[Audio] MiGHty mOUse’s ‘Luna’

 

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Luna is the new single from one of Disco’s most jet-setting producers MiGHty mOUse. The first in a slew of club tracks the mOUse will be releasing in the coming months, Luna was born on his US DJ tour earlier this year and is the premièr entry in a series of tracks crafted purely for the dancefloor. He is releasing it at just the right time too; as of the weather has got great and festival season is kicking off this is exactly the kind of tune to set the mood. Check it out.

Luna is a track that neatly mixes MiGHty mOUse’s Cosmic Disco roots with a majestic left-field House sound and just a hint of Californian Dreamwave. Quirky and playful, Luna anchors itself on an uplifting piano hook and warm SynthWave keys. Around this appealing core MiGHty mOUse injects an array of quizzical synth sounds and warm, lush vocal samples. Rolled over a thumping beat and a rumbling bassline’’, it makes for a surefire summer crowd pleaser. Banging, but not too banging. Chilled, but not too chilled. Luna is the perfect middle ground.

♫ MiGHty mOUse – Luna

MiGHty mOUse’s Luna is out now.

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[Video] Stranger Cat’s ‘Sirens’

 

Stranger Cat    Sirens   Official Video    YouTube

ElectroPop side-project of singer/songwriter Cat Martino, Stranger Cat’s Sirens actually dropped last year originally, being taken from the album In The Wilderness. But now it’s lush, post-Chillwave, has got itself a shiny new video. Direct your eyes and ears this way.

The clip, which was co-directed by Martino and Andre Costantini, neatly captures the nervous energy of the insomnia which inspired the track.

Stranger Cat’s In The Wilderness is out now.

Check out more from Stranger Cat on SoundCloud.

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[Audio] Duett reMixes Kill Me Softly’s ‘Blue Lights’

 

Kill Me Softly

Kill Me Softly the slick collaboration between Nude Disco’s Verne and Paul Harris from Paul Harris. October 2013 saw them initially impress us with their debut single Catch featuring Jane Elizabeth Hanley from Kids At Midnight. It’s been a long time coming but this week finally sees the release of the follow up single and a host of associated remixes. The track features vocals from London based singer/songwriter Sam Obernik and is titled Blue Lights. Pride of place on the remix collection ghost of this track premièring right here. Check out some sterling work from Duett, alter-ego of the one and only Ben Macklin.

Original of blue lights is a jaunty and nostalgic slice of buoyant ElectroPop, with a cheeky, almost Post-punk vocal feel. Duett smooths down the tracks spiky edges with his own smooth brand of laid back Dreamwave. Ben’s duet sound, exceedingly 80s soft focus synths and slow crashing waves of rich vintage keys works perfectly with the early 80s vocal Style. Lovely stuff lazy days in the sun.

♫ Kill Me Softly (Feat. Sam Obernik) – Blue Lights (Duett reMix)

♫ Kill Me Softly (Feat. Sam Obernik) – Blue Lights (Radio Edit)

.Kill Me Softly’s Blue Lights is out now.

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[Audio] Julio Bashmore reMixes Disclosure’s ‘Holding On’

 

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Last month the Disclosure dropped Holding On, the first single from their forthcoming new album Caracal. Featuring vocals from Grammy award winning singer Gregory Porter the track is a warm and glowing slice of UK Deep House. This tune has now been given a relentless dancefloor reMix by Bristolian producer Julio Bashmore. Most likely for slated for a forthcoming reMix single, ‘cos there’s no way this track and stay unreleased.

Bashmore takes his time building up hypnotic groove based on undulating loops. Contrasting the reMixes rumbling baseline and knife edge hook with Porter’s comfortable and soulful vocal makes for an intoxicating six minutes. Loaded with a classic build, and groove you can get lost in, this track is summer festival gold and not to be confused with Bashmore’s own Holding On.

♫ Disclosure (Feat. Gregory Porter) – Holding On (Julio Bashmore’s Elevated Mix)

Disclosure’s Holding On is out now.

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[Video] Alice In Videoland’s ‘Let Go’

 

Alice In Videoland   Let Go   YouTube

Like a phoenix rising from the ashes, Sweedish ElectroPunks Alice In Videoland are back, when it totally seemed like they wouldn’t be. As exuberant as ever, the new single, Let Go, is classic AiV. Big synths, big riffs and Toril’s vocals on fine form.

Check out the slick video. Put together by Andreas Johansson & Anders Printz the clip looks surprisingly big budget for a DIY band like Alice In Videoland.

Alice In Videoland’s Let Go is out now.

Buy Alice In Videoland’s music from:

 

[Audio] Mindscramble reMixes Belleville’s ‘Capture’

 

Belleville

Coming together in November of last year Belleville are recently formed indie electro act. Comprising of Maria Christofi and Richard Baldwin, of indie outfit kites, the duo launched the new endeavour with the single Capture. Eight months later the single is given a new lease of life by Manchester Synthwaver Mindscramble who has served up some soaring synths for your listening pleasure. Check it out.

Bubbling basslines kick off this remix as Mindscramble drops rumbling arpeggios to back an array of swelling synths. Not before too long he introduces a solid italo beat and pinprick leads to counter the low smoky vocals provided by the original. Mindscramble’s productions appear to have come on in leaps and bounds with a clean mix and well balanced sound. Give this slick reMix of Capture a listen.

♫ Belleville – Capture (Mindscramble reMix)

Belleville’s Capture is out now

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[Audio] Little Boots’ ‘Working Girl’ album

 

Little Boots

We don’t often have the time to do full album reviews these days, too much real life to contend with, but occasionally one comes along that we just have to write about. Here at electronic rumours we have a kind of broad spectrum love of electronic music. We have an absolutely love of Pop music, absolute love of dance music and have an absolute love of Experimental and left-field electronics (this can be attributed to the various genres of electronic music with been into over the past god-knows-how-many decades) and it’s rare to find a single artist that encompasses all our fields of synthesizer music interest, but Little Boots does. electronic rumours has grown up with Little Boots in a way, having launch the website just after Stuck On Repeat was released in 2008 (post-her leaving Dead Disco). Hailing Victoria Hesketh as everything right with UK SynthPop, we followed her career through the early singles and YouTube videos to her major label début album Hands in 2009. Hands, while obviously being the result of a push to make Little Boots a bona-fide Pop Star (something she didn’t need any help with, having already become so organically), Hands revelled in Victoria’s Italo, Disco and SynthPop influences and wore her love of interesting synthesizer music on it’s sleeve through the glossy Pop veneer. 2013’s follow up album, Nocturnes, allowed Boots, now free of major label constraint to deliver a blistering journey through dark Techno and Deep House in an ElectroPop vessel; truly Avant-Garde in places, perfect Pop in others. This interweaving of catchy hits, intoxicating floorfillers and synth geek noodling appeals to all our interests, and it’s why we’ve been on team Boots since day-one. The reason for telling you all that is context; Victoria releases her third studio album, Working Girl, this week and it really does sound like distilled Little Boots. Listen up.

You can’t really begin to talk about Working Girl without briefly touching on aesthetics. We’re not in any way a design website so we won’t go on about it but we are enjoying Little Boots’ 80s pastel power-suited vibe for two reasons. Firstly we love a good concept, and speaking of her time in the music industry resulting in her taking control of her own career and setting up her label, On Repeat Records in a fun, nostalgic way works brilliantly (have you seen the accessories? post-it notes and whatnot. marketing genius!). Secondly; 80s nostalgia is used a lot these days, by a lot of artist, but it’s always the same. The whole palm tree, laser grid, that Purple Rain font, vibe is all well and good if that’s your jam but it;’ not really representative of the actual 80s. It’s especially odd when we see UK artists claiming retro credibility while using imagery that bears little to no relation the the experience of Britain in that decade (save for the odd TV advert). It’s not so often that an British artist comes along taking cues of a particularly British style of 80s as Victoria has done here, it makes it feel more authentic and relatable. (Sorry for sounding all *shudder* UKIP for a second there (“British 80s for British people!” LOL), but the fact is that the 80s didn’t just happen in Miami, which we think most bands seem to forget.).

