The chairperson of the board Little Boots has shared two more songs from her forthcoming Business Pleasure EP. We’ve already moved to the lead tune, Taste It and it’s video; the next two out of a total of four tracks, continue to show off that fact that this looks set to be Boot’s most ecclectic release to-date. Check out the bottom of the post for a link to pre-order one of the fantastic vinyl packages. Engraved watches people!
Heroine is slightly more traditional Little Boots that the previously heard Taste It. Co-produced by MNDR’s Pete Wade the track has a lush 90s Dance-Pop feel with a hint of Nocturnes Deep House leanings and Victoria’s sweet vocal gliding across booming bass and warehouse snares. A completely different slant is taken by Pretty Tough, which is dangerously close to Trap and is strangely enchanting. Moody soundtrack synths grown over the skip-hop beat while Boot’s delivers a vocal performance unlike anything she’s done before. Like we said, this is one ecclectic release for Little Boots, but if there’s one thing we love to see it’s an artists flexing their musical muscles. Welcome to Victoria’s gun-show.
♫ Little Boots – Heroine
♫ Little Boots – Pretty Tough
Little Boots’ Business Pleasure EP is released 1st December. Some very tasty indeed pre-order vinyl/poster/bag/digital watch!!! packages are available here.
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Mistress of dreamlike floorfillers Maya Jane Coles makes her return to Anja Schneider’s Mobilee this week In the 3 ½ years since her last she’s gone from strength to strength, including releasing one of our favourite albums of recent times, Comfort. The From The Dark EP features three utterly intoxicated tune, including this one; the lead track. Check it out.
Including some vocal work from French singer Moggli, From The Dark is an enigmatic and haunting tune that revels in Maya’s uncanny knack of being able to make deep, ominous tracks feel unbelievably warm. Low grooves and subby bass dominate the soundtrack alongside an unrelenting booming kick; while Moggli’s throaty, soulful vocals seem to envelop the music and swirl around it. This is stuck on repeat.
♫ Maya Jane Coles (Feat. Moggli) – From The Dark (Original Mix)
Maya Jane Coles’ From The Dark is out now.
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French Touch legend Lifelike is back, and this time he’s bringing the godfather of Italo, Giorgio Moroder with him. Here’s his new retro-funkin’ space-crusin’ single Overdrive.
Check out the video, it’s a load of arse. Also a little bit creepy.
Lifelike’s Overdrive is released 8th December.
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The awesome Continental Records has just released the second round of reMixes of 1987 classic No Memory from Scarlet Fantastic. The first incarnation of this reMix onslaught contained work from the likes of Luke Million, Pherotone and Mighty K, and just two months later the second EP is unleashed this week. This time around label boss Jerry Bouthier’s own JBAG duo leads the charge with this deep, Topical ElectroPop rework.
A departure from JBAG’s usual straight up DiscoPop masterpieces, this reMix of No Memory takes in some broader influences. With a jump-up beat and a breezy Island groove, the tune is more Chilled than we are used to from this pair, but still retains a solid dancefloor feel. Airy licks permeate a buoyant track loaded with heavy synth bass and a healthy dose of Reverb. The original’s vocals are used sparingly and with a haunting quality. Awesome stuff you can download right now!
♫ Scarlet Fantastic – No Memory ’14 (JBAG reMix)
Scarlet Fantastic’s No Memory ’14 (reMixes) EP2 is out now.
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Here’s the latest single from one of our favourite producers, London based Swede Blende. So far this guy’s track record is nothing short of flawless and for his new single he’s teamed up with Belgian singer and frequent Hercules And Love Affair and Moonlight Matters collaborator Stef Caers A.K.A. Gustaph for Running. The single is out now on the inimitable Eskimo Recordings and features reMix work from Kraak & Smaak and Knight One. Check out the Turbofunk fuelled track below.
High octane Robo-Funk with that particular snarling Blende rumble; Running is a powerhouse of a tune. Skippy beats, growling bass, and picked synth sounds fall into place throughout the track to be complimented by uplifting horns and wicked little licks to bring an infectious groove that feels like both vintage and futuristic Disc at the same time. Gustaph’s now quite recognisable vocals are the perfect accompaniment, giving that track that extra sense of drama and flair. Blende does it again.
♫ Blende (Feat. Gustaph) – Running
Blende’s Running is out now.
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Here’s another slice of Acid Pop from Hercules And Love Affair in the form of forthcoming new single Do You Feel The Same?. This huge slice of club gold features vocals from the prolific Gustaph.
AlexandLiane directs this suitably 90s video; giving it a post-apocalyptic outback vibe.
Hercules And Love Affair’s Do You Feel The Same? is out February 2015 on Defected Records
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Dapper Disco dons Ride The Universe take us back to the heady golden days of the mid-2000s Disco resurgence with the gloriously retro slice of French Touch. It’s also a cover of a dance track, which is an odd proposition, and a brave one too as covering a track produced entirely with samples and synths could all –to-easily fall into the trap of just being a recreation rather than your own take on a song. The song in question is Ian Pooley’s 2000 Funky House floorfiller 900 Degrees; how do Ride The Universe do?
Not bad at all as it turns out. It’s a pretty faithful representation of the original, albeit with a beefier sound and more of a driving Disco groove, befitting todays dancefloors. We still not sure what constitutes a cover in this instance, more than a reproduction or even a reMix, but it you stop worrying and sink into the tune you’ll find something to drag you to the dancefloor. The end result, as we mentioned, turns out to be classic sounding French Touch. We would have liked to hear a bit more Ride The Universe’s personality in the track; but then again we just want to hear more from Ride The Universe full stop.
♫ Ride The Universe – 900 Degrees (Ian Pooley Cover)
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Los Angeles based Miami Horror spin-off Wunder Wunder have a habit of choosing the smoothes of producers for their reMixes. Back in the summer we vibed to Goldroom’s take on their tune Coastline; now Parisian Horizontal Disco mastermind Zimmer turns in this lazy, poolside jam in his version of Midnight Hours. The track is taken from Wunder Wunder’s début album, Everything Infinite.
Zimmer serves up a chilled mix of laid back piano and swirling pads alongside a woody Disco groove. The sleepy vibes are the prefect accompaniment for the original’s Psychedelic Pop sensibilities, creating something dancefloor friendly, but dreamy and spaced out. Stick this in your headphones and sink into the sounds.
♫ Wunder Wunder – Midnight Hours (Zimmer reMix)
Wunder Wunder’s Everything Infinite is out now.
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The funky Disco spike in Australian/Swedish ElectroPop sisters Say Lou Lou’s career to day, their collaboration with Comic Disco dog Lindstrøm Games For Girls has been brought back into their more familiar ElectroPop territory with this storming new reMix from our favourite Parisians lost in London, The Penelopes. As Say Lou Lou ramp up to the release of their début album, Lucid Dreaming, early next year, this is the prefect tune to bring the hype.
The Penelopes lay on the Tropical grooves thick to keep things fresh, but the main crux of the reMix is turbocharging the groove. This is a slamming dancefloor take on the tune; the beats pound, the basses pop and the builds go stratospheric. A punchy synth symphony that’s perfectly at home with Say Lou Lou’s vocals, which are kept largely intact here. the Penelopes have turned in an awesome, adrenaline spiking track that we’re saving for the weekend.
♫ Say Lou Lou X Lindstrøm – Games For Girls (The Penelopes reMix)
Say Lou Lou’s début Album Lucid Dreaming is released 2nd February.
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Here’s the latest slice of synthesizer goodness from The C90s’ Danny Ashenden in his Earl Grey guise. It;’s for Australian producer Tunnel Signs who’s teamed up with the half of Act Yo Age and awfully named Jerk Boy to release Traxworks, a pretty slick and rumbling Techno track that Earl Grey lifts into space-age House territory.
Earl Grey’s take on the tune is a glorious burbling House track that leans heavily both on Acid and Cosmic Disco with a sweet does of Bleep House thrown in for good measure (and seeing as Bleep House is one of our favourite forms of House music, that seriously endears the track to us). Danny keeps the track spacious and atmospheric, with layers of Sci-Fi soundscaping, but never looses sight of that tight tight warehouse vibe; delivering an out-of-body dancefloor experience.
♫ Tunnel Signs & Jerk Boy – Traxworks (Earl Grey ‘Tunnel Of Love’ reMix)
Tunnel Signs & Jerk Boy’s Traxwork is out 26th November.
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