Frankly we’re surprised no-one has tackled this earlier. In retrospect this track is ripe for a Topical makeover, but it took Dreamwave OG Touch Tone to step up to the plate. Queen & David Bowie’s Under Pressure, with it’s classic bassline and freeform warbling has already got the groove, all it needs are some big ol’ synths. Enter Mr. Verner.
Mostly the classic bassline is ditched. A brave move, but Touch Tone cares not for you nostalgic attachments, he want’s to build a carefree summering Disco vibe out of Bowie and Mercury mumbling and nothing is going to stand in his way. Piano House meets Island purcussion with rumbling bass and a huge build. This is what the summer’s all about.
LA’s best-kept-secret (which, frankly, is a bit mean) Touch Tone graces us with another new reMix this week. His latest muse is Sweedish Pop singer Marlene, who recently released her début single, Bon Voyage. It’s Bon Voyage that Touch Tone reworks, sprinkling it with a little West Coast magic.
We’re not overly familiar with the original, it sounds a bit R&B influenced, including a half-decent Rihanna impersonation at times, but in Touch Tone’s care it becomes a storming beach House tune. Clean and snappy, with a Tropical edge, this reMix drifts into your speaks like a sea breeze, bring with it good-time and good-weather (both of which are, we presume, in abundance in LA). Chirpy little melodies play tastefully with a booming hook and razor sharp drums. Touch Tone delivers the goods once again.
Well, this is, without a doubt, the Poppiest thing that Dreamwave OG Touch Tone has released to date. The LA based producer get’s right involved with the catchy sing-a-long anthem Modern Living from Philadelphia Indie outfit Work Drugs and delivers a full on ElectroPop, one which could quite easily chart.
Pairing up Touch Tone’s Robo-Pop with Work Drugs whimsical, typical, Indie vocals seems like a match made in heaven. With it’s saccharine, sin-a-long chorus (and lot’s of ‘”yeah, yeahs”) it;s the kind of tune that begs for waves of pin sharp arpeggios and comforting pads. Mash it up with a solid Disco beat and you have the recipie for Pop greatness. Alright, so the original song might be one of the most irritating things we’ve heard in a while, but in Touch Tone’s skilful hands you’ve got an ElectroPop juggernaut.
Here’s the latest dollop of sunkissed synth Disco from our Robo-Boogie overlord Touch Tone. This time the funkster has turned his attention to quaint Glastonbury based rockers Dive In’s recent single Let Go, a gangly affair in the vein of major label summer IndiePop ‘hits’ that’s given a warm and pulsating treatment from Andrew that slowly build layers of toasty synths.
Stating off gently, with a moody kick and lush pads, every few bars Touch Tone introduces a new element to the mix until you head is nodding along to a Piano House tinged Dreamwave monster. Really, despite the bouncy piano line that admittedly does get stuck in your head, this one’s all about those sweeping pads and little arpeggiated melodies that make up the tunes ambient soundtrack, it’s a pure carefree sunshine concoction that lends it’s laid back vibe to the rest of the song, smoothing everything out.
Master of the LA Robo-Boogie Touch Tone is back with a brand new track in the form of this slick reMix. The subject of Touch Tone’s machinations this time is Brooklyn based bombastic Indie-ElectroPoppers Xylos and their breezy tune Summerlong.
Eschewing the raucous synths and wall-of-sound guitars of the original for something a little more poolside, Touch Tone whips up a pulsating summery Disco House tune to bounce you into the weekend. Folding in a little Tropical shimmy, a little Chicago warehouse vibe in the bassline department and a jump-up piano hook that straddles the line between House and Indie Touch Tone serves up an infectious daytime jam that you can’t help but move to. So just keep moving, you know you want to.
If your after some bombastic, theatrical Cosmic Disco to shake the cobwebs out of your head and kick off your week, then you’ve come to the right place. LA’s Touch Tone is back with another new tune. raw House beats and insane cinematic strings combine on Voilà, a track that worms it’s was inside your head and takes control like a Ceti Eel.
Once again Touch Tone nails the mood. A tad Housier than his precious offerings, Voilà has got a slightly cacophonous feel to it, like being confronted with a wall of punchy beats, drama fuelled strings and bouncy synth bass all coming down on your at once. But Touch Tone handles this wall-of-Disco-sound with ease, deftly bringing in one phrase after another, building the tension of the track, especially in the breakdown, until the hook kicks back in with such anticipation it’s almost a relief. Touch Tone has masterfully created a track that is not only a dancefloor winner, but manipulates the mood of the listener, drawing them into a sweeping optimist powered by nervous energy. Well, it is a homage to 70s Sci-Fi soundtracks!
Here’s the recent NightWaves single reMixed by Short Circuit. Wait. Sorry. Flashback. What I meant to say is here’s the recent Goldroom single reMixes by Touch Tone. I do love it when the old Binary crew get together for tracks, makes me feel nostalgic before I’ve even pressed play, and I can always trust that pressing play will live up to my expectations.
No fear here, Touch Tone crafts the prefect breezy vibe for the track. Slightly Tropical, the track flows like water, the dreamy vocals curling in and out of Touch Tone’s laid-back Disco like smoke. Built on a French-Disco-esque piano riff, the reMix takes it time to deliver soul shaking bass and a rolling beat over it’s relaxed five minute run. This is cruising music, a feel good tune that sweeps all your worries away.
It was back in March that Awesome Australian ElectroPop outfit Kids At Midnight released their long awaited début single via Alan Braxe’s Vulture Music. Since then, things in camp KaM have, at times, been a little up-in-the-air leaving Kids At Midnight essentially Jane Elizabeth Hanley’s solo project. Having weathered the storm Jane is now gearing up to come back fighting (after a brief diversion supplying the massive vocals for this little number) with some amazing new music, beginning with this reMix of LA Dreamwaver Touch Tone’s second single, Make Believe.
Jane decidedly proves she can easily handle the Kids At Midnight moniker solo as she delivers a Housed-up monster of a track. Equal parts laid back Nu-Disco and early 90’s House, the Kids At Midnight reMix offers up some superb piano hooks set against a backdrop of 909s driving basslines. All this Housey craziness actually works really well with Alex from LexiconDon’s vocal, allowing it to take on a slightly different mood than in the original, it almost feels like there is more optimism in his voice when set to such a jump-up backing. We’re hoping this is the first of many new Kids At Midnight track, soon-ish.
We knew it was only a matter of time before we started to hear some reMixes of Dreamwave Original Gangster Touch Tone awesome Make Believe. Make Believe is Touch Tone’s second single under this new moniker and both his track have been in demand for reMixers, once you’ve heard his big, anthemic, DiscoPop you’ll understand why. So, stepping up this time is a duo who have been around for a while, but recently joined the Binary fold, Chordashian.
The Brooklyn duo whip up a nice mix of beach Disco and piano House for their taken on the tune. Alex from LexiconDon’s vocals sound comfortable amidst the stuttering snares and late night House vibe. Chordashian have managed to deliver a reMix that is both extremely dancefloor friendly, but quite musically interesting too, and retaining all the the originals soul.
It was May this year that saw the evolution of Andrew Verner from RoboPop commissioner Short Circuit into slick ElectroPop act Touch Tone. His début single, Home Away From Home, was something really special that had talented producers clamouringtoremixit. Now the Touch Tone follow-up is here and sees Andrew teaming up with LexiconDon’s Alex Koons for an old school Binary jam.
Make Believe is more Housey then we would have expected, and a lot more Tropical than Home Away From Home, but those two elements, in Verner’s hands, come together to form some sort of blissful holiday ElectroPop monster. An uplifting beast with a kind of unspecific nostalgia, the 909 beat and digital bass have obvious early 90’s House references, but the warm Dreamwave sounds and Island Disco lead line blur the specifics of sound and Touch Tone delivers a smooth, comfortable slice of Pop House that become more infectious with each listen. Alex Koons lends his brand of LexiconDon heartfelt storytelling to the track, and it turns out to be the perfect match, especially in the asthenic chorus. We expect producers to be clamouring to reMix this one too.