Douglas McCarthy’s new single

So, if you’re at all into the history of electronic or Dance music Douglas J. McCarthy, one half of the legendary Nitzer Ebb, should need no introduction. After decades of band work and collaborations he’s finally got around to releasing some solo material, the first being this single  ‘Hey’.

Robin Nixon directs this clip, sombre to match the mood of the track which features McCarthy’s instantly recognizable vocals crooning over some deep, hypnotic Tech House.

‘Hey’ is out 9th April with the album ‘Life Is Sucking The Life Out Of Me’ on the 30th.

Buy Nitzer Ebb’s music from:

       

Perturbator

Perturbator

If you been paying attention to SynthWave recently you’ll have noticed that there is more and more music being made that feels a lot like old School EBM. French producer Perturbator takes that retro harshness and mixes it up with a healthy dose of Jarre on his new EP ‘Night Driving Avenger’.

The title track growls like and angry robotic beast as those machine arpeggiated basslines hammer along at breakneck speed while Perturbator shows off his true skill, melody and solos. On every track on the EP his ability to craft emotional musical beats that really get across the mood of the tune or just impress the hell out of you with his skills. As a big fan of Jarre and Vangelis is awesome to hear this kind of epic synth work set against a pounding beat. ‘Grim Heart’ carries on in this tradition, the EBM aggression playing against the shining synth work. It’s not all high-octane powerhouses though, ‘Electric Dreams’ is a beautiful, haunting peice that would easily be suited to the quieter moments in BladeRunner, take that Vangelis! The EP contains one more track, ‘Miami Sunsets’, but I’ll make you head on over to Perturbator Sound Cloud to hear it so you can check out his vast back catalogue of synth epics.

Perturbator – Night Driving Avenger

Perturbator – Grim Heart

Perturbator – Electric Dreams

You can download the whole EP here.

Check out more from Perturbator on SoundCloud.

Arnaud Rebotini reMixes Rafale

Rafale

Blackstrobe main man Arnaud Rebotini is one of our favourite producers, there’s no-one quite like him for  teasing hard Disco out of vintage analog synths. In his latest reMix, of Rafale’s ‘Beyond Bad’, he takes the ’hard’ one step further with a tune that is borderline EBM.

Taken from Rafale’s free ‘Obsessions reMixes’ collection, this mix sees Arnaud channelling old school Nitzer Ebb with the dirty, militaristic, bassline, coarse synths and industrial percussion. Last year’s original ‘Obsessions’ album was produced by Robitini himself and it feels like here, he allowed himself to play around more and get a bit more aggressive. Now if only modern EBM sounded like this…

Rafale – Beyond Bad (Arnaud Rebotini reMix)

Rafale’s ‘Obsessions reMixes’ is out now, and free! Get it here.

Buy Rafale’s music from:

      

Goin’ Old School: Front 242, The System & Malcolm McLaren

Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:

OK, so I’m not sure why ‘Headhunter’ hasn’t made Goin’ Old School yet, but it’s time to rectify that. Anton Corbijn directed Front 242 , in their game changing track from 1988. Be crushed by that bassline, it’s literally all reverb (the original sound was removed).

Pure ‘80’s Synth Funk here from The System and their 1982 track ‘You Are In My System’. This looked well futuristic at the time. I have a feeling that Sci-Fi complex he’s in is actually an office building at 55 John Street in New Youk in the ‘80’s.

In 1983 Punk Impresario Malcolm McLaren brought Hip Hop to the UK, kicking off UK Hip Hop with ‘Buffalo Gals’. It was most people first experience of sampling, turntablism, graffiti and popping.

You can buy most of this  music from:

Violet Tremors’ début album

Violet Tremors

Hold on to your soul, the first ladies of Minimal Synth, Violet Tremors, are about to drop their début album, the awesomely titled ‘Time Is The Traitor’.

The opening track ‘Between Us’ is well chosen, atmospheric and harsh, the track taken no prisoners and utilises vocal processing in a way that, like much of VT’s tracks, makes me think of early Cabaret Voltaire. The combination of Sparse beats, early EBM and Daniel Miller style synth work and haunting pads with vocals that are not quite human sets the listen up well for the rest of the album. Jessica White & Lorene Simpson do a good job of authentically recreating the early days of the Futurists and the sonic experimentation that cantered around Sheffield and Mute Records. The record swings, at times, from harsh and aggressive, as with the Industrial ‘Concentrate’ to the ice cold machine beats of the likes of ‘Caution’ to almost warm, enveloping tracks like ‘Time Dissolver’. Throughout, though, the girls display a keen ear for both melody and texture, and a production skill that suites their sound perfectly. What’s surprising though, is that it’s not all doom and gloom. That is to say that although the record is as fine an example of Minimal Synth as you could ever care for, there is little of the irritating pretension so often heaped onto Minimal Synth records, there’s actually a lot that would kill on any New Romantic dancefloor. I guess what I’m saying is that there is just as much ‘80’s in this album as there is Minimal Synth, and Violet Tremors passion for their sound and their influences shines through.

♫ Violet Tremors – Caution

♫ Violet Tremors – Violet Trance

♫ Violet Tremors – Future Love

‘Time Is The Traitor’ is released 1st December.

Buy Violet Tremors’ music from:

Goin’ Old School: Clock DVA – The Hacker

Clock DVA‘s ‘The Hacker’ from 1988, prepare of Sci-Fi terrorism! Sometimes you’re just in the mood.

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Goin’ Old School: The Weathermen – Poison

The Weathermen in1987, with ‘Poison ‘, making New Beat and SynthPop abrasive so you don’t have to.

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Goin’ Old School: The Neon Judgement – Tomorrow In The Papers

In 1985 The Neon Judgement were shaping the future of underground electronic music with ‘Tomorrow In The Papers’ while you were watching TransFormers in your pyjamas.

Buy The Neon Judgement’s music from:

    

The Sanfernando Sound reMixes Kites

kites

The Sanfernando Sound is back on the mix, this time turning his attention to London Indie band Kites.

keeping up his trend of post-EBM-ish power Electro tracks this mix keeps it momentum going with deep digital bass and ominous chords. while not strictly dark, the track is pretty upbeat, there is a moody undercurrent which, when coupled with Matthew Phillips almost Gothy vocals, makes for a sound that wouldn’t have been out of place on a late ‘80’s New Beat compilation alongside Skinny Puppy and The Neon Judgement. Wrap that up in some contemporary ElectroPop/Dreamwave style production and you have a track that easily sets itself apart from it’s peers.

♫ Kites – The Disappearance Of Becky Sharp  (The Sanfernando Sound reMix)

‘The Disappearance Of Becky Sharp’ is released 24th October.

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Starlings reMixed by The Sanfernando Sound

starlings

Whoa! Manchester SynthWave producer The Sanfernando Sound  gets positively EBM on his new reMix for Indie foursome Starlings.

His reMix of their new single ‘Dark Arts’ is an electronic powerhouse of the kind normally found blowing up dark German basement clubs. Layer upon layer of minor key arpeggios instil a sense of dancefloor doom with relentless drums an bass. What elevates this over the usual post-FuturePop EBM stuff is The Sanfernando Sound’s ear for the trappings of a quality Pop song. The big electro tom rolls, the occasional drops, and the flawless integration with the original vocals, it’s this attention to detail that make TSS’s production such a success. This is a dark and dangerous dancefloor monster.

♫ Starlings – Dark Arts (The Sanfernando Sound reMix)

‘Dark Arts’ is released 10th October on Civil Music.

Buy Starlings’ music from: