Goin’ Old School: Just Depeche Mode

Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:

In light of Depeche Mode announcing their 2013 tour, to support a brand new album, yesterday, lets have a Depeche Mode Goin’ Old School’. Starting with People Are People from 1984.

My second favourite Depeche Mode track (the first being Strangelove, which we’ve already used on Goin’ Old School), 1985’s Shake the Disease.

And finally, because we’ve never featured it and it had to be done. 1989’s Enjoy the Silence. Easily one of the best songs ever written.

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Chromatics’ Looking For Love’ video

Hot on the heels Chromatics Kill For Love album come three new shiny Italo Pop tracks on Italians Do It Better’s forthcoming After Dark II compilation.

Here’s the video for Looking For Love, it;s a five minute version cut down from the tracks original seventeen minutes. Alberto Rossini directs once again.

After Dark II is released soon.

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Fenech-Soler’s ‘All I Know’ video

All I Know is the new single from the amazing Fenech-Soler, After a trying year or so for the band it’s a welcome return, and is everything we’d have hoped for from the Indie-Electro four piece’s return.

Elliot Sanders directs this clip, which pulses with natural imagery along with the pulsing synth bass.

Fenech-Soler’s All I Know is released today.

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Lissi Dancefloor Disaster’s ‘Kill The Winner’ video + TobTok reMix

Here’s the video for crazy Swedish ElectroPop cat fanatics Lissi Dancefloor Disaster’s new single ‘Kill The Winner’, a synth rocking, sing-a-long infectious slice of quirk-Pop.

Tim Erem directs this slow-speed chase scene, a scenario wich perfectly fits the tune.

While you’re here check out fellow Swede TobTok’s reMix of the track. TobTok injects the track with a slick Disco edge which replaces the abrasive, almost avant-guarde sounds of the original with some rich, warm synths and a big room Disco vibe.

♫ Lissi Dancefloor Disaster – Kill The Winner (Tobtok reMix)

Lissi Dancefloor Disaster’s Kill The Winner is out now.

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Goin’ Old School The KLF, S’Express & Bomb The Bass

Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:

Some late ‘80’s UK dance today kicking off with the original 1989 version of 3:AM Eternal  from The KLF.

And moving on to Mark Moore’s S’Express and the Acid Disco of Theme From S’Express from 1988.

Finally, Bomb The Bass with the ground-breaking Beat Dis from 1987 (The video features the US version of the track with the main sample changes for copyright reasons)

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Pati Yang’s ‘Hold Your Horses’ video

Pati Yang’s Hold Your Horses has finally got itself a video, the Scandinavian tinged Indie-ElectroPop track gets some suitably stark visuals.

It’s quite a typically Indie video, but luckily works well in this instance.

Hold Your Horses is out now.

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Goin’ Old School: Electronic, Mantronix & Electribe 101

Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:

From 1989, Bernard Sumner and Johnny Marr’s Electronic project, here’s featruing Pet Shop Boys’ Neil Tennant with Getting Away With It….

Pretty much Mantronix’s best tune, 1987’s Who Is It? Here on The Tube, as there’s no video.

Here’s Electribe 101 & Bille Ray Martin’s 1988 début, Talking With Myself.

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Pet Shop Boys’ ‘Leaving’ video

Here’s the video for the second single from Pet Shop Boys new album, Elysium. Both the track and the clip are classic PSB.

Classy, black & white, and amazingly British. The video, along with the track, sum up everything about Pet Shop Boys we love.

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Marina And The Diamonds’ ‘How To Be A Heartbreaker’ video

So, here’s the new video from Marina And The Diamonds, How To Be A Heartbreaker. There’s been a lot of talk about it this week after her label (Warner Music, not 679 Artists) delayed it because they thought she looked ugly in it. Well, someone at Warner Music is obviously a fuckwit as, unsurprisingly, Marina looks smoking hot in the clip.

It’s one of the better songs on her second album too, one of the ones not ruined by Stargate’s big 90s Trance lead sounds.

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