So, to the music. Little Boots drops you right into the vibe with a Remedy backed answering machine Intro before launching right into the album’s title track (and also we would imagine Victoria’s theme tune), a well rounded DancePop track that has a classic boot’s sound with an added huge, growling, bassline. Really, the track sums up Little Boots for us; deep and heady grooves, playful and noisy synths, and cheery Pop vocals that belie a razor sharp sarcastic wit. No Pressure drags the album straight to the dancefloor with one of the records finest grooves. A sleek 90s House sound permeates No Pressure and Victoria’s hushed performance glides over a hook worthy of your finest warehouse moves. No Pressure’s hypnotics sit in contrast next to the driving synth Funk of Get Things Done, with a Bootsy-esque bassline and energetic melody supporting Victoria’s motivational mantras. Working Girl comes complete with a few track from Little Boots’ Business Pleasure EP of earlier this year. The eclectic tribal alt-Pop of Taste It and the lush 90s DancePop of Heroine are present and correct alongside the EP’s rapid fire title track manifesto. Elsewhere the record glides effortlessly from one feel to another as  the pulsating American Pop stylings of Real Girl play out shoulder to shoulder with the dreamy, almost Chillwave, swirling and reverb washed sounds of Help Too. The Game injects the album with some serious late 80s Top Of The Pops vibe. A rich and jaunty ElectroPop tune with a nod to piano House and a beat that would be right at home on Radio 1 in 88. We get eased out of Working Girl with the lush, emotional Paradise and the first single from the album, Better In The Morning; a track that is exemplary of Little Boots’ lovable quirk-Pop. An intimate and carefree tune that leaves the listener on a high. And there we have it; Working Girl is definitely an album worthy of your attention and another example of why Little Boots is probably the most interesting SynthPop artist working today. Leave your preconceptions at the door.

♫ Little Boots – Working Girl

♫ Little Boots – No Pressure

♫ Little Boots – Better In The Morning

♫ Little Boots – Taste It

Little Boots’ Working Girl is released 10th July.

Buy Little Boots’ music from:

[Audio] Kate Boy’s ‘Midnight Sun’

 

Kate_Boy

The most amazing thing to come out of Australian/Swedish ancestry every, probably, Kate Boy have announced the imminent release of the début album. This is very exciting news. We are very excited. You should be too. Kate Boy have, so far, been consistently of the highest quality, both on record and live, and hopefully the new release, titled The One, will be the culmination of the last couple of years of awesome musical experiments. The LP is due out in November and, if we needed any more reason to be eagerly awaiting it’s release, check out album track Midnight Sun, which Pitchfork premièred on Friday, below.

Midnight Sun rips straight into Kate Boy’s trademark rapid fire percussive synth bass, which is, at the same time, both aggressive and bubbly. Kate Boy serve up yet another storming anthem, we don;t know if they deliberately write songs with live performance in mind but each of their single and EP track so far are pure blistering live gold, including this one. And live Kate Boy definitely have the chops to pull of Midnight Sun’s uplifting symphony and massive powerhouse vocals (which Kate Akhurst can definitely replicate live, boy can she sing!). We are totally ready for The One right flippin’ now!

♫ Kate Boy – Midnight Sun

Kate Boy’s The One is out in November via Fiction/Island/Iamsound.

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[Video] Parallels’ ‘Civilisation’

 

Civilization by Parallels  Official Video    YouTube

We covered the SynthPop gold that is the new single from Toronto’s Parallels a week or so ago. Civilisation is taken from the EP of the same name, which is out now; as is this lovely new video. See it with your eyes below.

Mark Moliterni directly this shimmering clip; with some softest focus performance shots contrasted with sharp, real world footage and some nice projector overlays.

Parallels’ Civilisation EP is out now.

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[Video] JBAG’s ‘Everybody (Come On)’

 

JBAG   Everybody  Come On   feat Shindu   Official Video    YouTube

London’s DiscoPop powerhouse production duo JBAG’s storming new single Everybody (Come On) is out now. The track features an enchanting mantra of a vocal performance from Chibi of Belgian ElectroPop outfit Shindu as Jerry and Andrea lay down some seriously thick beats and funk fuelled  vintage House. The bass alone is enough to shake you to the dancefloor.

Check out the brand new video, which we’re premièring right here, A simplistic affair proving you don’t need a budget or to be a great artist to make a video as it flashes in time to the JBAG’s monster tune and features a cast of superstars.

JBAG’s Everybody (Come On) is our now.

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