Having spilt up from Azari & III, III of Azari & III, know to you sir as Alixander III, is serving up a nice line in deep and acidic classic House. Returning to the Toy Tonics label he’s about to release a collaborative EP titled Heavy Friends EP II. The first track to break ground from the forthoming release is Broken Promises. The tune features work from Italian fellow House heads Marsupials and although the EP is said to be inspired by the early Techno sounds of Detroit, we can hear a lot of Chicago in there too.
Broken Promises is deep and dark, but with a solid groove, like all good Detroit Techno should be. A six minute beast that counters undulating Techno beats with Warehouse Acid and Disco strings. Dropping those Disco loops into a bubbling Acid track gives it a nice little twist while all manner of intoxicating 303 hooks, House organ and filtered arpeggios dance around the track. Set to a solid mix of 909 kicks and 808 purcussion, Broken Promises is a heady floorfiller for late night underground parties.
♫ Alixander III And Marsupials – Broken Promises
Alixander III’s Heavy Friends EP II is released 14th September.
Check out more from Alixander III on SoundCloud.
Hot on the heels of his last release, Disco Machine, Dutch analog Disco factory Auxiliary Tha Masterfader has just released his latest. Titled Dark Side Of Disco (judging by Aux’s past efforts and that title I’m sure you know what to expect!) the single is out now in Nein Records and features reMixes from Martin Dubka, Tronik Youth and Horse Meat Disco’s DJ Severino. Aux’s last release was a Cosmic fuelled slab of future Disco, but on this record he inject a sinister vibe into his synthesizer grooves. Check it out.
Six minutes of impending dancefloor doom. That’s what you get with Dark Side Of Disco. An Acid injected slab of Italo Disco that works the murmuring apreggios and sustained synth string to their creepy fullest. Building dancefloor tension with snapping 808 snares and a pulsating bassline until the break, Aux relieves some of the nervousness as the track launces back in with majestic leads to fill your head. Dubka goes full-on Acid Techno with his reMix. A track that could easily find it’s place on late 90s/early 2000’s dancefloors in dodgy London warehouses as Acid Techno took over the free party scene. An unrelenting juggernaut of squealing Acid riffs and thunderous drums all wrapped up in a mind-bending hypnotic groove. This is one to truly hammer yourself on the dancefloor to and just get lost.
♫ Auxiliary Tha Masterfader – Dark Side Of Disco
♫ Auxiliary Tha Masterfader – Dark Side Of Disco (Dubka reMix)
Auxiliary Tha Masterfader’s Dark Side Of Disco is out now
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We’re a bit late to posting about this one; although it’s been in our headphones for a while now we appear to have accidently had a little hiatus. Our weeks have been crammed with paid work stuff and our weekends full of fun adventures so the poor old ‘zine has been a little neglected. No matter though, we’ve never been that bothered about being the first to post about something (who remembers the days before Hype Machine when no-one cared about being ‘first’ and people just wrote about music they felt passionately about? Good times!). So anyway, here we are with the new(est) release from Danny Ashenden A.K.A. Earl Grey. Arabian Nights is the title track from his new(est) EP and takes us further down this one time Cosmic Disco don, as part of The C90s, ‘s journey into the realms of the dark and twisted.
With each release and reMix from Earl Grey we’ve seen him delve deeper into the world of stripped down, analog grooves. His initial releases giving a nod to his Cosmic Disco roots but opening up a moody Italo sound pallet, it was inevitable that he would end up with both feet firmly planted in the world of strobe-lit Acid. Now, we don’t pretend to hid out love of Acid House, a burbling 303 gets us going (we’re still waiting for Acid Disco to properly become a ‘thing’) so the Earl’s hypnotic synths are right up our street. Arabian Nights plays around with the forms a little, layering 303 lines for added Funk value and mixing up a little old school Electro and Detroit Techno into the mix Juan Atkins style. As ominous as it is groove, Arabian Nights brings the late night, exotic, mysterious, synthetic vibes hard.
♫ Earl Grey – Arabian Nights
Earl Grey’s Arabian Nights is out now.
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Rex The Dog’s new single, Sicko, finally turned up on 12”. So we’re happy. The single is out now on Kompakt and should be a must listen for anyone who a fan of synthesizer music.
Rex and Jake have put together this awesome video for the track. Part music clip, part live studio performance and part demonstration of Jake’s DIY RTD-001 modular synth that Sicko is played on; it’s all synth porn.
Rex The Dog’s Sicko is out now.
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Jake and Rex are back in the game and going home. Their new single sees Rex The Dog returning to their original home, German Techno label Kompakt. Easily one of the finest producers out there, Jake Williams and his four legged friend combines his love of 80s SynthPop with analog Disco grooves and twisted DIY Techno to create a sound unlike any other. This uniqueness will only be enhanced by Jake spending the last couple of years learning how to build synths. Sicko was composed on this home-made equipment, check it out.
Sicko is a spacious tune, but the stripped down elements it works with are used to their fullest to deliver a rich and full sound. Innovative arpeggiated rhythmic modulated voice sampling provides a unique and compelling core for the track; which then accessories with vintage Electro beats and Techno effects. This is the space that Rex works best in, taking eclectic instrumentation and turning into something effortlessly funky. Over it’s six minute length Sicko just keeps delivering the surprises, so dive on in. Fire up the strobes lights and raise the dog with laser eyes, Rex is back to wreck shop.
♫ Rex The Dog – Sicko
Rex The Dog’s Sicko is released 2nd March on Kompakt. Pre-order the 12” here, we have!
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Here’s the latest slice of synthesizer goodness from The C90s’ Danny Ashenden in his Earl Grey guise. It;’s for Australian producer Tunnel Signs who’s teamed up with the half of Act Yo Age and awfully named Jerk Boy to release Traxworks, a pretty slick and rumbling Techno track that Earl Grey lifts into space-age House territory.
Earl Grey’s take on the tune is a glorious burbling House track that leans heavily both on Acid and Cosmic Disco with a sweet does of Bleep House thrown in for good measure (and seeing as Bleep House is one of our favourite forms of House music, that seriously endears the track to us). Danny keeps the track spacious and atmospheric, with layers of Sci-Fi soundscaping, but never looses sight of that tight tight warehouse vibe; delivering an out-of-body dancefloor experience.
♫ Tunnel Signs & Jerk Boy – Traxworks (Earl Grey ‘Tunnel Of Love’ reMix)
Tunnel Signs & Jerk Boy’s Traxwork is out 26th November.
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London SynthPopper Christianoshi’s Trademark produced track Fake Blood first graced these pages a couple of years ago, and like his other tune, Trust, has got itself a re-release. Except this time he’s enlisted Disco renaissance man and political satirist Ali Jamieson to drag the track a couple of years into the present. Out money is on I Feel Sick being the next Christianoshi release, then he’ll be disappearing for a couple of years to write three new tunes.
Ali get’s his House groove on with this new one; in fact, at times the track veers into the realms of (dare we say it) Techno and even EBM. Amid all the Germanic arpeggios and chopped up vocals it’s reassuring that the tracks rests on a skippy House beat to keep you moving. Layered with a nice line in 90s space-y pads; a Dub version of the tune could nicely fit along side the likes of Orbital in that kind of early-to-mid 90s tough-but-ambient era of dance music. It’s a good job then, that a sweet Dub version of the reMix is also available for your downloading and dancing pleasure.
♫ Christianoshi – Fake Blood (Ali Jamieson reMix)
♫ Christianoshi – Fake Blood (Ali Jamieson Dub reMix)
Christianoshi’s Fake Blood is out now.
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Released this week is the new EP from Bristol legends Kosheen darker, more dancefloor oriented, wing Kosheen DJs. Three tracks of pounding and unrelenting electronic groove that is highlighted by the EP’s lead track Take Me. Strap in for some bass heavy vibes.
Drawing as much from their Drum & Bass roots as they do hypnotic Deep House, Kosheen DJs Mark and Darren deliver a track that is involving and intoxicating. Rolling on low, pulsating bass grumbles the tune offers up a pallet of House stabs, 70s Spy Thriller notes and echoing vocal snatches that bob and weave around the relentless bass and kick groove like a lifeboat lost at sea. A full-on tune to loose yourself in on the dancefloor.
♫ Kosheen DJs – Take Me
Kosheen DJ’s Take Me EP is out now.
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Belgian drum machine master ATTAR!’s latest reMix is released this week. As part of the reMix package for Coma Coast 1989/The Ritual double A-side, Renaud Deru injects a little strobe-light vibe into the ElectroPop release. Get ready for a hypnotic club stormer.
Going deep into the roots of House, ATTAR! serves up a little Chicago and a little Detroit in this warehouse collision. the machine beauty of early Techno meets the hedonistic groove of early House, replete with pulsating Bleep House basslines and doomy vocals. Taking the tunes title literally, this reMix perfectly conjures an underground late 80s mood, when the beats were raw and the bass heavy.
♫ Coma Coast – 1989 (ATTAR! reMix)
Coma Coast’s 1989/The Ritual is out now.
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Terminvs is London based TurboFunk producer Sharooz’s foray into post-EBM, post-Gesaffelstein Techno. All the cool kids are doing it these days, so why not. While the tunes might not be as intoxicating and dirty Disco, it can be a lot more fun to make, if you like brapping out with synths that is. And from the sound of Terminvs, Sharooz definitely does.
Amidst the ringing, occasionally dissonant, electronic mayhem, Sharooz actually lays down an utterly infectious Teutonic groove. A 242-esque bassline and some old school House drums keep the track more than interesting, giving the track a late 80s Acid House undercurrent. If fact, if you tune out the Industrial purcussion and synth brap you’re left with quite a classic sounding warehouse jam. A tune with a surprising number of levels.
♫ Sharooz – Terminvs
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