Hey look! there’s a tune with features both Ben Macklin and Deep Sound Express, two artists that we’ve given a fair bit of support to in the past. Well, we say ‘support’, it’s not like we’re lending them money or anything, or helping out round the house, or comforting them in times of grief. It’s more of a waving a flag at the side-lines kinda’ support. We’re certainly not load bearing. So, here’s Mr. Macklin reMixing a track that first featured on Pole Position Recordings and Glam Jam Artists’ Pole Jam Vinyl label’s début release.
Deep Sound Express’ After Rain features the vocals of Raha and is generally considered one of Pole Positions finest moments; so they’ve just released a reMix package for the track. Enter Ben Macklin. Ben serves up a smooth and soulful take on the tune. Warm and retro, the track conjures the Electro Soul of the 80s and Poolside Disco of the now and peppers it with a laid back Piano House flavour. The slickest of slick jams.
♫ Deep Sound Express (Feat. Raha) – After Rain (Ben Macklin reMix)
Deep Sound Express’ After Rain reMixes is out now.
Released late last week was the début single from Queens based producer Dart Party. Dart Party is the latest signing to Crazy Heart Records, the imprint owned by Ghost Beach, and for that reason we were debating featuring the track as we have zero respect for Ghost Beach after they used the very serious debate around artists being fairly compensated for their hard work in a cheap PR stunt to sell their latest record. They, and their American Eagle Outfitters paid-for billboard in Times Square set musicians arguments back a few years, essentially shitting on their ‘fellow’ musicians in an attempt to get e few more YouTube hits. It was an absolute joke that showed how little respect Ghost Beach has for music. However, Dart Party’s Going My Way is so good, you should ignore his label connotations and just sink into this luscious deep Disco and House goldmine.#
It’s Going My Way’s bassline that really grabs you here. A punchy retro synth bass that dominates the track and imbues it with a bouncy, yet gritty, vintage funk. It’s deep, but not Deep House deep, moreover it’s warm and enveloping, a sound to get lost in on the dancefloor. The spacious, distant vocal snatches lend the track a warehouse flavour. Going My Way, is a severely solid début that is well worth checking out. (Apologies for the Ghost Beach rant, they pissed off a lot of musicians though. Put it this way, if they annoy us that much and we still write about an artist on their label, then that artist must be pretty special!)
Here’s another monster tune from London’s Ku De Ta. This is the guys third release and each time they have severely impressed with their unique combination of UK Deep House power with an early 90s House flair. Like their première release, What’s Going On?, Ku De Ta’s new tune takes a 90s club classic and drags it kicking and screaming into 2014. This is Been A Long Time.
Riffing off of The Fog’s 1993 woozy floorfiller Been A Long Time, Ku De Ta take their time to build up a shuffling groove, easing big chords, House electric piano and vocal snatches into a rising symphony before launching into a bass heavy warehouse jam; loaded with soaring piano hooks and a slick breakdown. Drop this at peak time, they won’t be able to resist the beat.
Philly DJ, French Express founder and one half of Mr. Falcon, Blueshift, is back with a brand new jam. Well, he’s not really; this one is fresh in the wild but dates from 2010 “or something” and has been dug up from his archives and delivered here as a free download. Blueshift has had a pretty awesome year with some storming released and mixes, but now he’s looking back with Low Tide; a track that comes from an age old time when the man “was really into nu-disco”. Like he’s not anymore!
Saying that though, Low Tide maybe loaded with Tropical hooks, but there’s a load of House in there too. The track rolls on big 909 snares and big Chicago-esque vocal samples. Sure, that rubs shoulders with cascading island purcussion and a Disco-y line in piano riffs, but there’s House there all the same. And it makes for a nice mix, Blueshift shouldn’t keep stuff like this to himself for so long!
UK rising star and the featuring artist or reMixer on many a recent dancefloor smash, Jax Jones, is soon to release his début single proper. Titled Go Deep the track is due out next month on Duke Dumont’s Blasé Boys Club imprint and will come equipped with this body shaking reMix from grum of all trades, Grum.
Pretty much nailing any genre he chooses to turn his attention to, Grum unsurprisingly delivers something a bit different for him, but kills it. Taking the tracks title literally, Grum goes deep on this one and serves up a mixture of Deep House grooves and his own progressive style. Spacey and engulfing, Grum combines rumbling sub basses with pinpoint sharp lead lines, clearing a path in-between for roomy pads and galactic sweeps. Peppering the track with the original’s Janet Jackson samples, Grum turns-in a totally involving dancefloor beast.
Here it is! The long awaited return of the finest name in Australian Deep ElectroPop; Kids At Midnight.
A singer/songwriter/producer whose reputation precedes her, Jane Elizabeth Hanley, A.K.A. Kids At Midnight, released her début EP, Let You Slide (back in 2012 via Alan Braxe’s Vulture Music label) to critical acclaim whilst simultaneously becoming the Nu-Disco scene’s voice-in-demand; featuring on Edwin Van Cleef’s massive cover of Phoenix’s Lisztomania and Ride The Universe’s A Little Better amongst many others.
Now Kids At Midnight is poised to unleash a brand new double A-side single. Two lush, emotive and rich tracks that blur the boundaries between Deep House, ElectroPop, Nu-Disco, and Indie-Electro. Unashamed and Vapours. If you like your dance music song based, epic and passionate then this release will be unmissable.
A selection of reMixes tune the tracks for every dancefloor with Holmes Price bringing a retro Boogie to Unashamed whilst So Serious (the Deep House alter ego of Phunktastike) give the track an enigmatic groove. Vapours is given a spacey Tropical Tech House workout by Daniel Högberg of Pacific!and a beach party Disco send off by LA’s Dreamwave originator Touch Tone.
♫ Kids At Midnight – Unashamed
♫ Kids At Midnight – Vapours
Kids At Midnight’s Unashamed/Vapours is released 1st September as a Beatport Exclusive followed by a general release on 15th September.
Aimed squarely at the dancefloor, You’re The One takes Deep and Chicago House elements and toughens them up. Punchy beats and utterly irresistible bassline dominate the tune; sitting powerfully alongside piano hooks and waves of lush pads. The whole tracks is a floorfilling powerhouse who’s hard edge is tempered somewhat by Moses’ soulful vocal. Only two tracks into their career and already Ku De Ta are setting themselves up as ones to watch.
Just released is the début release from San Diego born, Palm Spring residing, producer Corey James Hurley; who some of your may recognise by the name Colour Vision (interestingly, he’s American and spells ‘Colour’ the English way, while we are English and spell ‘Rumors’ the American way; we have a really good reason for doing it, we wonder if Cory has too?) who has been spending the last few months making a name for himself with a string of well received reMixes. His première single is titles Sur Chic, and comes equipped with reMixes from Fishing Vest, DWTR and Rambo V.
Sur Chic is a deep and groovy tune that sits at the nexus point between Chicago House and Tropical Disco. This one is all about the woody bassline and some seriously upbeat Tropical keys. Whipping up a jam that would work equally well in a warehouse party as it would poolside Colour Vision deftly manoeuvres rolling purcussion, lilting electric piano and distant vocal snatches amidst his dancefloor frenzy. Fishing Vest returns to give the track an extra layer of Funk and a retro, robotic sheen. Giving it more of a West Coast sound, Fishing Vest weaves a little Dreamwave though the track; taking it straight to the beach.
Bristolian Xenomania drummer come Pop superstar Florrie has just released her latest single, Little White Lies, and amongst the plethora of reMix talent she has enlisted to rework the track is Disco showstopper Moon Boots who takes the track and gives it a tasty House makeover. We’ve had hints of this track singe late last year, mostly in the form of mix rips (Moon Boots himself played it during his Boiler Room set) but now the tune is out in the open.
Moon Boots used the lush, ethereal tone of Florrie’s voice to cast a nice haze over a punchy House track Pulsating synth bass and starlight chimes play out cheekily over the track and Mr. Boots rolls Little White Lies over a relentless Chicago beat. Easy-going, yet an immense dancefloor tune, Moon boots delivers the goods with this one. Come the chorus and Florrie kicks into full sassy Pop mode as she croons over Moon Boots deep soundtrack. Irresistible.