[Audio] Soulwax reMixes Hot Chip’s ‘Huarache Lights’


Hot Chip

Soulwax have reMixed Hot Chip.

We could pretty much just end the article there really. That initial sentence have got everything you need to know in it, but we made a big deal about writing more and whatnot so strap in; words to follow.

It’s not the first time this awesomeness has happened of course, the Belgian live dance music dominators reworked Hot Chips Ready For The Floor back in 2008, now a classic track. Although having been quite, to the point of retirement, in recent years when it comes to original material, Soulwax/2 Many DJs have been knocking it out of the park recently on the reMix front and with their plethora of side-projects (Klanken, Radio Soulwax,the Deewee label, Despacio nights), so it makes sense that they would return to their Chippy chums for this killer mix.

Hot Chip’s Huarache Lights comes from the Indie-ElectroPop experimentalists sixth studio album, Why Make Sense?, released earlier this year. This particular exclusive reMix is taken from the forthcoming deluxe edition of that album, dropping later this month. The new album collection will also feature Hot Chip’s live favourite cover of Bruce Springsteen’s Dancing In the Dark.

Pushing the tune’s synths to the point of distortion, Soulwax deliver a reMix that tires, and reasonably successfully succeeds, in capturing their live ‘lightning in a bottle’. The beats are a hypnotic expanse of vintage drum machines, ushered along with one of their trademark EBM-lite juggernaut basslines, gruff enough to be powerful, but emotive enough to carry the song. Spikey and immediate, the synth riffs tower over the track, like a repeated mantra. The all perfectly contrasts with Alexis’ soft spoken vocals, which takes this abundance of sparse and abrasive electronic and brings them together in a song. Top stuff.

♫ Hot Chip – Huarache Lights (Soulwax reMix)

Buy Hot Chip’s music from:

[Audio] Maya Jane Coles reMixes Nimmo’s ‘Dilute This’



Nimmo And The Gaunttlets are now just Nimmo, although the gauntlets appear to still be around. Confusing, right? We thought Sarah Nimmo might have gone solo, but nope the gang’s all there, Reva Gauntlett is still around. This crew are one of the best live outfits in the UK right now. We’ve been lucky enough to catch them a few times and they have an odd introspection onstage that, rather than alienating a crowd, seems to draw the crowd in and their high energy, upbeat Indie-Electro anthems definitely keep an audience rocking.

Their intense, but fun, ElectroPop seems like a pretty good match for the reMixing talents of Maya Jane Coles, who we’ve made no secret of the fact that we think she is one of the best producers of the last decade. Coming from Bristol we do have a soft spot for our electronic music being bassy and mysterious and Maya superbly wraps that Sci-Fi Dubbyness into infectious House tunes in a way that is just intoxicating; and when she weaves vocals through her tracks the results are right up our street.

Nimmo’s infectious and edgy ElectroPop single Dilute This was released late last month and has been swiftly followed up with a small collection of reMixes featuring Maya’s track, a mix from David Mayer and an Extended version from Nimmo themselves, the Nimmo Night Edit.

MJC’s reMix keeps that enigmatic vibe while introducing the track to a nice peak-time House flavour. Maya’s undulating and shifting beats keep things steady without loosing it’s little Garage skipping. Cole’s premiére talent is her user of atmospheric sounds and pads to create unique grooves. Many people can utilise moody tones to create an ambience, but MJC builds those soundscape layers into something darkly funky. Here that deep and intoxicating pallet turns the sections of Nimmo’s vocals that Maya chose to use from energetic IndiePop hollers to smokey and haunting croons. The perfect lazy afternoon listening that would work equally as well rocking an enchanted dancefloor.

♫ Nimmo – Dilute This (Maya Jane Coles reMix)

Nimmo’s dilute This is out now.

