Human Error Week: Fear Of Tigers speaks some words

fear of tigers

This Friday (11th November) London’s 93 Feet East play’s host to one of the best ElectroPop line-ups of the year. Brought to us by Human Error, Friday’s event will see Fear Of Tigers, Visitor, The Sound Of Arrows and Queen Of Hearts share the stage in one amazing night of the best electronic music London has to offer. This week, to build your anticipation, electronic rumors will be talking to each of the four acts involved…

Ben Berry, A.K.A. Mr. Tigers A.K.A. Fear Of Tigers is one of the most constantly awesome producers in the UK. The words ‘(Fear Of Tigers reMix)’ after a song title is pretty much as good a stamp of quality as you can want. Again and again Fear Of Tigers has wowed us with his reworkings of some of the hottest ElectroPop tracks around. Taking cues from everything, from old school Electro, to ‘90’s House, to Trance, to Disco and hammering them into the prefect Pop package, Mr. Tigers can take any track and make it a dancefloor monster that appeals to both the feet and the emotions. His original work is no different, his début album ‘Cossus Snufsigalonica’ (which he gave away free BTW!) was ten tracks of the finest big room tunes loaded with retro sounds and catchy hooks. ‘The Adventures Of Pippi Longstrump’ has become a modern classic and an inspiration to all of the Nu-Disco and Dreamwave scenes. In a short four years Fear Of Tigers has become one of the biggest names in our little corner of the music world with a reputation that lead to him reMixing some of the top names in Pop, including Kylie and Ellie.

On top of all that he also hosts a weekly podcast, ‘The Guestlist’ that has become many people first stop for new music.

Despite the fact that all that sounded like I’m about to hand Ben a lifetime achievement award, I’m not. What we are going to do, though, is give you a brief glimpse into the world of Mr. Tigers as Ben took the time to share with you guys.

ER: Hey Ben, thanks a lot of doing this.

FOT: Thanks Clive, it’s great to be here

ER: So, Ben, where did the music come from? What’s your background with production? How did you get into it and was it always this style of music?

FOT: My older brother was in an indie band so I was always playing around with his bits of gear. I started off making ambient techno when I was about 14 or so. I was also in a terrible covers band. We toured the working men’s clubs of Leeds and Bradford playing eye watering covers of tracks like Bobby Brown’s ‘Two Can Play That Game’ and Tasmin Archer’s ‘Sleeping Satellite’.
From there I got into house music made a few records and became a full time DJ (6 nights a week for 3 years) in Spain.

ER: And where did Fear of Tigers come from, both as a name and as a concept?

FOT: I quit music. I thought it was forever. It had been a few years and I didn’t really miss production to be honest. I went to work at a record label and then as a journalist. Someone at work lent me a copy of Logic, I put it on the computer just to see what it was like and I ended up remixing the Infidels which came out on Wall of Sound. It rekindled my passion.

♫ Fear Of Tigers – The Adventures Of Pippi Longstrump

ER: What influences you and your sound, not just musically?

FOT: For me I have the most fun naming my tracks and the inspiration usually come from the things I like reading about outside music: Languages, Tove Jansson, Zen, M Theory, Mythology, Cooking. I also love thinking about what music will sound like in the future. When I was a kid I used to be able to compose crazy music in my head but I could never express it as I didn’t know how. Now I can express myself better but I’d love to be able to dream of some sounds that don’t exist yet so I’ve tried some hypnotic techniques to try and get me into a new way of thinking.

ER: What prompted you go release your first album for free? Did you expect it to become such a classic and do you regret it being free based on how popular it was?

FOT: I’d do it all again. For sure. It helped me build a bit of a profile and in general I was really pleased with the result. I’d love to think that it had some impact even if just a small one.

♫ Fear Of Tigers – Study Hard Drugs School

ER: How did The Guestlist come about?

FOT: I’ve wanted to do a podcast for about 5 years but never had the balls (something about hearing my own voice I think). Then one afternoon in April, I don’t know what came over me, I just thought – let’s do it. I recorded it pretty quickly and loved every minute of it. I much prefer speaking and playing music than writing!

ER: In the last few years you’ve dropped a string of amazing reMixes, what’s the reMix you’ve done that your most proud of?

FOT: I love the Infidels remix, it was so easy and was the genesis of Fear Of Tigers really. More recently I actually love hearing the Studio Killers remix. I must admit I had some reservations about the track but it was really really fun to do.

♫ Fear Of Tigers – Please Don’t Leave

ER: So you’ve played around a few places. Any crazy rock ‘n’ roll stories from your adventures?

FOT: Being busted by the police several times in Spain. Pretending to be Jeremy Healy and getting mobbed for autographs at the end of the set. Mostly falling down drunk whilst the club’s in full swing. That’s my party trick.

ER: So what’s in Fear Of Tigers’s studio? Do you have a favourite bit of kit?

FOT: I think the whole analogue Vs. digital is a load of baloney. I’m more into what I’d call the cutting edge of sound generation such as harmonic content morphing and binaural recording.

ER: If money was no object, what piece of studio gear would be your dream to own?

FOT: A grand piano. Of course I’d need the space for it but I’d love to spend £50,000 on a good one. I really doubt I’d ever buy an analog synth. I’m just not a fan. They’re nice to look at but that’s as far as it goes for me. I would like a Theremin though.

ER: The show in Friday is billed as Fear Of Tigers live, how does that work? What’s the live setup?

FOT: I’m going to be on stage with The Sound of Arrows and Visitor, they’re going to do the vocals for some of my tracks and we’ll play some of theirs and of course a few live renditions of the remixes. Don’t worry, there’s no drummer!

ER: Do you prefer to perform as a DJ or as a musician?

FOT: I’m a DJ at heart. I hate being in bands to be honest.

♫ Fear Of Tigers – Calling Your Name

ER: How Fridays show going to be? Who else are you most looking forward to seeing?

FOT: Really looking forward to the Queen Of Hearts set.

ER: Is Fear Of Tigers a Cereal or a Full English Breakfast kinda’ act? Would your answer change the day after a show?

FOT: Yes I love a meat free Full English. So it’s hash browns, quorn sausage, grilled tomatoes, poached egg, fried mushrooms, baked beans (just a few) piece of toast, cup of queens English tea (PG Tips pyramids).
I also do a mean meat free bacon roll. Which is homemade bread, rocket, fried haloumi and a slice of meat free bacon.

Thanks dude.

Visitor will be playing as part of this Fridays phenomenal Human Error line up at 93 Feet East in London. Full details can be found here.

Human Error

Buy Fear Of Tigers’ music from:

Viceroy’s new EP

viceroy

Why Viceroy, with these free releases you’re spoiling us…

Another quality EP from the San Francisco Disco guru, four tracks and a bonus Rihanna reMix, that may or may not have disappeared) show a logical progression to Viceroy’s sound and skills. The lead track is a fidgety Disco track. Normally I’m not overly keen on the ‘scrolling through presents’ strand if Nu-Disco, but here the chopped-up groove is handled masterfully by Viceroy, who makes the whole track work perfectly, rather then end up the mess that so many others who try the sound end up with. Elsewhere the EP gets funkier with the likes of ‘Mirage’, which is pure beach party vibes.

Viceroy – Sunburn (Original Mix)

Viceroy – Mirage (Original Mix)

You can pick up the whole EP on SoundCloud.

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Strange Talk’s ‘Sexual Lifestyle’

strange talk

Australian Indie-ElectroPoppers Strange Talk’s new single is here.

‘Sexual Lifestyle’ capitalises on the success of their summer anthem ‘Climbing Walls’ with another upbeat, slightly rowdy, dark club sing-a-long. Channelling Fenech-Soler at times (no bad thing) Strange Talk layer thick the big hooks and stadium vocals. Unsurprisingly, when you hear it, Van She has a hand in production.

Strange Talk – Sexual Lifestyle

Strange Talk’s début album is set to drop mid-2012.

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Human Error week: The Sound Of Arrows speak wonders

the sound of arrows

This Friday (11th November) London’s 93 Feet East play’s host to one of the best ElectroPop line-ups of the year. Brought to us by Human Error, Friday’s event will see Fear Of Tigers, Visitor, The Sound Of Arrows and Queen Of Hearts share the stage in one amazing night of the best electronic music London has to offer. This week, to build your anticipation, electronic rumors will be talking to each of the four acts involved…

The Sound Of Arrows are currently riding high on the critical success of the just released début album ‘Voyage’. With the album, new singe and new video we’ve featured them quite a lot in the last month, and for fans of pure electronic Pop it doesn’t come any better than The Sound Of Arrows. Clean, crisp production in their music allows the big , euphoric lead lines to shine through. Their approach to seeing everything with eyes full of wonder permeates every track, lending it an innocence but at the same time an insight. It’s this, as well as some seriously catchy melodies, that has seen The Sound Of Arrows rise to the top of the ElectroPop pack in the last couple of years, and now their album is finally out, world domination can’t be too far behind.

