

KP: My first proper encounter with music was Depeche mode and Whitney Houston. I like them both for different reasons. But the love for the whole electronic music genre came later when I discovered analogue synthesizers and the whole world around that. I’ve also had a love for metal music for a long time.

ER: You’ve collaborated a lot with your brother David on your latest album Highwire Poetry and performed live with him for most of the last decade. How do you prevent sibling rivalries and arguments from interfering with the music, or does that just not happen at all?

KP: David is one of a kind and very talented. We do argue sometimes, but we keep it short and pretty straight forward. We are both pretty outspoken so it can sound a bit harsh some times but there is not much confusion that way. And we can read each others mind, so that helps.

♫ Karin Park – Restless (Radio Edit)

ER: Is it strange going from being pretty successful in Scandinavia to essentially starting from scratch with the international audience?

KP: It’s refreshing. This record is a bit like starting from scratch for me everywhere, cause it’s quite different from my earlier records. And it’s nice when people listen to it with fresh ears and no presumptions.

ER: How has the reception Highwire Poetry received struck you?

KP: It’s an honest record and people get it, it seems. The fact that it was well received makes it easier to work and I’m just happy to be able to perform the songs live now as they deserve to be.

ER: Industrial influences aside, why do you thing so much Scandinavian ElectroPop has that icy, dark edge we love so much?

KP: Scandinavian nature and the fact that it’s cold and dark most of the year gives the music a melancholic vibe that shines through in Scandinavian music, books and film. At dinner at my house today, everyone around the table had to tell the others their 3 biggest complains in life. Typical Scando-conversation, I guess.

♫ Karin Park – Tiger Dreams

ER: So what’s the Karin Park’s studio? Do you have a favourite bit of studio kit? Any favourite synths?

KP: In my studio there is a Moog Taurus 1 , Juno 106, a Korg MS 20, a Roland Drumatix 606 , a Casio MT-65 and many other small keyboards and synthesizers. There’s a drum kit, oil barrels, pipes and bells to hit, Hiwatt guitar amps and cabinets, Tandberg tape-recorder amps and my Yamaha silver flute that I bought when we lived in Japan at the age of 8. I live in a big church so I have a lot of stuff there and there’s more to come. My favourite is the Korg MS 20 though. I use it when I play live.

ER: If money was no object, what piece of studio gear would be your dream to own?

KP: An ARP 2600. And an engineer to go with it who can fix it every weekend.

ER: Do you prefer songwriting/studio work or playing live?

KP: Sometimes I feel like writing is a curse because when I write I feel an urge to go somewhere I haven’t been or where it’s painful to go emotionally. But when I’ve written a song and I know it’s really good, I think about performing it. Then it comes to life for real and can’t live without that feeling. Can’t have one without the other.

♫ Karin Park – New Era

ER: Now Highwire Poetry has been so well received, what next in the plan for Karin Park world domination?

KP: I want to go and play live in loads of places and meet cool people in every country. I love to travel and want to see everything in this crazy world.

ER: What’s your breakfast preference? Cereal or cooked breakfast? Would your answer change the day after a show?

KP: My breakfast preference? It depends on what kind of day it is, I guess. Greek yoghurt and honey is cool when it’s sunny but maybe I’d go for a rooibosh cup of tea and a tuna melt with jalapenos and applewood cheese if I wake up and the wind is howling outside. No wait, no jalapenos in the morning….. But definitely applewood cheese.

Many thanks to Karin for giving us a few moments to give you lot an insight into the life of a Scandinavian ElectroPop jet setter.

While you’re hear, check out this reMix of Karin’s new single, Thousand Loaded Guns, but our favourite deep House DJ Maya Jane Coles.

♫ Karin Park – Thousand Loaded Guns (Nocturnal Sunshine reMix By Maya Jane Coles)

The Thousand Loaded Guns single is released 10th September, Karin Park’s début album Highwire Poetry is out now.

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Casio Social Club’s ‘Crush’

When is a reMix not a reMix? How much of the original needs to remain intact for it to be a reMix, or how little should be there before you can claim it as an original tune, and sell it as such? It’s a debate we had on Twitter this weekend. Honestly we’re not sure, if the entire vocal of a track, verse, chorus, verse, chorus is present with a new backing, is that a reMix or an original? For now, we’re on the fence, but it is something that crosses our minds from time to time. A pertinent discussion as it turns out, as one of our favourite UK producers Casio Social Club, Mullet Records head honcho Justin Winks,  soon releases his track Crush.

