[Audio] Mark Reeder reMixes Westbam & Bernard Sumner’s ‘She Wants’

 

Westbam

It’s been  while since we heard from our friend Mark Reeder, but the Electro pioneer has been keeping himself busy. Once again getting all up in German Techno legend Westbam’s business, Reeder works his classic SynthPop magic on She Wants, a track of Westbam’s featruing vocal duties from Mr. Bernard Sumner of New Order.

Taken from Westbam’s star studded current album Götterstrasse, She Wants sees Sumner in full-on New Order evocative mode. Mark Redder serves up a beautifully produced timeless SynthPop backing, sumptuously rich in it’s sound, that fits Sumner perfectly. There’s even hints of New Order in the reMix, alongside an Acid squelch and early 80s machine beat. Like an 1984 Pop tune arranged by a mid-90s Techno producer by way of the second wave of EBM, Reeder makes this reMix and exciting dancefloor proposition that feels both new and old.

♫ Westbam & Bernard Sumner – She Wants (Mark Reeder’s Oldschool Radio reMix)

Westbam’s Götterstrasse is out now.

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[Video] Nova Nova & Peter Hook’s ‘Low Ends’

 

Nova Nova   Peter Hook   Low Ends   YouTube

We posted about French electronic act Nova Nova collaboration with New Order’s Peter Hook, Low Ends, back in February and it’s still one of our highlights of the year. We can;t wait to bust this one out in the summer.

Here’s the video, directed by Olivier Pelcat. Hooky only appears in stock footage form, but it;s still a good excuse to post the track again, ‘cos we love it.

Nova Nova & Peter Hook’s Low Ends is out now with reMixes from Thierry Criscione and Slabb (Relax Beat).

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[Audio] Nova Nova & Peter Hook

 

PeterHook1

French electronica act Nova Nova are gearing up for the release of their new single, Low Ends. Released in April, the track is a collaboration with legendary bassist Peter Hook from New Order. That’s right, I said “from New Order”, because no matter what beef Sumner has, or Hook has, New Order without Hooky really isn’t New Order. Believe me, I saw them last summer, they were good, but not New Order. Also, Sumner’s a hypocrite…but whatever. Anyway, this new track from Nova Nova & Peter Hook has a long and strangely fortuitous history, which we are not even going to try to paraphrase, here’s the twisting tale copy and pasted straight from the press release:  “In 2002, Malcolm McLaren – the Sex Pistols’ former manager and a great admirer of French culture – had been living in Paris for several years. He was looking for a producer for his new solo album called Diorama, which was to be released by Tommy Boy Records as a follow-up to his 1994 album Paris. Swiss DJ Stephan Grieder – manager of Svek Records in Sweden – brought McLaren to the Relax Beat offices, an indie label managed by French electronic music artist Thierry Criscione. The latter was then working on a “chip” music album, made with vintage 8-bit Nintendo Game Boys. Enthralled by the new lo-tech underground scene and their DIY approach based on détournement, McLaren hired Criscione as the producer of his next record and soon everybody was working at the Relax Beat studios in Ivry-sur-Seine (a southern extension of Paris’ Chinese district). McLaren wrote an article called ‘8-Bit Punk’ in American magazine Wired, in which he enthused about the blooming chip music genre that Relax Beat was actively developing with such releases as the Boy Playground compilation, Koro Osanago’s Mini-Click EP and Slabb’s Instead EP. As the album’s recording took place in Ivry, Malcolm McLaren decided to get in touch with his old friend Tony Wilson, the well-known founder of Factory Records, as he wished to use the lead vocals from Joy Division’s ‘Love Will Tear Us Apart’ in a new track called ‘Love Will’. Once the tapes had been received from Britannia Row Studios in England, Thierry Criscione asked his friend Marc Durif from the French electronica bandNova Nova to finalize the track’s production. The mix went to Stephen Hague, a long-time McLaren’s collaborator and the producer of a few New Order’s classics from the 80’s. Happy with the resulting song, Tony Wilson gave a copy to Peter Hook – the famously inimitable bass player of Joy Division and New Order. When Marc Durif heard that Peter Hook had included the track in his own DJ sets, he sent him an acoustic piano arrangement of ‘Love Will Tear Us Apart’ he had done using the full Ian Curtis acappella, and a relationship developed between Marc and Peter. Marc having composed a new song asked Peter Hook if he would play bass and Peter agreed to play bass on that still un-named track which was to become Low Ends.” Phew!

On to the track itself. If you’re like us you find Hooky’s bass playing pretty intoxicating. The man combines melody and bass groove in one instantly recognisable, and pretty nostalgic if you grew up with it, sound. Imagine that rolling over a shuffling Disco beat and sweet, icy strings. The tracks got a real 70s Disco flavour that seems like it would be a head on collision with the dancey, but pretty post-punk bass, but it doesn’t. Both elements work together to create this blissful sunrise vibe, and when the diamond sharp lead synths and dramatic piano kick in, the track hits just the right emotional notes. Pretty amazing, we’re gonna’ be saving this one for the summer.

♫ Nova Nova & Peter Hook – Low Ends (Edit)

Nova Nova & Peter Hook’s Low Ends is released 9th April with reMixes from Thierry Criscione and Slabb (Relax Beat).

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[MP3] Chromatics cover New Order

Chromatics

Alongside an eclectic new mixtape from Johnny Jewel, Italian’s Do It Better have also just released this cover of Jewel’s Chromatics cover of the classic New Order track, Ceremony. The cover features on the new mixtape alongside the likes of Xeno & Oaklander, Desire and Kraftwerk.

Chromatics’ version of the tune is a slowed down, blissed out dream that gets Hooky’s bass spot-on and features Glass Candy’s Ida No adding a little guitar to the mix. Spacious, but not sparse, the track is a downtempo wave of relaxed sounds and Chromatics vocalist Ruth Radelet’s crooning out Sumner’s lyrics with a hazy tone. Perfect space-out music for dreamers, and a nice cover that remains true to the vibe of the original whist sounding completely unique.

Chromatics (Feat. Ida No) – Ceremony (New Order Cover)

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Goin’ Old School: John Foxx, New Order & Gary Numan

Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:

Later this week we’ll be shutting up shop for a while, as we are off to Bestival. More on that tomorrow but today’s Goin’ Old School highlights three classic SynthPop acts who will be appearing at Bestival this weekend, starting with ex-Ultravox dark Electro pioneer John Foxx and 1980’s He’s a Liquid.

Headlining Bestival on the Saturday are New Order. Here’s the Arthur Baker produced Confusion from 1983.

And finally SynthPop pretender Gary Numan kicks of Bestival on Thursday night. This is his finest moment, 1985’s Call Out The Dogs.

You can buy most of this  music from:

 

Goin’ Old School: Kraftwerk, New Order & DEVO

Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:

We’re breaking the ‘Goin’ Old School’ rules a little today by featuring tracks we’ve featured before and tracks that aren’t strictly ‘80’s, but in celebration if the late, great, Bob Moog’s birthday, here’s some of our favourite Moog tracks. Starting with Kraftwerk’s ‘Autobahn’ from 1975.

And we had to feature New Order’s ‘Blue Monday’ again, from 1983. Moog Source anyone?

DEVO 1980 hit ’ Whip It’ is covered in MiniMoogs!

You can buy most of this  music from:

 

Goin’ Old School: Kraftwerk, New Order & Jungle Brothers

Goin’ Old School isn’t a trip down music memory lane, it’s a mugging in the dark alleyway of nostalgia:

After years in the German underground. Kraftwerk were basically saying “Hello world, here we are’ with 1982’s ‘The Model’, the coolest people in the world took notice.

New Order’s ‘Blue Monday’ from1983, still the biggest selling 12” of all time, here’s the original video.

Jungle Brothers, amongst others, in 1988 thought Hip-House was a good idea with the Todd Terry produced ‘I’ll House You’.

You can buy most of this  music from:

 

New Order edited by Mirror People

New Order

New Order’s ‘5 8 6 ’, form 1983,  was a prime example of the bands early experiments with synths being at the forefront of their music. Having just discovered Disco many of the tracks on the ‘Power, Corruption & Lies’ album have a dance groove, but not all of them would stand up on todays dancefloors, including ‘5 8 6’…Mirror People thought he’d see to that.

Mirror People’s edit of ‘5 8 6’ gives the track a new burst of raw energy. Emphasising the kick and some of the synths, and adding a few stabs here and there, the changes are quite subtle, but make all the difference in the mix.

New Order – 5 8 6 (Mirror People Edit)

‘5 8 6’ is taken from New Order’s 1983 album, ‘Power, Corruption & Lies’.

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Goin’ Old School: New Order – True Faith

New Order ‘s 1987 ‘True Faith’ is one of my favourite songs of all time to dance to. Philippe Decouflé surreal video is repeatedly voted one of the best videos of all time.

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Goin’ Old School: New Order – Shellshock

‘Shellshock’ is my favourite New Order song. For me it’s broken beats and use of sampling were so ahead of their time (well, the sampling not so much, but cool anyhow) in 1986. Just picture Duckie BMXing it around and around outside Iona’s house in Pretty In Pink if you don’t like the video.

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