Buy Nimmo’s music from:


[Video] PJU’s ‘Give It To Me’


PJU feat Josh Caffe Robert Owens Give It To Me YouTube

Remember Punks Jump Up’s Give It To Me from last year? The track was inspired by 80s Chicago House classic Donnie by The It, and featuring vocals from original Donnie vocalist Robert Owens, and was available on Exploited’s Secret Gold Volume 6 compilation. Well the jacking tribute to all things warehouse is getting a nice reMix package release on PJU’s own Musik Box label. The October release comes equipped with mixes from KiWi, Vanilla Ace & Berber, Musik Box (we guess PJU), Want More and Horse Meat Disco. The original is pretty amazing, we can’t wait to hear the reMixes.

It also comes with this particularly retro video which looks like any number of VHS tapes we have in the back of a wardrobe loaded with dance music videos taped off the telly. The perfect accompaniment to the track.

[PJU’s ‘Give It To Me’ is released 23rd October.

Buy Punks Jump Up’s music from:

[Audio] Grum’s ‘Something About You’ & ‘First Contact’



Leeds based Scot Graeme Shepherd, better known as Grum, seems to have settled into his niche as one of the UK’s finest purveyors of uplifting progressive dance music. Having started his career with a bit of a Dreamwave slant to his is music; Grum has run the musical gauntlet of SynthWave, Euphoric Trance, Electro-House and finally ended up in a place where all those styles can merge together into one glorious big-room sound. As one of our favourite producers in the country we always rely on Grum to deliver those kind of big dance tunes they make the hairs on the back of your neck stand up and have you reaching for the lasers.

Having released his début, Builder, the legendary Anjunabeats label back in May of this year, Grum is now following that up with his brand new double A-side release. The two tracks, Something About You and First Contact, were released last week and both are some of his most immediate work to date.

Something About You is an energetic flurry of razor sharp synths and arpeggios. With pitched down, and up, vocal snatches riding a wave of swirling leads and rapid-fire drum rolls powering the tracks energy, Grum delivers a perfectly timed like the breakdown that elevates of the track’s tension until it crashes back in with a cavalcade of mesmerizing melodies. Definitely one for the hands-in-the-air crowd.

A deeper side to Grum is displayed on the flip-side, First Contact. Utilising his Dreamwave roots, First Contact brings nostalgic hooks and shuffling beats, perfect for losing yourself on the dancefloor too. A crisp digital baseline gives the track a mechanized groove that nicely contrasts with the Balearic leads for some romantic sunrise funk. First Contact would probably be our favourite of the two tracks.

♫ Grum – Something About You

♫ Grum – First Contact

Grum’s First Contact is out now.

Buy Grum’s music from:

[Video] Romuald & Madji’k’s ‘Fastlane’


Romuald   Madji k   Fastlane  feat Stanza   Official Video    YouTube

The awesome Continental Records (Jerry Bouthier’s baby) have just released their second single from French producers Romuald & Madji’k, a collection of reMixes following up their Stanza featuring Fastlane single. (check the MiGHty mOUse reMix for greatness). Alongside the release comes a brand new video for the track.

Directed by Romuald Lauverjon, the clip is a swirl of colourful retro imagery centred around a gorilla in a Porsche 911. Yup, a gorilla.

Romuald & Madji’k’s ‘Fastlane reMixes’ are out now.

Buy Romuald & Madji’k’s music from:


[Audio] Auxiliary Tha Masterfader’s ‘Disco Machine’ Italo reMixes



Back in June the Netherlands finest analog Disco merchant, Boogie DJ and all-round nice, smiley, fella; Auxiliary Tha Masterfader released the single Disco Machine. Disco Machine was his first release via Brixton dancefloor collective Nude Disco label arm. We said “Sounding authentically like an early 80s European dancefloor hit, Disco Machine sets up all the genre’s tropes for Aux to give them his own person spin. Synthesizer gold.” Did you hear that? Synthesizer GOLD!

Aux’s music is for people who love synthesizers, for people who love the history of European dance music; Italo, Boogie, Disco and beyond, and for people who from whom dance music is about more than the drop.  It’s music for those souls who can be taken to other planets, losing themselves in the robotic ebb and flow and the dancefloor. Aux is a man with a passionate love of vintage dance music and a hardware studio to be envious of; a killer combination.

This month Nude Disco released a companion to Disco Machine. It’s titled Disco Machine: Italo Edition. That’s pretty straightforward in terms of titling. This new release, as you’d expect unless you were painfully inept, featured four of the modern synthetic Disco scene’s brightest rising stars whipping up some mechanized Italo magic all over (the already quite Italo itself) Disco Machine. The Sanfernando Sound, Italo Brutalo, A Copycat and Rimini Rimmers all deliver pulsating reMixes of the track. Here’s a couple of fresh examples.

Manchester’s dark electronic overlord, The Sanfernando Sound serves up one of his special blends of classic EBM, mid 80s Italo and early Futurist SynthPop. Like that jacket you’re wearing brings out the blur of your eyes, The Sanfernando Sound can bring out the ominous, aggressive side of a track; his reMix is a pounding Italo juggernaut. Built on rock solid beats and factory floor basslines, this reMix strikes a nice balance between industrial Funk and uplifting grace with an airy lead line, accompanying the original’s vocoding, that glides across the mechanized dancefloor backing.

Italo Brutalo’s reMix is, ironically, not as brutal as The San Fernando Sound’s. A shuffling and skippy affair, Brutalo plays with the original’s groove with a syncopated bassline and a bit of a Pet Shop Boys vibe. Intertwining springy and flanged synth bass and choppy arpeggios all come together in a complex mix that presents as a deceptively simple whole. Multiple layers of rippling electronics weave the tapestry of a mid-80s Mediterranean dancefloor smash. This tune almost makes you see in VHS video effects.

♫ Auxiliary Tha Masterfader – Disco Machine (The Sanfernando Sound reMix)

♫ Auxiliary Tha Masterfader – Disco Machine (Italo Brutalo reMix)

Auxiliary Tha Masterfader’s Disco Machine: Italo Edition is out now.

Buy Auxiliary Tha Masterfader’s music from:

[Audio] Pineapple Pop’s ‘RVLTN’


Pineapple Pop

Bringing some Mediterranean flavours to a springy House groove comes Turkish producer Pineapple Pop. First things first; we know, we know, Pineapple Pop is a strange old name; but thankfully that is saved by some seriously awesome music. The fruity chart-ster is actually Hemi Behmoaras,, one half of Paradisko (with Hakan Özkan A.K.A. Thousand Fingers) and, like Paradisko, the track is being released by the always amazing On The Fruit Music (actually, we guess name Pineapple Pop is a good fit for the label!).

Hemi’s début release is a single that goes by the vowel deprived moniker of RVLTN. We’re going to stick our neck out and presume that it is Revolution, or maybe Revoltin’, or even Rovolotono. You can just drop those vowels wherever and however you please, just as Pineapple Pop drops in some pretty eclectic influences into his classic House sound, serving up something to stand out from the pack in RVLTN.

A totally spot-on summertime jam, RVLTN warms up your ears and your feet with some relaxing summertime keys before flitting between lavish poolside sounds and deeper festival fodder. Maintaining a classic House sound at it’s core Pineapple Pop threads reverb washed vocal snatches and the kind of hook that makes you have to physically stop yourself putting your hands in the air (unless you are hands-in-the-air inclined, in which case go for it) through the track. The switching between head down full-on neo Deep House intensity and near Balearic sunrise greeting euphoria keeps the track energy levels high and varied until it’s Done.

Brooklyn based Nu-Disco producer (and electronic rumors Records go-to mastering engineer) Bit Funk turns in a whopping reMix. Riding a groove that harkens back to UK Garage and a buoyant bassline to pair with his luscious and nostalgic synth work. Gradually layering the track over it’s length, Bit Funk takes you on a dancefloor journey from skippy Chicago warehouse sounds to breezy LA Tropical vibes, all the time enriching the tune with an emotional connection and a rush of the good feels.

♫ Pineapple Pop – RVLTN

♫ Pineapple Pop – RVLTN (Bit Funk reMix)

Pineapple Pop’s RVLTN is released this week.

Check out more from Pineapple Pop on SoundCloud.

[Movie] They Call it Acid


They Call It Acid

We’re not known for writing about films or documentaries, or for writing about Kickstarter/Indiegogo campaigns; but sometimes something comes along and we feel we just have to let you know so you can go and support it, mainly because we really want it to get funded and finished.

If you are a regular reader of electronic rumors you’ll know that we have a big place in our hearts for Acid House. Having grown up when it exploded in the late 80s, in those exciting times when the music was truly mind-blowing and fresh and when dance music and drugs brought people together in a way that had never been seen before which changed the landscape of culture forever, we’re itching to see They Call It Acid. Documentary maker Gordon Mason has a massive archive of his own footage from the time along with interviews from the movers and shakers who made the scene what it was. Disco may have come from New York, Italo may have come from Europe, House may have come from Chicago and Techno may have come from Detroit; but the UK in the late 80s is where dance music culture was born. When the Acid House invasion started it kinda’ felt like our Punk.

Gordon’s documentary is finished, but he needs money for music clearance, production, distribution etc.. So check out his Indiegogo page and support what should be both an amazing trip down memory lane and a fascinating educational record.

Check out the They Call It Acid Indiegogo page here.

[Mixtape] Tensnake, Little Boots, Goldroom & Le Youth in Mixmag’s Lab


LITTLE BOOTS disco house set in The Lab LA   YouTube

For today’s mixtape offering we’re presenting something a little different. Mixmag’s In The Lab videos on YouTube have been smashing it recently. You don’t have to sit there for an hour watching someone mixing (unless you really want to). Just stick them on your big TV and listen to them like you would any other mixtape, only now you get to occasionally glance across at the little DJ playing live in the corner of your room.

We’ve got three for your here, all three we really enjoyed and can highly recommend, especially for pre-going out this weekend revelries. Check out recent live sets from Tensnake, in Mixmag’s London Lab, along with Little Boots and Goldroom & Le Youth B2B from Their Lab in LA.

[Audio] AIMES’ ‘Dirtbox’



Brooklyn’s finest is back with another slice of thoughtful, robotic House music. AIMES has been a firm fixture on electronic rumors since he made his début. Sometimes an artist comes along with something about them that makes them stand out from the crowd to us; with AIMES there was both a musicality beyond his contemporaries and a crisp, synthetic, analog sound to his tunes, whether turning his attention to Disco, House or SynthWave his tunes were just that bit more electronic (which obviously appeals to us!).

AIMES has dipped his music toe into a number of genres in his career; but whether Chillwave, Nu-Disco or Indie-Electro his tunes are generally pretty recognisable as he gives the styles his own unique spin. Right about now he’s teamed up with Mexican label Trafico and gone a bit left-field for his latest single. It’s out now, called Dirtbox, and comes loaded with it’s B-side, Prophet Jam, and reMixes from Mexico’s Juan Soto and NYC’s Tunnel Signs.

AIMES keeps things on just the right side of weird on Dirtbox. Hypnotic and undulating, Dirtbox introduces you to the hook early on, amid a sea of hammerfall piano. The hook persists throughout the track, weaving in and out of a symphony of pads, strings and vocal snatches in a tapestry of mysteries dancefloor sounds. Jumping in with some good squelchy Acid riffs is just the icing on the cake. Dirtbox is a track that will draw you in and command you to dance, and even when it’s over it will be ringing round your head and leaving it’s shadow on your feet.

AIMEs is one of a small group of artists who manage to make records that are both full-on funky Disco and House, and yet are quite experimental and intricate in their use of sounds and arrangement. It’s a hard feat to pull off, but AIMEs does it with style.

♫ AIMES – Dirtbox

AIMES’ Dirtbox is out now.

Buy AIMES’ music from: