Ace Attack’s ‘Take A Break’

ace-attack

Funketeer Ace Attack has let loose a brand new summery jump up tune. Only a month or so after the release of his reMix collection this French producer is already working and new ways to keep us dancing.

Twisting Mood Funk basslines are the order of the day with Take A Break, the track runs along on them. Herbie Hancock style Jazz Funk synth bass keeps the energy of this track right up, it’s so twisted, so funky that you can’t help but move to it. Add to that a Disco beat, warm synth pads and some wicked, light fingers, lead and solo playing and you’ve got a Disco tune full of summer Funk that’ll worm it’s way into your brain. And stay there. the only downside is a terrible vocal sample (or maybe it’s real vocals? *shudder*), but you can ignore them and just get down to the track itself.

Ace Attack – Take A Break

Check out more from Ace Attack on SoundCloud.

Charli XCX’s The Internet reMix video

This is the new official video for Odd Future’s The Internet reMix of one of the best songs of the year, Charli XCX’s You’re The One. The reMix is nice enough, not a patch on St. Lucia’s but it’s got a nice groove. The rapping, however, by Mike G, is some of the laziest, worst rhyming we’ve ever heard. Shame really, it ruins quite a cool mix.

Directed by Claire Boyd and Rayn Andrew, the video is all a bit three years ago. We’ve seen the whole Goecities/.gif thing done so many times now, admittedly this is probably the best we’ve seen it done, but it’s still done.

The You’re The One EP is out now, the single version is released 19th August.

Buy Charli XCX’s music from:

New from Flash Arnold

Flash Arnold

Here’s the latest tune from SynthWave producer Finnish Flash Arnold. After a series of top quality 80’s soundtrack-esque tracks, this new tunes shows a maturity and evolution to his sound.

The Streets Of Metropolis moves Flash Arnold away from the typical SynthWave/Outrun sound an into an entirely Poppier arena. Whilst still holding on to some of Synthases elements, most notably the Italo side of things, The Streets Of Metropolis has more in common with mid-80s Instrumental Pop that it;s night driving peers. Evoking a flavour of the more Poppy Jean Michel-Jarre, or Paul Hardcastle, Flash Arnold’s arpeggiated basslines and big stabbed chords give the track a solid Italo backing with two of our favourite things in the world, Orchestral hits and mind blowing, soaring, synth soloing more than enough icing on the cake. Flash Arnold has just stepped up his game. Pay attention.

♫ Flash Arnold – The Streets Of Metropolis

Check out more from Flash Arnold on SoundCloud.

Passion Pit’s new video

Passion Pit continue their quest of Indie-Electro world dominance with the third single from their acclaimed sophomore album Gossamer. The slo-mo jam Constant Conversations.

Dori Oskowitz directs this story that features Passion Pit’s Michael Angelakos, actor/director Peter Bogdonavich and the one and only Taryn Manning.

Buy Passion Pit’s music from:

La Boum Fatale’s ‘AAA’ video

Here is the video for Electro duo La Boum Fatale’s first single AAA. A pulsating, hypnotic track with hints of analog Disco.

The video was put together by Sebastian Egert and La Boum Fatale themselves and can get as disorienting as the ever morphing electronic music.

Check out more from La Boum Fatale on SoundCloud.

Buy La Boum Fatale’s music from:

    

Leodoris’ ‘What If?’ video

Leodoris are a Danish eclectic ElectroPop duo, consisting of Kristian Rix and Erikka Bahnsen, who are about to release their What If? EP. Here’s the video for the lead track.

Andreas Waldschütz directed this glamorous peice of anti-glamour. The track and the video work really well together. Someone needs to give vocalist Erikka a burger though.

What If? is released 13th August.

Buy Leodoris’ music from:

     

An interview with CHEW LiPS

Chew Lips

The cream always rises to the top.  In the 2008/2009 surge of ElectroPop acts surprisingly few actually ‘made it’, fewer still are still kicking around for the second album. From the moment we first heard London duo (then three peice) CHEW LiPS’ début record, Salt Air, it was obvious they were going to be big, and they were going to be around for a while.

Immediately snapped up by the hippest of hip label (at the time) Kitsuné Music for their first two singles set a precedent for mixing Indie sensibilities with grungy ElectroPop and infectious melodies that had been oft copied since. But their string  of catchy singles and reputation for an intimate, energetic live show has always seen them ahead of the pack.

2010 saw the release of the début full length record, Unicorn. An instant hit, loaded with track that resonated with both Indie fans and Electro heads alike. The perfect example of how you can still do something unique with ElectroPop. Damn good songs too. Now, just in time, with memories of ‘10’s summer fading from people memories, CHEW LiPS are retuning. We’ve heard two single from the album so far, and a handful of tracks live, and with each new track we grow more excited for the album release.

Hot on the heels of this weeks première of the video for their amazing new single Hurricane, CHEW LiPS took some time to chat with us about their past, present and future:

ER: I have to get this out the way first. We’ve been writing about you guys since Kitsuné Music released ‘Solo’, and despite things relaxing in the font department I belligerently refuse to stop writing Chew Lips as CHEW LiPS. Doing it right or doing it wrong?

CL: Relax, the upper case / lower case thing feels a bit Nu-Rave nowadays…

(OK then, from now on we won’t…)

ER:. So how did the Chew Lips adventure begin? As a listener I always get the feeling that you all came from wildly different places and this Indie tinged grungy ElectroPop sound was something that was just spawned when you came together.

CL: That’s pretty much what happened. None of us we’re really into anything vaguely “dancey” at all, we were definitely from more of an indie background. Also, as we were a three piece then we couldn’t really make enough noise without using drum machines & synths, so we kind of slipped into this style. I think that’s where some of our early originality came from, the fact that we didn’t know anything about the instruments we were using meant we weren’t constrained by the rules.

ER: Coming together and then blowing up music blogoshpere so quickly, and being snapped up by one of the coolest record labels in the world at the time. How do you think that affected you? It must have been a hell of a lot of pressure, when most bands that early into their careers are still finding their feet?

CL: Not really, you kinda get used to everything that is happening to you as a band very quickly. We were lucky to have good management from early on, who took us away from everything & allowed us to take our time making a record. Luckily we never had to rush anything, we get to mess around & write a lot of songs before choosing what we think are the best ones. We did a lot of pretty awful gigs back then though, we’ve only recently found our feet live I think, the new drummer has helped massively.

♫ Chew Lips – Hurricane (Radio Edit)

ER: Fast forward to 2012. ‘Unicorn’ is a tough act to follow, it’s (in our opinion) one of the greatest albums of the 2000’s. How did you approach the new record? What has inspired it, both lyrically and musically.

CL: Thanks, that’s very nice to hear. We approached this one by trying to step up everything from the first album – the songwriting, the sounds, the production, the thought behind it, the lyrics, the whole package. Tigs was living in Paris during the writing & recording of this record so that totally influenced her lyrically. Musically it’s gone way deeper into the analog world I guess, with loads more proper old synths & drum machines, with some live drums too. Loads of harmonies & BV’s this time too, which is new for us.

ER: And how would you describe it’s sound? What’s it going to be called?

CL: It sounds massive I hope, tougher than before, more focused than before, possibly more open & emotional than before. We wanted it to be a bit more of a pop this time, with a lot more hip hop influenced beats rather than the 4/4 thing. We’re still not sure on the name yet though… We had a name for it all the way through which the label has now said is “too indie” so we’re now trying to find a new name for our baby.

ER: Now you’ve slimmed down to a two piece, has the way you write or record changed?

CL: Not so much really, we only really wrote stuff in the practice room very early on. We probably did more stuff over email this time round as Tigs was in gay Paris a lot & I was in London.

♫ Chew Lips – Solo

ER: So what’s in Chew Lips’ studio? Do you have a favourite bit of kit?

CL: Lots of old analog synths… I share a room in Shoreditch with a friend & between us we have a really nice setup. We have a Pro One, a Juno 6, a Prophet 5, an MS20, an SH101 and loads of crazy tape echos, spring reverbs & pedals. I like fun stuff you can get your hands on rather than plugins on the computer. Favourite thing at the moment is my Sequential Circuits DrumTraks an early 80’s drum machine, it sounds incredible on everything.

ER: If money was no object, what piece of studio gear would be your dream to own?

CL: Probably a MemoryMoog, we hired one for a few days whilst recording the album & it’s just amazing. Everytime you turn it on it’s worth recording as it’ll be doing something amazing & random. The sound of the Thom Yorke record basically.

ER: The first few times we saw you guys live it was all raucous and usually resulted in Tigs parading up and down the bar of whatever venue it was? What can we expect from Chew Lips live in 2012, more of the same?

CL: More of the same but she’ll probably be in tune this time & not so out of breath! We’ve worked really hard on the live set this time round & it’s definitely way better than it was before. A kick ass girl drummer really helps.

ER: Speaking of which, do you prefer recording or playing live?

CL: I like both, geeking around in the studio for months is really fun, but playing live is great, the feeling after a good show is amazing. I like travelling too so touring is great fun. We’ve been to some awesome places recently too, China, Russia, all over the place but Eastern Europe is the best.

♫ Chew Lips – Play Together

ER: Tell us one thing about Chew Lips you’ve never ever told anyone. 😉

CL: Erm, tough one… There’s nothing left to tell, there are no skeletons left in our closet.

ER: What’s on the cards for the rest of this year? Does the album have a release date yet? And festival appearances?

CL: More gigs, more festivals, Hurricane comes out Sept 3rd & I guess when the record comes out depends on how well that single does. It could be early next year for the album to be honest.

♫ Chew Lips – Salt Air

ER: Are Chew Lips a cereal or a Full English Breakfast kinda’ band? Would your answer change the day after a gig?

CL: Usually cereal for me (Bran Flakes) & for Tigs it would be either Porridge or eggs, she fucking loves eggs, we call her the Mongoose. The morning after a late night it’s definitely a fry up, usually at this amazing Italian place in Newington Green that we love. Would have to be served with coffee too, we’re obsessed with coffee, I worked out how much I spent last week on coffee & it was more than on food. How stupid is that?

ER: Thanks guys.

CL: Thanks!

♫ Chew Lips – Do You Chew?

Chew Lips awesome new single Hurricane is released 3rd September.

Buy Chew Lips’ music from:

More new music from Pilotpriest

pilotpriest

We sure picked the right time to get into Pilotpriest. First the jaw-droppingly brilliant album, Original Motion Picture Soundtrack, then came The Canyons in all it’s beauty. Now the Canadian producer had dropped yet another new tune. Cosmosis it ready to lift your day.

Perhaps we’re influenced by the title, but this is galactic fly-by material. You could quite easily re-soundtrack Carl Sagan’s Cosmos with this. It’s a majestic, bombastic, magical piece of synthesizer orchestration. Even at it’s mid-point, where the drums enter the arrangement it looses none of it’s epic feel. Rich textures and layers of synths, evolving and building through. The track almost plays like a companion peice to the original version of Thief, Pilotpriest’s Tron: Destiny soundtrack. But whereas that was quite introspective, Cosmoses captures the larger picture within the same musical framework. We could easily see the two track sitting together in the same movie, but reflecting very different moods. Anyhoo, enjoy the electronic and orchestral awe inspiring Cosmosis.

♫ Pilotpriest – Cosmosis

Cosmosis is out now.

Buy Pilotpriest’s music from:

Ladyhawke’s ‘Blue Eyes’ video

Here is the video for New Zeeland’s finest Indie-electro export, Ladyhawke’s new single Blue Eyes.

It’s the best Ladyhawke’s best video since Dusk ‘Till Dawn and sees Pip on a good old fashioned psychedelic walkabout, directed by Jess Holzworth.

Blue Eyes is taken from Ladyhawke’s new album Anxiety, out now.

Buy Ladyhawke’s music from:

Surrender! reMixed by Blende

surrender

It’s a meeting of La Bombe heavyweights! While your waiting for Turkish producer Surrender!’s self-titled début album (and you probably are after reading out interview with the man here) keep the faith with this reMix from London’s noisiest funkster Blende. You just know this is going to be in -your-face Disco.

And true to form Blende taken on the French at their own game. His reMix of S*M*A*S*H rides high on the combination of digital slap bass, piercing synths and acerbic production. The result is kind of like running Les Rythmes Digitales through a distortion pedal with a touch of Justice (when Justice are being funky, not wanky). It’s a track that would easily be at home of Ed Banger, but La Bombe is probably a much finer place for it to reside. Inducing just as much of a stom as it does a boogie, Blende’s reMix is ripe for peak time dropping, just watch the floor explode!

Surrender! – S*M*A*S*H (Blende reMix)

Surrender!’s self-titled début album is due out in September on La Bombe.

Buy Surrender!’s music from: