[Video] Kavinsky’s ‘ProtoVision’ video

Yesterday, Outrun-Electro master Kavinsky dropped his first new single in ages, and the first from his forthcoming new album, ProtoVision.

Here’s the video, which sees Kavinsky himself as the Dead Cruiser, rocking through the streets of 80s LA. It;s car chases with class.

Kavinsky’s ProtoVision is out now, the album, Outrun, follows early 2013 on Record Makers.

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[Video] The Good Natured’s ‘5-HT’

Released tomorrow is The Good Natured new Indie-Rave epic, to coincide with the track dropping, the video has just premièred.

It’s an exuberant affair, fitting for the track, with a decedent edge. It’s like the evil twin of a John Lewis X-Mas advert.

The Good Natured’s 5-HT is released tomorrow with reMixes from Kat Krazy, Ghostwerk remix and Sarah’s cover of Fine Young Cannibals’ She Drives Me Crazy.

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[Video] Chrome Canyon’s ‘Pulze’

Brooklyn vintage synth wizard Chrome Canyon has just débuted his new video, for a particularly Cosmic track called Pulze. A synth prog-fest that is pure epic.

The video, directed by Jennifer Juniper Stratford, is just as retro-trippy as the track, essential viewing (and listening)

The track is taken from his Elemental Themes album, out now.

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[Video] Parralox’s ‘Sharper Than a Knife’

Here’s the video for Australian SynthPop outfit Parralox’s Sharper Than A Knife, a tune that’s been around for a while now. The track has been reworked slightly for a new 2012 release.

In all honesty, we kinda’ prefer the original version, it’s a lot warner and more original. No-one needs to add circa 2007 Pop-Electro sounds to a track these days. Still, it’s awesome to see the track in video form.

The original of Sharper Than a Knife can be found on Parralox’s 2008 album Electricity.

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[Video] St. Lucia’s ‘September’

St. Lucia’s amazing September single finally gets the video treatment. A long overdue accompaniment for one of the best ElectroPop tracks of the year.

It;s a visually stunning, dreamlike affair with more than a hint of rabbit hole going on.

September is out now.

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[Video] Chela’s ‘Full Moon’

We wrote about Chela’s beach funky tune Full Moon last month. Well now there’s a video too, and excusing one.

Directed by By Chela & Chase Burns it features the Fifteen singer getting her groove on all over Melbourne.

Check out more from Chela on SoundCloud.

[Video] Sally Shapiro’s ‘What Can I Do?’

Sally Shapiro’s easy-breezy, 60s sounding, new single What Can I Do? has not got itself an equally whimsical video.

Jarett Sitter put together this animated clip, looking just as dreamlike and the song sounds.

Sally Shapiro’s What Can I Do? is released out now on Paper Bag Records followed by the new album, Somewhere Else 26th February next year with contributions from Anoraak, Le Prix and Electric Youth.

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[Video] Goin’ Old School: A-Ha

Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:

Norwegian SynthPop legends A-Ha decided to call it quits this week, leaving a farewell message for their fans on their official website, so today let’s check out three of their best, starting with 1985’ The Sun Always Shines On TV.

One of the best Bond themes ever recorded, The Living Daylights from 1987.

And from 1986, ease yourself out with Hunting High And Low.

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[Video] Shiny Toy Guns’ ‘Somewhere To Hide’

Here’s the vide for LA Indie-Electro outfit Shiny Toy GunsSomewhere To Hide, one of the standout tracks from their recent III album, and excellent single material.

The clip is directed by Robby Starbuck, and it probably the best video from III to date. There’s a lot of cool Wonderland business going on, but for us the highlight is the back room/light up instruments bits.

Shiny Toy Gun’s III is out now.

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[Video] LPZ’s ‘Benedict’

Paraguayan trio LPZ (Lopez) have just followed their 1983 single with the new Benedict & Grace EP, from which this new video for Benedict comes.

Ely Dagher directs the video that pair up the Acid Funk of the track with an assortment of retro beach party visuals.

LPZ’s Benedict & Grace EP is out now.

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