The Jets 1985 hit Crush On You is one of our guilty pleasures, it always puts us in a good mood. It has graced these pages on more than one occasion, and reMix or not, we do love a good updating of the tune. Casio Social Club’s new version of the track, Crush,  is pure Electro Boogie joy with a Piano House injection. It’s got that Casio Social Club style we love so much, those retro beats and funky as hell digital bassline, here complimented by an infectious piano line and the sing-along catchiness that is Crush On You. Ahead of the release, Mullet are kindly giving away the Radio Edit of the track. This track is the epitome of summer DiscoPop fun, don’t worry about it, just enjoy.

Casio Social Club – Crush (Radio Edit)

Casio Social Club’s Crush is released 7th August as a Juno exclusive followed by worldwide release on the 14th via Mullet Records.

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Sébastien Tellier reMixed by Tommy

Sébastien Tellier

So, as we heave shut the storm door against the lashing out inbox will undoubtedly get from the flood of reMixes of Sébastien Tellier’s Russian Attractions, we’re pretty sure this is the last post we’ll do on these mixes. We’ll probably do a round-up of the best toward the end of the reMix competition, but before that there is just time to sneak in a look at French SynthWave merchant Tommy’s excellent, atmospheric, mix of the track.

Tommy outdoes himself with this one, putting himself way up in the competition rankings. His reMix flows along with a subtle brilliance. With a space age 80’s moody, this mid-paced mix envelopes itself in swirls of warm, thick retro synth sounds and sparking lead lines that perfectly compliment Tellier’s romantic croon. Tommy grasp on brining his SynthWave sound to a Pop song is flawless, with harmonious verses that soar into the lush chords of the chorus with the confidence of the best ElectroPop. Stunning work from Tommy.

♫ Sébastien Tellier – Russian Attractions (Tommy reMix)

Russian Attractions is taken from Sébastien Tellier‘s new album My God Is Blue available now via Record Makers.

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MiGHty mOUse reMixes Future Unlimited

future-unlimited

We do love a bit of Nashville ElectroPop duo Future Unlimited ‘round these parts. Particularly their track Golden, which, having graced these pages more than once, is one of our tunes of the year so far. So imagine our excitement then, when, from out of no-where, our favourite London cosmic Disco peddler MiGHty mOUse drops this massive new reMix of the tune. There may have been a “get in!” fist pump.

MiGHty mOUse’s take on the track is dancefloor gold. Mixing up a little Tropical percussion with some Sci-Fi synths and House piano kinda’ covers all the basses, and as he covers all the bases, he does it with style and flair. You can always tell a MiGHty mOUse tune over most Nu-Disco productions. Aside from the obvious studio skill, there’s a lot more going on in an MM track than you’d normally find, a lot more eclectic elements too. MiGHty mOUse seems to write what feels right, rather than what the scene demands, and whereas most producers would claim a similar notion, MM’s track always feel refreshing. Take this tune, there’s actually quite a Dubby sound going on in the background, a few echoes, deep basses, that give it another unique twist, along with an infectious as hell percussive lead line. MiGHty mOUse’s intelligent Disco in combination with Golden’s anthemic vocals works even better than we’d hoped.

Future Unlimited – Golden (MiGHty mOUse Vocal reMix)

Golden is taken from Future Unlimited’s EP, out now.

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Sizarr’s ‘Boarding Time’ video

Relentless tribal drumming and icy synths about in the new single from Germany’s dark Indie-ElectroPoppers Sizarr.

It’s a suitably ‘Berlin’ video for the track, Boarding Time,  all broken video effects and oppressive cityscapes.

Sizarr’s Boarding Time is out 19th August.

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Pilotpriest reMixes Sébastien Tellier

Sébastien Tellier

Who want’s even more from Pilotpriest? Well, of course you do, you’d be insane not to. Well you’re in luck, in the same week that saw him dropping his new tune, Cosmosis, the Torontonian unleashes his reMix of the mighty Sébastien Tellier’s new single Russian Attractions.

As you know, we normally shudder at the thought of whatever latest reMix competition is running, and we fully expect our Inbox to be flooded, in the coming weeks, with mediocre Russian Attractions reMixes, but hopefully Mt. Tellier’s thoughtful ElectroPop will see a different class of reMix talent than the usual poo Electro-House cries for attention. To be honest though, they all might as well just stop now. Pilotpriest’s reMix is going to be very hard, if not impossible to beat. He’s set the bar so high you can just about make it out in the Hubble Deep Field image. Pilotpriest’s trademark piercing vintage synths and steady, dramatic beats are the perfect accompaniment for Sébastian Tellier’s bombastic, otherwordly presence. Seriously, a match made in heaven. This reMix is nothing short of majestic. A synthesizer opera, full of power and emotion.

♫ Sébastien Tellier – Russian Attractions (Pilotpriest reMix)

Russian Attractions is  taken from Sébastien Tellier‘s new album My God Is Blue available now via Record Makers.

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Washed Out’s A Dedication’ video

Washed Out’s A Dedication is just one of many beautiful, dreamlike, peices on his album, Within And Without. And Chillwave works so well accompanied by nice, hazy video. So here we go.

Yoonha Park directed this stunning clip with a really nice eye for colours and framing.

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Charli XCX’s The Internet reMix video

This is the new official video for Odd Future’s The Internet reMix of one of the best songs of the year, Charli XCX’s You’re The One. The reMix is nice enough, not a patch on St. Lucia’s but it’s got a nice groove. The rapping, however, by Mike G, is some of the laziest, worst rhyming we’ve ever heard. Shame really, it ruins quite a cool mix.

Directed by Claire Boyd and Rayn Andrew, the video is all a bit three years ago. We’ve seen the whole Goecities/.gif thing done so many times now, admittedly this is probably the best we’ve seen it done, but it’s still done.

The You’re The One EP is out now, the single version is released 19th August.

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Leodoris’ ‘What If?’ video

Leodoris are a Danish eclectic ElectroPop duo, consisting of Kristian Rix and Erikka Bahnsen, who are about to release their What If? EP. Here’s the video for the lead track.

Andreas Waldschütz directed this glamorous peice of anti-glamour. The track and the video work really well together. Someone needs to give vocalist Erikka a burger though.

What If? is released 13th August.

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An interview with CHEW LiPS

Chew Lips

The cream always rises to the top.  In the 2008/2009 surge of ElectroPop acts surprisingly few actually ‘made it’, fewer still are still kicking around for the second album. From the moment we first heard London duo (then three peice) CHEW LiPS’ début record, Salt Air, it was obvious they were going to be big, and they were going to be around for a while.

Immediately snapped up by the hippest of hip label (at the time) Kitsuné Music for their first two singles set a precedent for mixing Indie sensibilities with grungy ElectroPop and infectious melodies that had been oft copied since. But their string  of catchy singles and reputation for an intimate, energetic live show has always seen them ahead of the pack.

2010 saw the release of the début full length record, Unicorn. An instant hit, loaded with track that resonated with both Indie fans and Electro heads alike. The perfect example of how you can still do something unique with ElectroPop. Damn good songs too. Now, just in time, with memories of ‘10’s summer fading from people memories, CHEW LiPS are retuning. We’ve heard two single from the album so far, and a handful of tracks live, and with each new track we grow more excited for the album release.

Hot on the heels of this weeks première of the video for their amazing new single Hurricane, CHEW LiPS took some time to chat with us about their past, present and future:

ER: I have to get this out the way first. We’ve been writing about you guys since Kitsuné Music released ‘Solo’, and despite things relaxing in the font department I belligerently refuse to stop writing Chew Lips as CHEW LiPS. Doing it right or doing it wrong?

CL: Relax, the upper case / lower case thing feels a bit Nu-Rave nowadays…

(OK then, from now on we won’t…)

ER:. So how did the Chew Lips adventure begin? As a listener I always get the feeling that you all came from wildly different places and this Indie tinged grungy ElectroPop sound was something that was just spawned when you came together.

CL: That’s pretty much what happened. None of us we’re really into anything vaguely “dancey” at all, we were definitely from more of an indie background. Also, as we were a three piece then we couldn’t really make enough noise without using drum machines & synths, so we kind of slipped into this style. I think that’s where some of our early originality came from, the fact that we didn’t know anything about the instruments we were using meant we weren’t constrained by the rules.

ER: Coming together and then blowing up music blogoshpere so quickly, and being snapped up by one of the coolest record labels in the world at the time. How do you think that affected you? It must have been a hell of a lot of pressure, when most bands that early into their careers are still finding their feet?

CL: Not really, you kinda get used to everything that is happening to you as a band very quickly. We were lucky to have good management from early on, who took us away from everything & allowed us to take our time making a record. Luckily we never had to rush anything, we get to mess around & write a lot of songs before choosing what we think are the best ones. We did a lot of pretty awful gigs back then though, we’ve only recently found our feet live I think, the new drummer has helped massively.

♫ Chew Lips – Hurricane (Radio Edit)

ER: Fast forward to 2012. ‘Unicorn’ is a tough act to follow, it’s (in our opinion) one of the greatest albums of the 2000’s. How did you approach the new record? What has inspired it, both lyrically and musically.

CL: Thanks, that’s very nice to hear. We approached this one by trying to step up everything from the first album – the songwriting, the sounds, the production, the thought behind it, the lyrics, the whole package. Tigs was living in Paris during the writing & recording of this record so that totally influenced her lyrically. Musically it’s gone way deeper into the analog world I guess, with loads more proper old synths & drum machines, with some live drums too. Loads of harmonies & BV’s this time too, which is new for us.

ER: And how would you describe it’s sound? What’s it going to be called?

CL: It sounds massive I hope, tougher than before, more focused than before, possibly more open & emotional than before. We wanted it to be a bit more of a pop this time, with a lot more hip hop influenced beats rather than the 4/4 thing. We’re still not sure on the name yet though… We had a name for it all the way through which the label has now said is “too indie” so we’re now trying to find a new name for our baby.

ER: Now you’ve slimmed down to a two piece, has the way you write or record changed?

CL: Not so much really, we only really wrote stuff in the practice room very early on. We probably did more stuff over email this time round as Tigs was in gay Paris a lot & I was in London.

♫ Chew Lips – Solo

ER: So what’s in Chew Lips’ studio? Do you have a favourite bit of kit?

CL: Lots of old analog synths… I share a room in Shoreditch with a friend & between us we have a really nice setup. We have a Pro One, a Juno 6, a Prophet 5, an MS20, an SH101 and loads of crazy tape echos, spring reverbs & pedals. I like fun stuff you can get your hands on rather than plugins on the computer. Favourite thing at the moment is my Sequential Circuits DrumTraks an early 80’s drum machine, it sounds incredible on everything.

ER: If money was no object, what piece of studio gear would be your dream to own?

CL: Probably a MemoryMoog, we hired one for a few days whilst recording the album & it’s just amazing. Everytime you turn it on it’s worth recording as it’ll be doing something amazing & random. The sound of the Thom Yorke record basically.

ER: The first few times we saw you guys live it was all raucous and usually resulted in Tigs parading up and down the bar of whatever venue it was? What can we expect from Chew Lips live in 2012, more of the same?

CL: More of the same but she’ll probably be in tune this time & not so out of breath! We’ve worked really hard on the live set this time round & it’s definitely way better than it was before. A kick ass girl drummer really helps.

ER: Speaking of which, do you prefer recording or playing live?

CL: I like both, geeking around in the studio for months is really fun, but playing live is great, the feeling after a good show is amazing. I like travelling too so touring is great fun. We’ve been to some awesome places recently too, China, Russia, all over the place but Eastern Europe is the best.

♫ Chew Lips – Play Together

ER: Tell us one thing about Chew Lips you’ve never ever told anyone. 😉

CL: Erm, tough one… There’s nothing left to tell, there are no skeletons left in our closet.

ER: What’s on the cards for the rest of this year? Does the album have a release date yet? And festival appearances?

CL: More gigs, more festivals, Hurricane comes out Sept 3rd & I guess when the record comes out depends on how well that single does. It could be early next year for the album to be honest.

♫ Chew Lips – Salt Air

ER: Are Chew Lips a cereal or a Full English Breakfast kinda’ band? Would your answer change the day after a gig?

CL: Usually cereal for me (Bran Flakes) & for Tigs it would be either Porridge or eggs, she fucking loves eggs, we call her the Mongoose. The morning after a late night it’s definitely a fry up, usually at this amazing Italian place in Newington Green that we love. Would have to be served with coffee too, we’re obsessed with coffee, I worked out how much I spent last week on coffee & it was more than on food. How stupid is that?

ER: Thanks guys.

CL: Thanks!

♫ Chew Lips – Do You Chew?

Chew Lips awesome new single Hurricane is released 3rd September.

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