But we’ve talked about them enough in the last few weeks, time for them to talk about themselves:

ER: So, The Sound Of Arrows, where did it all begin? What’s your background with music? How did you get into it, were you in other bands and was it always this style of music?

TSOA: It all started with us becoming the best of friends and wanting to do creative things together. First we wanted both to work in films and started collaborating on music videos and such things. Then we stumbled across a Yamaha SK20 and the rest is history. We’ve both been in pretty horrible bands, doing all kinds of genres before. I am happy to say that TSOA the first mom-approved act. A definite sign of quality!

ER: And where did The Sound Of Arrows name come from? What’s the meaning?

TSOA:The fancy explanation would include some vague rambling about forward-movement and adventure but the truth is that we liked the word ‘Arrows’ in a purely aesthetical point of view. The sound of was tacked on to make it a bit more broad.

ER: What influences you and your sound, not just musically?

TSOA: To us we’re equally influenced by films as we are music. In our world these both elements are 50/50. Sometimes a song starts with an idea of a scene or a picture rather than a melody. The films that has meant the most to this album are; Stand by Me, Last Picture Show, Lost Boys, Legend, My Summer of Love, Mad Max, When The Wind Blows, Star Wars and Close Encounters Of The Third Kind. Music-wise the acts we’ve listen to the most during the birth of the album are Vangelis, Enya, Boards of Canada, MGMT, Cut Copy (2nd album) and Niki And The Dove.

♫ The Sound Of Arrows – Wonders

ER: You new album ‘Voyage’ is released this week, how proud are you now it’s finally out? If you just met someone on the street, how would you describe the album?

TSOA: We would describe it as grand, melancholic and euphoric widescreen Pop. With a touch of Dreamrave thrown in for good measure.

ER: The album, as a whole, seems very optimistic, very hopeful. Would you say that this was your outlook on life personally or is the album an attempt to make, what can be a shitty world, seem a bit better.

TSOA: First and foremost the latter. But truly, the album to us is quite melancholic. Escapism and nostalgia is very much a bittersweet thing. Magic, for example, was originally written from a fatalistic POV – everything is going to shit so you might as well try to have fun while it lasts.
There is Still Hope is about looking past obstacles and dark times and never surrender.

ER: Was the move from Stockholm to London purely a music industry thing? Has working on The Sound Of Arrows changed now you are here?

TSOA: Of course it’s changed us! All experiences in life shapes who you are.. This album has been such a journey for us, mostly for better but also at times for worse, and our lives will never be the same. London is a great place but we truly belong on the countryside. Big, open landscapes, that’s where our hearts at.

♫ The Sound Of Arrows – M.A.G.I.C.

ER: We have to talk about the MAGIC video? How epic was that? How did it come about? How did you feel when you first watched it?

TSOA: Bah! We did it ourselves together with our good friend Andreas Ohman. No surprises there when watching the finished thing! 😉

ER: Any crazy rock ‘n’ roll stories from your adventures from giging as The Sound Of Arrows?

TSOA: We’re not a very rock n’ rolling band to tell you the truth but there’s been some crazy-crazy nights.. Especially in Spain – our fans there are crazy, in the best, most fun possible way!
Another, less party-based story would be when we were in Austria this summer my voice just died on me after coming down The Alps. It was completely gone! I had every treatment imaginable. Acupuncture, herb-medicine, proper hard-core medicine, massage, alcohol and two needle-shots of something really, really strong. It barely worked.

♫ The Sound Of Arrows – Into The Clouds (Fear Of Tigers reMix)

ER: So what’s in The Sound Of Arrows’ studio? Do you have a favourite bit of kit?

TSOA: Our synths man. It’s what we live for. We love them all like they were our own spawn but the absolute favorite is our Yamaha SK20, such an underrated piece of equipment. There Is Still Hope is 70% SK20.

ER: If money was no object, what piece of studio gear would be your dream to own?

TSOA: Easy. A Yamaha CS80 – the classic monster of a synth that Vangelis made famous.

ER: How does The Sound Of Arrows live setup work?

TSOA: Me and Oskar and two of our very best friends have loads of fun together. And lotta’ video-stuff. Projections and TVs etc…

♫ The Sound Of Arrows – Nova (II Figures reMix)

ER: How Friday’s show going to be? Who else are you most looking forward to seeing?

TSOA: Friday’s show is not a proper show. We’re doing a weird mashup-DJ-medley together with our friends. You should come down to Cargo on the 16th when we and Niki and the Dove are playing together at a Neon Gold club event.

ER: Is The Sound Of Arrows a Cereal or a Full English Breakfast kinda’ band? Would your answer change the day after a show?

TSOA: Def cereal. No doubt about it. With Soy milk. We’re a bit twee that way.

Many thanks to the guys for taking the time to talk to us.

The Sound Of Arrows will be playing as part of this Fridays phenomenal Human Error line up at 93 Feet East in London. Full details can be found here.

Human Error

The Sound Of Arrows’ ‘Voyage’ is out now.

Buy The Sound Of Arrows’ music from:

Fabian’s ‘The Jack’

fabian

Fabian is riding the wave of success right now. His ‘Last Flight’ single blew up, his reMix for The Magician blew up & his début album blew up. That’s a lot of blowing up, and I’m sure it puts a guy in a good mood.

Apparently so as Fabian decided to celebrate all the explosions by dropping a new free tune, ‘The Jack’. Joining the dots between Fabian’s LA Nu-Disco, Chicago House, and Rave, ‘The Jack’ is proper jackin’ indeed. In-fact, pairing a ‘90’s Chicago House feel with sun-drenched LA Dreamwave production has got such a groove and such a unique flavour that it could easily be the sound of next summer.

Fabian – The Jack

Fabian’s ‘Say Goodbye’ album is out now.

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Clubfeet’s ‘Lost Words’ video

Here is the new video for Clubfeet’s ElectroPop single ‘Lost Words’.

Director Alex Goddard worked with graphic designer Margaux Fraisse to create those lyric spelling bike wheel LEDs, they actually worked!

‘Lost Words’ is out now with reMixes from Dimitri in Paris, Andrew Maury of RAC, and The C90s.

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Electric Youth’s ‘Right Back To You’ full EP

electric-youth

We featured Electric Youth’s new single ‘Right Back To You’ a couple of weeks ago, now the whole reMix package is available to buy.

‘Right Back To You’ is an amazing return for the Canadian duo after what feels like a period away from releasing. Everything we fell in love with about Electric Youth back in 2009 is present, it’s epic ‘80’s movie Pop, with an uplifting quality, that has obviously been crafted with such love for it’s influences and the passion which Bronwyn and Austin have put into getting it just right is evident. It’ll be stuck in your head all week! the flip-side ‘Fade Away’ is sparkly ElectroPop which shows off a different side to Bronwyn vocals. The track is more introspective, both vocally and musically, it’s smooth retro Pop that shows off Electric Youth’s range. reMixes come from fellow Canadians DVAS with a laid back Nu-Disco take on the tune and Jacques L. Dorsey, who’s  ‘Sarah Sarah’ reMix turns the track into a classic SynthPop track with pulsating synths and stripped back, roomy, production. Welcome back Electric Youth!

♫ Electric Youth – Right Back To You

♫ Electric Youth – Fade Away

♫ Electric Youth – Right Back To You (DVAS reMix)

♫ Electric Youth – Right Back To You (Sarah Sarah reMix)

The whole ‘Right Back To You’ EP is out now and also includes reMix work from Royski & Watts.

Buy Electric Youth’s music from:

 

Goin’ Old School: Vangelis – Pulstar

Today, in honour of the late, great, Carl Sagan’s birthday we are posting ‘Pulstar’.  Vangelis’ 1975 synth wizardry, and the music from the exciting bits from Cosmos. Here is the man himself preforming the track in 1991.

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Futurecop! & Codebreaker

futurecop

So, you all know Futurecop!’s ‘N.A.S.A.’, right? It’s been a Futurecop! ElectroPop classic for a couple of years. Well here’s a brand new, old, version featuring and ElectroPop sheen from Codebreaker.

The two acts collaborated on this tune some time ago but for one reason or another it never saw the light of day. Until now. Released as a single on Disco Demolition Records this version of ‘N.A.S.A.’ sees the familiar arpeggio and riff of the original layers with some equally Poppy vocals from Codebreaker. The absence of the vocals from the album is a little jarring, but Codebreaker really make the track their own. I swear, with so many version of the same songs with different collaborates and different releases for different territories, Futurecop! have the most complicated back catalogue ever!

Futurecop! (Feat. Codebreaker) – N.A.S.A.

‘N.A.S.A.’ is available now.

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