NYC’s Modern Machines return from a bout of touring with a storming new track. After a host of massive reMixes for the likes of The Knocks and CREEP the duo are set to deliver some killer original tunes, starting with Trouble.
Bringing to the forefront the Vera Hall sample that Moby rocked on Natural Blues, these guys take a completely different route with the vocals. Dropping them straight into an Electro Disco fire-pit of huge synth stabs, stomping beats and some madcap ChipTune wobbling. Big, uplifting hooks and a grinding bassline keep this track powering onward and destined straight for the big room.
We’ve not heard the Curxes reMix of Glaswegian ElectroPop future stars Chvrches’ awesome Recover yet, but the mere idea of it has us drooling with anticipation. In the meantime one of the other reMixes off the single, coming from Austrian producer Cid Rim is definitely keeping us satisfies.
Beautifully complex and playful, Cid Rim’s reMix almost revels in the synthesizers it used. Full of 16-bit crunches and lush filtered warbling. It’s a really deeply layered track that draws you in a bit more with every listen. With a nod to deeper Bass genres alongside a reverby Chillwave undertones and a wonderful cacophony of sounds, Cid Rim has suddenly jumped onto our radar and we’ll be keeping an eye on him from now on.
This is the new SynthWave epic from Boombar Music head honcho Jowie Schulner. Prepare for some soaring synth action and night driving beats. If you’re looking for some massive resonant Electro, you’ve come to the right place.
Bad Rain is all about the big leads. Bit crushed with an almost ChipTune feel (like old Mille tracks), Bad Rain lets those synth solos fly. Set to a backing of hard hitting Italo beats and a driving arpeggiated bassline, those lead lines take on a life of their own, reaching stratospheric heights are the build and build.
Breaking Lies is the new one from France’s moody SynthWave master Awkoder. Only this time, he’s getting his groove on, with one of the finest SynthWave/House collisions we’ve heard in a long time. Taken from Glacis Records free compilation, Friendly, Breaking Lies is a huge slab of smooth, synthed out, dancefloor madness.
From the offset, you know Breaking Lies is going to be a little funkier than Awkoder’s usual output, a slick Disco lick leads you into the track soon accompanied by melodic vocal samples and a pounding House beat. But it’s around the 01m09s mark that the song truly comes into it’s own. A blisteringly epic hook jumps into the track, part Outrun, part ChipTune, giving the track it’s SynthWave sheen. It’s like the best of all worlds.
Brooklyn Indie-Disco orchestra Midnight Magic released the track Calling Out back in April as part of their What The Eyes Can’t See mini album. Now the live analog funk track has been given a new lease of life by Parisian ElectroPopsters Jupiter, who bring their unique musical slant to that track, and life everything they touch the reMix comes off sounding effortlessly cool and quirky as hell.
Dropping straight in with a 909 beat, we are soon treated to Jupiter’s own brand of Disco wrung through a C64 as the French duo add a little ChipTune to their eclectic mixing bowl of sounds. Giving the track a nice vintage buzz, and playing with the vocals until the become another instrument, Jupiter drag the track straight to the dancefloor, layering more and more elements until Calling Out becomes a retro dance frenzy. One again Jupiter have proven they aren’t afraid to go against the grain, mix things up a little, and just have fun with their reMixes.
♫ Midnight Magic – Calling Out (Jupiter reMix)
♫ Midnight Magic – Calling Out
Midnight Magic’s What The Eyes Can’t See is out now.
Voyager are one of the best outfits to come out of the recent explosion of Russian Electro. This new single, released on Kiez Beat in August is a track we heard a few months ago and have been eagerly awaiting the release since.
Edge Of The Universe is deep , cosmic ElectroPop. A track that looks to the stars with it’s mood and works a little house piano and a sweeping SynthWave tone to it’s Electro sound. the track actually has much in common with space age FuturePop such as Code 64, but with more of a musical slant, as evidenced by the soaring solos, and more of a dancefloor friendly groove. The reMixes are actually a little disappointing, the standouts both coming from fellow Russians The Frost and Folano, who rock ChipTune Disco and Italo sounds respectively. It’s a cool single though, the attention to detail in Edge Of The Universe is impressive, with little musical flourishes and atmospheres that interlock with the track. Cosmic ElectroPop? A new thing? We hope so.
