The Swamp Electro stylings of Black Strobe’s Boogie In Zero Gravity is now committed to celluloid.
The clip is pretty straight forward, Black Strobe suited and booted, the way all good Electro Blues acts should be. Laetitia Laguze produced the video, which combines a classic feel with some finale psychedelics.
The Boogie In Zero Gravity EP is out now.
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Hot Chip’s new video for Look At Where We Are was a collaboration between Hot Chip, Domino Records and Vice & Intel’s The Creators Project, who seen to have their fingers in all kinds of pies these days.
Danny Perez directs this clip which is as mysterious as the track itself, featuring a model creating scientist of some kind or other.
Hot Chip’s new album, In Our Heads is out now.
[Via Vice]
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Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:
1989’s Tricky Disco from Tricky Disco. Not nearly as funny now, I guess you had to be there.
From 1985, ItaloPop with Modern Talking’s You Can Win If You Want.
Alphaville’s epic original version of Forever Young from 1984.
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Digitalism’s Falling, from their recent excellent DJ-KICKS album, has got all videofied.
One of six new tracks in the album, Falling, is quite a gritty track and comes with a suitably gritty, vintage looking clip.
Digitalism’s DJ-KICKS album is out now on Studio !K7.
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The video for American Indie-electro outfit Shiny Toy Guns’ return to form Waiting Alone has hit.
There lot’s of running, specifically from Carah Faye, a bit of waiting and some angry. Oh, and a Shyamalan twist at the end. The clip was directed by Luke Ebrel & Edgar Morias.
Shiny Toy Guns’ Waiting Alone is out now.
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Saint Etienne crowdsourced their latest video, getting fans to show the world their favourite records to accompany the ode to Pop I’ve Got Your Music.
What sounded initially a cheap, and a bit cheesy, actually really works amazingly well, it’s interesting to see everyone’s choices. Whoduv’ thunk it?
I’ve Got Your Music is taken from Words And Music By Saint Etienne, out not.
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Here’s the video for one of the best singles of the year. Moonlight Matters and Hercules And Love Affair’s Gustaph’s Come For Me.
Directed by Kris Lathouwers, it’s just pure shining, neon, Disco goodness. Perfect for the track. Is Seba’s origami bear head just a mask and not a full head?
Moonlight Matters’ Come For Me EP is out now via Kitsuné Music.
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Justice’s current single, New Lands, has got itself vidofied, if anything, the budget just shows how big these guys are now.
Canada (not the whole country) directs the clip, or should I say movie? It’s a spectacle I won’t describe, I’ll just let you watch, suffice to sat if this was turning into a feature length film I would definitely be watching it.
Justice’s New Lands is out now.
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The spookiest track (for personal reasons) on Nite Jewel’s One Second Of Love album, and current single Clive, is here in video form.
This sombre, simple clip is directed by José Wolff. Sometimes simplicity is best.
Nite Jewel is finally coming to the UK, dates here:
12th July – Erics @ Liverpool
13th July – Captain’s Rest @ Glasgow
14th July – Brudenell Social Club @ Leeds
15th July – Soup Kitchen @ Manchester
16th July – O2 Academy 2 @ Birmingham
17th July – The Green Door Store @ Brighton
18th July – XOYO @ London
Nite Jewel’s ‘One Second Of Love’ album is out now.
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Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:
Kicking off in the very early ‘80’s, Mind Of A Toy from Visage in 1981.
From 1989, on TOTP, Coldcut and Lisa Stansfield’s People Hold On.
The second most recognisable arpeggio of all time? Japan’s Quite Life from 1981.
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electronic rumors 