Kid Kasio’s début album, ‘Kasiotone’

kid kasio

The end of this month sees the long awaited release of Kid Kasio’s début album, ‘Kasiotone’.

In the years before electronic rumors started, and the ElectroPop resurgence of 2007 onward, a band called The Modern (later Matineé Club) was one of the UK big hopes for rocketing intelligent SynthPop back into the spotlight. Unfortunately due to mis-management and major label problems The Modern’s fame was never realised, but ever cloud has a silver lining. Had The Modern never split up then Nathan Cooper may have never adopted his Kid Kasio alter-ego and brought to the world the most authentic ‘80’s Pop committed to recording since 1989.

Everything about the Kid Kasio experience is meticulously overseen by Nathan, from the recordings, to the artwork, to his now legendary videos, all slotting into their place in his perfect vision of the ‘80’s. ‘Kasiotone’ is the epitome of that vision. Kid Kasio isn’t influenced by the ‘80’s, he is the ‘80’s. What we mean by that is ‘Kasiotone’ doesn’t sound like an album that is a pastiche, or a parody, or a homage, or a reverence, or a bandwagon rider, this actually sounds like an album from around 1985 (albeit with modern recording techniques, like a 1985 album remastered). Sure, there is the occasional touch of modern electronic music in the production, but everything about these songs whether it’s the vintage synth and drum sounds or Nathan’s Duran Duran crossed with Nik Kershaw style of songwriting, sounds just like the real thing. That’s not to say you have to be a big fan of ‘80’s music to enjoy this album, ‘cos you don’t. Nathan is both a talented songwriter and instrumentalist. His ability to capture certain emotions in his lyrical narrative, as well as making them catchy is matched by his mastery of melodies and complex programming and results in a collection of songs that has something for everyone. From dancefloor like anthemic ElectroPop of ‘Not For Turning’ or the TOTP sing-a-long of ‘Telephone Line’ to more introspective tracks like the Pop Funk of ‘Paranoia’ or the ‘80’s album track ‘I Miss You’ there is something most people will find to love on this record. Whether you’re a fan of ‘80’s music, or just a fan of ElectroPop in all it’s forms, or just like a good song, this album is definitely worth your investigation.

♫ Kid Kasio – Over And Over

♫ Kid Kasio – The Reason

♫ Kid Kasio – Not For Turning

‘Kasiotone’ is released 30th January.

Check out more from Kid Kasio on SoundCloud.

Saint Etienne are back!

saint etienne

SynthPop legends Saint Etienne are back! With their first full length studio album in seven years on the horizon the trio have dropped the first single from the forthcoming release, ‘Tonight’.

Two facts about ‘Tonight’ you’ll probably not be surprised at. 1) It’s produced by Xenomania’s Tim Powell, 2) It’s mixed by Richard X. According to SE’s Bob Stanley the track is “about the anticipation of going to see your favourite group. For some reason, I imagine this show is at the Forum in Kentish Town. The whole album is about the power of pop, how it affects and shapes your life.”, which is kinda’ what we’re all about to. The track is big, slick sounding DiscoPop combined with Saint Etienne’s particularly British take on everyday life. A Welcome return.

♫ Saint Etienne – Tonight

Download ‘Tonight’ for free at www.saintetienne.com.

Buy Saint Etienne’s music from:

      

Goin’ Old School: Howard Jones, Thompson Twins & Nik Kershaw

Howard Jones’ ‘New Song’ from1984. Throw off your mental chains! Throw them off! Do It! I;m watching! Oh Oh Oh!

A Musik Laden performance of Thompson Twins’ ‘The Gap’, again from 1984

More from 1984, Nik Kershaw’s ‘When A Heart Beats’, just ‘cos.

You can buy most of this  music from:

Strangers cover Tears For Fears’ ‘Shout’

strangers

So, if you ignore an James Corden associated abominations, Tears For Fears’ ‘Shout’ is one of the best songs ever written, not many covers do it justice (and some (see aforementioned abomination comment) are so shit they barely qualify as music), thankfully London SynthPop trio Strangers’ take on the track is stop on.

I’ve heard the track with distorted industrial percussion before, but always with terrible industrial vocals, here Strangers get electronically experimental with the beats but keep the anthemic, melodic ,vocals (which aren’t easy to sing, so kudos there!) intact. It’s an awesome slice of dark ElectroPop which really conveys the power of the original song.

Strangers – Shout (Tears For Fears Cover)

Strangers’ ‘EP 3’ is out now.

Buy Strangers’ music from:

MiGHty mOUse take on Kate Bush’s ‘Cloudbusting’

kate bush

you’d have though by now if you’d heard one version of Kate Bush often reMixes ‘Cloudbusting’, you’d have heard them all. Well, thankfully along comes MiGHty mOUse to do something fresh and give the track a new lease of life.

Dropping a slow building slice of Moroder Disco with little hint’s of Dub was the prefect choice for this track and takes it to an ‘80’s lit dancefloor place it hasn’t been before. The percussion in the reMix  is worth mentioning too, with a beautiful melodic quality to it, and the melodies have a percussive quality too which makes for some nice interaction. All-in-all though, if you’re looking for a version of this tune to drop, this is the one. Dancefloor destroying, I believe they call it.

Kate Bush – Cloudbusting (MiGHty mOUse Re Work)

The third instalment of MiGHty mOUse’s ‘Disco Circus’ series will be released 10th March featuring the likes of The Magician,Gigamesh and Oliver.

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Kimbra reMixed by BeNi

kimbra

Prolific Australian producer BeNi has worked some Deep House magic on Kimbra’s forthcoming new single ‘Two Way Street’.

Stripping things down to the minimal, BeNi lets Kimbra’s vocals flow over a hypnotic bass groove. The soulful qualities of her voice really get shine when paired with a simple beat and a gruff, pulsating synth line. BeNi serves up a nice late night jam with this one.

Kimbra – Two Way Street (BeNi reMix)

‘Two Way Street’ features on Kimbra’s début album, ‘Vows’.

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Mausi

Mausi

Mausi are a Newcastle based four peice who are about to release their début single. The Disco tinged IndiePop of ‘Sol.’.

The tracks been around for a while now but has just been picked up for release in February. It’s got a nice summery Pop feel that owes much to the likes of Passion Pit but with more of a beach party Disco vibe to it. It’s probably the most straight-up Indie thing we’ve featured in a while but they’ve got enough of a French Indie-Electro groove going on that some of you might be into it, we are.

Mausi – Sol.

‘Sol.’ is released 20th February.

Check out more from Mausi on SoundCloud.

Lola Dutronic covers Suicide’s ‘Keep Your Dreams’

I suppose if there was any of New York’s original ElectroPunks Suicide’s back catalogue that international Lounge SynthPopsters Lola Dutronic could cover it would be ‘Keep Your Dreams’.

LD’s version is a floaty Parisian Pop that sounds classy as always.

‘Keep Your Dreams’ is taken from the ‘New York Stories’ EP, out now.

Buy Lola Dutronic’s music from:

 

Goin’ Old School: Eleven Pond, A Guy Called Gerald & John Parr

You’ll have notice that there hasn’t been a Goin’ Old School for a few days, that’s ‘cos it’s going to be a weekly column now. Some weeks there will be loads of vids, some weeks there will be just the one, depends how we’re feeling…

 

The Minimal Synth crowd are crazy for Eleven Pond’s 1986 hit ‘Watching Trees’, they’re pretty Italo though

A Guy Called Gerald’s ‘Voodoo Ray’, one of the greatest dance records ever made. 1989.

John Parr‘s ‘Two Hearts’ from  1986. The one that isn’t from St. Elmo’s Fire. Check the awesome keytar solo!

You can buy most of this  music from:

      

Kolombo reworks Madonna

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Belgian producer Kolombo has worked his synth Disco magic on one my favourite Madonna tunes, ‘Into The Groove’.

This is everything an edit should be, Kolombo has chopped up the track and put it back together with the dancefloor in mind, dragging the synth bass to the forefront and bringing some nice retro synths with him. Frankly, this is kinda’ going to become the definitive version of the track.

Madonna – Into The Groove (Kolombo Rework)

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