Dutch SynthWaver Met Mitchell is one have of production duo Legan And Met, who we’ve featured here a once or twice. He’s just dropped a couple of new solo tunes that show his journey into vintage synth music is about to go to the next level.
Folding in a little ChipTune into his SynthWave, Met’s Echoes Like Shadows is a synthetic journey through retro sounds. Taking the soundtrack feel and emotional resonance from SynthWave and the video game sounds of ChipTune and combining them with a solid Italo groove makes for a pretty sweet track. A rich listening experience, Echoes Like Shadows is an impressive solo début. It’s follow up, En Route, is a slightly smoother affair, the synths are still buzzing and piercing, but the overall mood is more relaxed. This pensive track weaves along under a beautiful lead line, using lush synth sounds to thoughtful effect.
Skeleton Lipstickis an ElectroPop/Chillwave/SynthWave/Indie-Electro mash-up outfit out of Philadelphia. They’ll be releasing their début LP next month and in anticipation of that have just droped a free EP.
The You Think You Know Me? EP sits in that nice space between SynthWave and Chillwave. Whilst SynthWave at it’s core, retro beats and vintage lead lines abound. The Lo-Fi recording ethos and washes of reverb swing it toward the Chillier side of things. Skeleton Lipstick like to write on “old, broken, circuit bent or abandoned synths that are difficult to program and work with but yield very rewarding results”, and it comes through as part of the Lo-Fi feel, toytown synths and ChipTune elements work their way into the track’s DNA. I even heard some VL-Tone in there somewhere. the EP’s title track, You Think You Know Me? is probably the EP’s most accessible. A funky little synth number with floaty vocals and a surprisingly Disco groove. Like an 80’s Pop hit heard through a vintage radio, Skeleton Lipstick experiments with electronic sounds and recording techniques but the catchiness of the song shines through. As with I Find All Your Love So Vain, the EP’s most SynthWave track, which sounds like an ‘80’s U2 hit, played though a distortion pedal and then given a Disco reMix. Retro through the grit of Lo-Fi, Skeleton Lipstick keeps it both experimental and infectious at the same time. All four tacks on this EP are worth your attention.
♫ Skeleton Lipstick – You Think You Know Me?
♫ Skeleton Lipstick – I Find All Your Love So Vain
Skeleton Lipstick’s You Think You Know Me? EP is out now.
Pittsburgh based SynthWave artist Arcade High’s music is a cross between the kinda of SynthWave we are used to, influenced my ‘80’s TV and Movie themes, and the adrenaline chaos of video game arcades a couple of decades ago. Prepare for sweet lead lines with a ChipTune edge with his début album The Art Of Youth.
Appropriately the into track is called ‘Inset Coin’ and after a selection of 8-bit sounds we are dropped into the first song proper, Miami Nights. It’s in this track that you start to get a feel for Arcade high. Rich retro synths build thick, nostalgic sound full of synth flourishes and uplifting progressions. There’s something thoughtful and pensive about Arcade High’s music, despite his neon flashing muse. The albums highlights, for us, were 1987, a deep boogie of a cop show theme tune with a video game lead line amidst the shimmering synths. Electric City is digital bassline gold, growling like an angry Italo beast and providing a core for the Disco-esque lead line to play around it’s space. The surprise track of the record was Crush, the albums only vocal track that enlists the voice of Maddie Ardillo and delivers a catchy Italo slow-jam with a ‘90’s Indie overtone. The whole eleven tracks of The Art Of Youth are worthy of your attention, a strong début for Arcade High. Did we mention it was free?
Welove Malaysian duo Dizkopolis’ ‘Class Of ‘91’, so it’s pretty cool to see the track now has a video.
The clip comes courtesy of director Ahmad Faris who was chosen by the TV channel Astro Hitz’ Music Video grant program, and he’s done an awesome job with this real life video game. Malaysia looks amazing!